"Hardy was a landscape novelist, who painted enduring pictures of a real outdoor world that formed the stage upon which his characters lived out their tragic lives. Incorporating extracts from Hardy's poems and novels such as Return of the Native, Far From the Madding Crowd and Under the Greenwood Tree, this book consists of a series of walks through Hardy's landscapes. It allows the reader to appreciate not only the beauty and wonder of the natural world but also the unique contribution that Thomas Hardy has made to our ability to interpret that world. Hardy's landscapes are at once specific and general; based on real places and scenes, but purposefully distanced and disguised. The author argues that Hardy's Wessex is actually a very narrow territory and in doing so he calls into question a number of accepted identifications of Wessex locations and proposes new ones. Follow in the footsteps of Jude, Tess and Clym and live and breathe the very essence of Thomas Hardy's world."--Publisher's description.

The past remains essential - and inescapable. A quarter-century after the publication of his classic account of man's attitudes to his past, David Lowenthal revisits how we celebrate, expunge, contest and domesticate the past to serve present needs. He shows how nostalgia and heritage now pervade every facet of public and popular culture. History embraces nature and the cosmos as well as humanity. The past is seen and touched and tasted and smelt as well as heard and read about. Empathy, re-enactment, memory and commemoration overwhelm traditional history. A unified past once certified by experts and reliant on written texts has become a fragmented, contested history forged by us all. New insights into history and memory, bias and objectivity, artefacts and monuments, identity and authenticity, and remorse and contrition, make this book once again the essential guide to the past that we inherit, reshape and bequeath to the future.

A study of the fictious world in Hardy’s novels in relation to real places and Hardy’s real-life experiences. Thomas Hardy’s Wessex is one of the great literary evocations of place, populated with colourful and dramatic characters. As lovers of his novels and poetry know, this ‘partly real, partly dream-country’ was firmly rooted in the Dorset into which he had been born. J. B. Bullen explores the relationship between reality and the dream, identifying the places and the settings for Hardy’s writing, and showing how and why he shaped them to serve the needs of his characters and plots. The locations may be natural or man-made, but they are rarely fantastic or imaginary. A few have been destroyed and some moved from their original site, but all of them actually existed, and we can still trace most of them on the ground today. Thomas Hardy: The World of his Novels is essential reading for students of literature and for all Hardy enthusiasts who want to gain new insights into his work. Praise for Thomas Hardy “Take pleasure in a book like this one, which skillfully interweaves its evocative accounts of Hardy’s life, of Dorset and Cornwall places, and of the stories unfolded from places in six of his novels (and a few poems) so that we vividly re-experience them. . . . The pleasures of this book (and they are real) come from its ability to re-enchant us in a way that is not un-Hardy-like, to draw us again into the intensely seen, heard, and felt world of the novels and poems. It set me to re-reading Hardy, with different eyes.” —Review 19

A true story of crime and punishment in eighteenth-century England, and the first trial in recorded history to employ forensic evidence. In 1706, nineteen-year-old Mary Channing was convicted of poisoning her husband and became the last woman to be burned at the stake in Dorset. Despite the likely culpability of her lover, and her impressive attempts to defend herself, the jury took only half an hour to find her guilty, having accepted the groundbreaking toxicological evidence by prosecutors. When the day finally arrived, Mary’s execution was made into something of a county fair, with ten thousand spectators gathering to see the young mother consigned to the flames upon the floor of Dorchester’s ancient Roman amphitheater, Maumbury Rings. More than three hundred years after her barbaric demise, Mary’s fate still holds a macabre fascination, as it did then for author Thomas Hardy, for whom it became an obsession. Hardy recorded the details of Mary’s execution in his notebooks, expressed doubt of her guilt, and used her as the inspiration for his poem, “The Mock Wife”. Yet while Mary Channing has been granted a kind of grim celebrity, as well as an established place in the annals of female murderers, a measure of compelling sympathy for her case is another lasting aspect of her legacy is this “dramatic and fascinating” chronicle of a woman accused (Ripperologist Magazine).

This volume, produced in honour of Professor David A. Hinton’s contribution to medieval studies, re-visits the sites, archaeologists and questions which have been central to the archaeology of medieval southern England. Contributions are focused on the medieval period (from the Anglo-Saxon period to the Reformation) in southern England.