New editions of old favorites Meet Harry Kitten and Tucker Mouse. No one would ever dream that a cat and mouse could become friends, but that doesn't stop Harry and Tucker. All they have is each other to depend on. Together they begin an exciting adventure throughout New York, searching for a home they can call their own. But the two friends run into some troublesome times in their journey around town. Is all hope lost? Where will they turn to next? Join Chester Cricket and his friends in this classic tale from George Selden.

After Chester lands, in the Times Square subway station, he makes himself comfortable in a nearby newsstand. There, he has the good fortune to make three new friends: Mario, a little boy whose parents run the falling newsstand, Tucker, a fast-talking Broadway mouse, and Tucker's sidekick, Harry the Cat. The escapades of these four friends in bustling New York City makes for lively listening and humorous entertainment. And somehow, they manage to bring a taste of success to the nearly bankrupt newsstand. Join Chester Cricket and his friends in this classic children's book by George Selden, with illustrations by Garth Williams. The Cricket in Times Square is a 1961 Newbery Honor Book.

Chester Cricket needs help. That's the message John Robin carries into the Times Square subway station where Harry Cat and Tucker Mouse live. Quickly, Chester's good friends set off on the long, hard journey to the Old Meadow, where all is not well. Houses are creeping closer. Bulldozers and construction are everywhere. It looks like Chester and his friends' home will be ruined and the children of the town won't have a place to play. Harry Cat and Tucker Mouse are used to the city life. Now in the country, they need to find a place to stay and good things to eat. And most of all they must think of a plan to help their friends.

The electrifying diaries that are essential reading for anyone moved and fascinated by the life and work of one of America's most acclaimed poets. Sylvia Plath began keeping a diary as a young child. By the time she was at Smith College, when this book begins, she had settled into a nearly daily routine with her journal, which was also a sourcebook for her writing. Plath once called her journal her “Sargasso,” her repository of imagination, “a litany of dreams, directives, and imperatives,” and in fact these pages contain the germs of most of her work. Plath’s ambitions as a writer were urgent and ultimately all-consuming, requiring of her a heat, a fantastic chaos, even a violence that burned straight through her. The intensity of this struggle is rendered in her journal with an unsparing clarity, revealing both the frequent desperation of her situation and the bravery with which she faced down her demons.