Published posthumously, the second edition of The Concept of Law contains one important addition to the first edition, a substantial Postscript, in which Hart reflects upon some of the central concerns that have been expressed about the book since its publication in 1961. The Postscript is especially noteworthy because it contains Hart's only sustained response to the objections pressed by his foremost critic, Ronald Dworkin, who succeeded him to the Chair of Jurisprudence at Oxford. The Postscript focuses on a range of issues covering both Hart's substantive view and his methodological commitments. In particular, Hart endorses Inclusive Legal Positivism, asserts that his is a methodology of descriptive jurisprudence which he contrasts with Dworkin's normative jurisprudence or interpretivism, while denying that his theory of law has a semantic underpinning. The essays in this collection address each of these issues in a sustained way. The book contains discussions of Hart's semantic commitments, his rejection of a normative jurisprudence as well as the extent to which he can embrace Inclusive Legal Positivism in a way that is consistent with his other stated positions. The book's contributors include the leading advocates of alternative schools of Positivist jurisprudence, important contributors to the methodogical disputes in jurisprudence and noted experts on the relationship of philosophy of language to jurisprudence. Among the contributors of note are: Joseph Raz, Jules L. Coleman, Stephen Perry , Brian Leiter, Scott Shapiro and Andrei Marmor.

In this thrilling memoir, the first son of wrestling steps out from behind the shadows of Calgary's fabled "Hart dungeon" to discuss his family and the cutthroat world of professional wrestling. Stories about growing up as Stu Hart's son and the brother of wrestling legends Bret "Hitman" Hart and Owen Hart offer insight into this wrestling dynasty and the close relationships with people such as Andre the Giant and Killer Kowalski. Detailing the rise of the family business and how it was destroyed by Vince MacMahon, how the tragic death of Owen rocked the family, and what really happened behind the scenes of the infamous "Montreal screwjob," this gripping tell-all also provides information on how wrestling should be booked and the toll steroids and other drugs have taken on those close to Hart. The perfect book for fans, this account is chock-full of inside-the-ring stories and wrestling gossip.

Bob Mould, Grant Hart, and Greg Norton formed Hüsker Dü in 1979 as a wildly cathartic outfit fueled by a cocktail of anger, volume, and velocity. Here's the first book to dissect the trio that countless critics and musicians have cited as one of the most influential bands of the 1980s. Author Andrew Earles examines how Hüsker Dü became the first hardcore band to marry pop melodies with psychedelic influences and ear-shattering volume. Readers witness the band create the untouchable noise-pop of LPs like New Day Rising, Flip Your Wig, and Candy Apple Grey, not to mention the sprawling double-length Zen Arcade. Few bands from the original American indie movement did more to inform the alternative rock styles that breached the mainstream in the 1990s. Hüsker Dü truly were visionaries.