"A valuable reference source, providing new information on and recording references to new illustrations of the more than 1,500 Greek black-figured vases catalogued by Haspels"--Book jacket.

The papers in this volume derive from the proceedings of an international symposium held at the J. Paul Getty Museum at the Getty Villa in June 2006 in connection with the exhibition The Colors of Clay: Special Techniques in Athenian Vases. The themes of the exhibition--vases executed in bilingual, coral-red gloss, outline, Kerch-style, white ground, and Six's techniques, as well as examples with added clay and gilding, and sculpted vases and additions--are the touchstones for the essays. More than twenty papers by renowned scholars are grouped under such general rubrics as Social Contexts for Athenian Vases in Special Techniques; Conservation, Analysis, and Experimentation; Artists, Workshops, and Production; and Markets and Exchange.

This is an exciting time to study in Athens. The “rescue” excavations of recent years, conducted during construction of the Metro system and in preparation for the 2004 Olympics Games, combined with major restoration projects and a new enthusiasm for fresh examination of old material, using new techniques and applications, brings new perspectives and answers on many aspects of the ancient city of Athens and life, politics and religion in Attica. The 15 papers presented here contribute new findings that result from intensive, firsthand examinations of the archaeological and epigraphical evidence. They illustrate how much may be gained by reexamining material from older excavations, and from the methodological shift from documenting information to closer analysis and larger historical reflection. They offer a variety of perspectives on a range of issues: the ambiance of the ancient city for passersby, filled with roadside shrines; techniques of architectural construction and sculpting; religious expression in Athens including cults of Asklepios and Serapis; the precise procedures for Greek sacrifice; how the borders of Attica were defined over time, and details of its road-system. In presenting this volume the contributors are continuing in a long tradition of autopsy – in the sense of 'personal observation' – in Athens, that began even in the Hellenistic period and has continued through the writings of centuries of travelers and academics to the present day.

This catalogue comprises those vases from Corinth and Athens with painted decoration in the Detroit Institute of Arts. Each vase is given a description of salient features, attribution to a painter and date, and discussion of the painted decoration.