In 2021, JD Bauer receives an invitation to his fifty-fifth high school reunion. When he tells his wife Carolyn that he wants to spend time revisiting his old hometown to remember it as it was, she's intrigued. She wants to hear stories, old and new, about a time in his life before she knew him, so together they embark on an unexpected journey. While JD is fulfilling his quest to enjoy fond memories, a hidden agenda is born-to confront and put to rest an emotional and haunting part of his past that has been kept largely sealed up and off-limits for decades. Though all his family is gone, some of the townspeople still carry memories of the loss of JD's father to an act of senseless violence and are supportive of his desire to put the hurt behind him.

Building on ideas first advanced by Arnold Schoenberg and later developed by Erwin Ratz, this book introduces a new theory of form for instrumental music in the classical style. The theory provides a broad set of principles and a comprehensive methodology for the analysis of classical form, from individual ideas, phrases, and themes to the large-scale organization of complete movements. It emphasizes the notion of formal function, that is, the specific role a given formal unit plays in the structural organization of a classical work.

Putting forward an extensive new argument for a humanities-based approach to big-data analysis, The Music in the Data shows how large datasets of music, or music corpora, can be productively integrated with the qualitative questions at the heart of music research. The author argues that as well as providing objective evidence, music corpora can themselves be treated as texts to be subjectively read and creatively interpreted, allowing new levels of understanding and insight into music traditions. Each chapter in this book asks how we define a core music-theory topic, such as style, harmony, meter, function, and musical key, and then approaches the topic through considering trends within large musical datasets, applying a combination of quantitative analysis and qualitative interpretation. Throughout, several basic techniques of data analysis are introduced and explained, with supporting materials available online. Connecting the empirical information from corpus analysis with theories of musical and textual meaning, and showing how each approach can enrich the other, this book provides a vital perspective for scholars and students in music theory, musicology, and all areas of music research.

Charlotte Mason looked at the world and saw that it was governed by universal laws, such as the law of gravity. Then she wondered. What if there were similar laws that governed the way people learn? If we knew what those laws were, we'd be able to pursue education along the most promising lines . She devoted her life to finding the key principles of education and then developing methods to make the most of them. The result is a comprehensive picture of living and learning that breathes life into education at every level--from babyhood to the adult years. It's not a rote system, but a flexible set of ideas that keep education in focus. These principles are for everyone concerned with teaching and learning. They are no more difficult to implement than the principle of gravity which allows you to walk, run, and even--when you know what you are doing--to soar.

This volume gathers together twenty articles from among the best scholarly writing on rock music published in academic journals over the past two decades. These diverse essays reflect the wide range of approaches that scholars in various disciplines have applied to the study of rock, from those that address mainly the historical, sociological, cultural and technological factors that gave rise to this music, to those that focus primarily on analysis of the music itself. This collection of articles, some of which are now out of print or otherwise difficult to access, provides an overview of the current state of research in the field of rock music, and includes an introduction which contributes to the ongoing debate over the distinction (or lack thereof) betweenrock andpop.

This book constitutes the proceedings of the 18th International Colloquium on Theoretical Aspects of Computing, ICTAC 2021, organized by the Nazarbayev University, Nur-Sultan, Kazakhstan. The event was supposed to take place in Nur-Sultan, Kazakhstan, but due to COVID-19 pandemic is was held virtually. The 15 papers presented in this volume were carefully reviewed and selected from 40 submissions. The book also contains one invited talk in full paper length. The book deals with challenges in both theoretical aspects of computing and the exploitation of theory through methods and tools for system development. The 20 full papers presented in this volume were carefully reviewed and selected from 55 submissions. The papers cover a wide variety of topics, including: getting the best price for selling your personal data; attacking Bitcoin; optimizing various forms of model checking; synthesizing and learning algorithms; formalizing and verifying contracts, languages, and compilers; analyzing the correctness and complexity of programs and distributed systems; and finding connections from proofs in propositional logic to quantum programming languages.

Beginning several generations before Schubert, the Lied first appears as domestic entertainment. In the century that follows it becomes one of the primary modes of music-making. By the time German song comes to its presumed conclusion with Richard Strauss's 1948 Vier letzte Lieder, this rich repertoire has moved beyond the home and keyboard accompaniment to the symphony hall. This is a 2004 introductory chronicle of this fascinating genre. In essays by eminent scholars, this Companion places the Lied in its full context - at once musical, literary, and cultural - with chapters devoted to focal composers as well as important issues, such as the way in which the Lied influenced other musical genres, its use as a musical commodity, and issues of performance. The volume is framed by a detailed chronology of German music and poetry from the late 1730s to the present and also contains a comprehensive bibliography.