An alphabetical guide to the paranormal, with more than five hundred entries on notable individuals, supernatural phenomena such as apparitions and levitation, geographical locations linked to the occult, and spiritual traditions such as Sufism and Taoism.

Ghosts and other supernatural phenomena are widely represented throughout modern culture. They can be found in any number of entertainment, commercial, and other contexts, but popular media or commodified representations of ghosts can be quite different from the beliefs people hold about them, based on tradition or direct experience. Personal belief and cultural tradition on the one hand, and popular and commercial representation on the other, nevertheless continually feed each other. They frequently share space in how people think about the supernatural. In Haunting Experiences, three well-known folklorists seek to broaden the discussion of ghost lore by examining it from a variety of angles in various modern contexts. Diane E. Goldstein, Sylvia Ann Grider, and Jeannie Banks Thomas take ghosts seriously, as they draw on contemporary scholarship that emphasizes both the basis of belief in experience (rather than mere fantasy) and the usefulness of ghost stories. They look closely at the narrative role of such lore in matters such as socialization and gender. And they unravel the complex mix of mass media, commodification, and popular culture that today puts old spirits into new contexts.

Discussing all aspects of the subject of parapsychology, this book describes the debates about the validity of paranormal experiences, distinguishes between what is "known" and what is speculation in each field and discusses research from India and Russia. Case histories are included.

The Encyclopedia of the Paranormal contains over 90 articles by more than 50 experts on topics including the strictly paranormal (psychokinesis, channeling, levitation, astrology, phrenology, palmistry); the historical (mediums, psychic research, alchemy, Houdini); the philosophical (miracles, survival of death, reincarnation); and work on investigatory photography, statistics, the media and the Bermuda Triangle. In his foreword, Carl Sagan says, "I wish [this book] were on the shelves of every newspaper editorial desk and every television newsroom, to encourage more skeptical backbone in reporting . . . . [I]n school libraries so that children would have some counterbalance to the many paranormal and mystical claims in our society."

Cheung presents a reference of paranormal myth and folklore - and the myths and legends surrounding ghosts and spirits in different cultures throughout the world, from famous ghost stories to various beliefs and superstitions that have taken root in different countries. It is a compendium of paranormal activity.

When helpful Hilda decides to move in to take care or the grouchy Dr. Weinerstein, his efforts to get rid of her have unexpected results.

What do medieval Icelanders mean when they say "troll"? What did they see when they saw a troll? What did the troll signify to them? And why did they see them? The principal subject of this book is the Norse idea of the troll, which the author uses to engage with the larger topic of paranormal experiences in the medieval North. The texts under study are from 13th-, 14th-, and 15th-century Iceland. The focus of the book is on the ways in which paranormal experiences are related and defined in these texts and how those definitions have framed and continue to frame scholarly interpretations of the paranormal. The book is partitioned into numerous brief chapters, each with its own theme. In each case the author is not least concerned with how the paranormal functions within medieval society and in the minds of the individuals who encounter and experience it and go on to narrate these experiences through intermediaries. The author connects the paranormal encounter closely with fears and these fears are intertwined with various aspects of the human experience including gender, family ties, and death. The Troll Inside You hovers over the boundaries of scholarship and literature. Its aim is to prick and provoke but above all to challenge its audience to reconsider some of their preconceived ideas about the medieval past.