Harlan Ellison, science fiction's brightest luminary, has joined forces with multi-award winning artist Paul Chadwick, creator of the incomparable Concrete, to bring you SEVEN AGAINST CHAOS, a graphic novel that is singular, powerful and unpredictable. This extraordinary odyssey of mystery and adventure will take you to the rim of reality and beyond. In a distant future, Earth is in grave danger: The fabric of reality itself in unraveling, leading to catastrophic natural disasters, displaced souls appearing from bygone eras, and sudden, shocking cases of spontaneous combustion. The only hope for Earth's survival is a force of seven warriors, each with his or her special abilities. But can these alien Seven Samurai learn to get along in time to find the source of the gathering chaos and save all of reality?

Harlan Ellison's masterwork of myth and terror as he seduces all innocence on a mind-freezing odyssey into the darkest reaches of mortal terror and the most dazzling heights of Olympian hell in his finest collection. Deathbird Stories is a collection of 19 of Harlan Ellison's best stories, including Edgar and Hugo winners, originally published between 1960 and 1974. The collection contains some of Ellison's best stories from earlier collections and is judged by some to be his most consistently high quality collection of short fiction. The theme of the collection can be loosely defined as God, or Gods. Sometimes they're dead or dying, some of them are as brand-new as today's technology. Unlike some of Ellison's collections, the introductory notes to each story can be as short as a phrase and rarely run more than a sentence or two. One story took a Locus Poll Award, the two final ones both garnered Hugo Awards and Locus Poll awards, and the final one also received a Jupiter Award from the Instructors of Science Fiction in Higher Education (discontinued in 1979). When the collection was published in Britain, it won the 1979 British Science Fiction Award for Short Fiction. Winner of the BSFA Award for best collection, 1978

Winner of the World Fantasy Award for best short story collection, this volume by one of the most acclaimed authors of the 20th century takes an intense look at how the specter of death haunts everyday life.

Winner of the Hugo and Nebula Awards: A science fiction classic about an antiestablishment rebel set on overthrowing the totalitarian society of the future. One of science fiction’s most antiestablishment authors rails against the accepted order while questioning blind obedience to the state in this unique pairing of short story and essay. “‘Repent, Harlequin!’ Said the Ticktockman” is set in a dystopian future society in which time is regulated by a heavy bureaucratic hand known as the Ticktockman. The rebellious Everett C. Marm flouts convention, masquerading as the anarchic Harlequin, disrupting the precise schedule with bullhorns and jellybeans in a world where being late is nothing short of a crime. But when his love, Pretty Alice, betrays Everett out of a desire to return to the punctuality to which she is programmed, he is forced to face the Ticktockman and his gauntlet of consequences. The bonus essay included in this volume, “Stealing Tomorrow,” is a hard-to-find Harlan Ellison masterwork, an exploration of the rebellious nature of the writer’s soul. Waxing poetic on humankind’s intellectual capabilities versus its emotional shortcomings, the author depicts an inner self that guides his words against the established bureaucracies, assuring us that the intent of his soul is to “come lumbering into town on a pink-and-yellow elephant, fast as Pegasus, and throw down on the established order.” Winner of the Prometheus Hall of Fame Award, “‘Repent, Harlequin!’ Said the Ticktockman” has become one of the most reprinted short stories in the English language. Fans of George Orwell’s Nineteen Eighty-Four and Aldous Huxley’s Brave New World will delight in this antiestablishment vision of a Big Brother society and the rebel determined to take it down. The perfect complement, “Stealing Tomorrow” is a hidden gem that reinforces Ellison’s belief in humankind’s inner nobility and the necessity to buck totalitarian forces that hamper our steady evolution.

With a foreword by Stephen King: Provocative and entertaining pieces from the multiple award-winning author. Pure, hundred‐proof distillation of Ellison. A righteous verbal high. Here you will find twenty of his very best stories and essays, including the four‐part ‘Scenes from the Real World,” an anecdotal history of the doomed TV series, The Starlost, that he created for NBC; “Tales from the Mountains of Madness”; and his hilariously brutal reportage on the three most important things in life, sex, violence, and labor relations. With an absolutely killer foreword by Stephen King.

"Get it straight right now: these aren't kids playing games of war. They mean business. They are junior-grade killers and public enemies one through five thousand..." In Rusty Santoro's neighborhood, the kids carry knives, chains, bricks. Broken glass. And when they fight, they fight dirty, leaving the streets littered with the bodies of the injured and the dead. Rusty wants out - but you can't just walk away from a New York street gang. And his decision may leave his family to pay a terrible price. First published more than half a century ago and inspired by the author's real-life experience going undercover inside a street gang, Web of the City was Harlan Ellison's first novel and marked the long-form debut of one of the most electrifying, unforgettable, and controversial voices of 20th century letters. Appearing here for the first time together with three thematically related short stories Ellison wrote for the pulp magazines of the 1950s, Web of the City offers both a snapshot of a lost era and a portrait of violence and grief as timely as today's most brutal headlines.

With this, his best-selling and most critically acclaimed collection ever, Ellison celebrates four decades of brilliant, outrageous writing. The award-winning novella "Mefisto in Onyx" is the centerpiece of an irreverent and wildly imaginative book that the San Diego Union-Tribune called "electrifying...Ellison is back, as unsettling as ever."