*Includes pictures *Includes the men's quotes own quotes about their lives and careers *Includes a transcript of Abbott & Costello's "Who's on First?" *Includes a bibliography for further reading By the 1920s, English comic Stan Laurel had been in dozens of films and American Oliver Hardy had appeared in hundreds, but it was not until they formed a duo together in 1926 that they began to truly be noticed. Once they did, however, Laurel & Hardy became one of the most famous comedy teams in American history, with a career that spanned 4 decades and included over 100 combined shorts and feature films. Even today, nearly 60 years after their last performances together, Laurel & Hardy are still popular, alongside legends like The Three Stooges and Abbott & Costello, and their routines are still watched across the globe. Perhaps most importantly, Laurel & Hardy were forerunners of slapstick comedy and thus influenced those that followed. Their complementary styles of slapstick humor, with the thin, childish Laurel acting as a foil for the overweight and overly pompous Hardy, offered a template for others to follow, and the duo established several famous gags that other acts like the Stooges subsequently mimicked. For example, when Laurel occasionally came up with a smart idea, something completely out of character, the surprised Hardy would ask him to repeat what he just said, and Laurel would be unable to replicate it. That theme would recur with Curly and the Stooges, and Laurel & Hardy's use of "D'oh!" has been made even more famous by Homer Simpson in The Simpsons. Of course, the physical aspects of their slapstick, which often included destruction and mayhem, proved popular for them and several groups as well. Ironically, one of America's most famous comedy duos, and the performers of the country's most famous skit, came together in part because Lou Costello had already failed to cut it in the film industry. In fact, Costello had appeared in a Laurel & Hardy film in 1927 before meeting his partner, Bud Abbott, on the burlesque circuit in New York City. In fact, the two first performed together in 1935 only because Abbott filled in for Costello's usual partner, who happened to be ill one fateful day. Over time, Abbott & Costello perfected their routine, which typically consisted of Abbott playing the straight man while his dimwit partner acted foolishly and interrupted his plans. It was a shtick that also did well on radio, albeit one that required Costello to modify his voice with a higher pitch that not only differentiated his from Abbott but also made him sound appropriately dumber. By 1940, they were not only successful on the radio but also among America's most popular movie stars, a status they held almost consistently throughout the decade and into the early 1950s. The legendary comedy duo performed together for decades, and like similar acts, their popularity began to wane over time, but Abbott & Costello are still household names today. While all of their material is still in syndication and watched by many, they are best known today for "Who's on First," the famous routine in which Abbott's answers about the names of baseball players at various positions on the field sound like questions and completely confuse Costello. Although the skit was pieced together from various others, it was immortalized by Abbott & Costello and helped popularize not only the duo but some of their subsequent material. Laurel & Hardy and Abbott & Costello: America's Most Popular Comedy Duos examines the lives, careers, and comedy of the famous performers. Along with pictures and bibliographies, you'll learn about them like never before.

The Abbott & Costello Story is a fond tribute to the comedy team that made Who, What, and I Don't Know the most hilarious names of baseball players ever batted around on the silver screen.

*Includes pictures *Includes the comedy acts' most famous quotes *Includes bibliographies for further reading *Includes a table of contents There has been no shortage of comedy acts in American history, but the most famous and popular of them all is The Three Stooges, an act that has become synonymous with slapstick. Bring up their name to any American or even ask about slapstick comedy, and invariably, certain images will come to mind, most of which came from the comedy shorts featuring three bumbling but likable fools getting into all sorts of trouble due to their inability to think or behave properly. Moe, Larry and Curly quickly became a hit in comedy shorts on screen, and even as other similar acts like Abbot & Costello went on to make full length films, the Stooges continued to star in shorts, producing the iconic scenes that everyone associates with them, from Larry asking what he did wrong to Moe trying to hit Curly and Curly's efforts to block him. By the 1920s, English comic Stan Laurel had been in dozens of films and American Oliver Hardy had appeared in hundreds, but it was not until they formed a duo together in 1926 that they began to truly be noticed. Once they did, however, Laurel & Hardy became one of the most famous comedy teams in American history, with a career that spanned 4 decades and included over 100 combined shorts and feature films. Even today, nearly 60 years after their last performances together, Laurel & Hardy are still popular, alongside legends like The Three Stooges and Abbott & Costello, and their routines are still watched across the globe. Ironically, one of America's most famous comedy duos, and the performers of the country's most famous skit, came together in part because Lou Costello had already failed to cut it in the film industry. In fact, Costello had appeared in a Laurel & Hardy film in 1927 before meeting his partner, Bud Abbott, on the burlesque circuit in New York City. In fact, the two first performed together in 1935 only because Abbott filled in for Costello's usual partner, who happened to be ill one fateful day. Over time, Abbott & Costello perfected their routine, which typically consisted of Abbott playing the straight man while his dimwit partner acted foolishly and interrupted his plans. It was a shtick that also did well on radio, albeit one that required Costello to modify his voice with a higher pitch that not only differentiated his from Abbott but also made him sound appropriately dumber. By 1940, they were not only successful on the radio but also among America's most popular movie stars, a status they held almost consistently throughout the decade and into the early 1950s. Working as "Martin and Lewis," the team of Dean Martin and Jerry Lewis became the most popular nightclub act in America, commanding huge fees for their appearances all across the country. Perhaps the most ironic aspect of their success is that Dean Martin was not a comedian in any real sense of the word, and even during their act, he essentially served as the straight man to Jerry Lewis. The routine ensured that critics took more notice of Jerry Lewis, who intentionally came across as an awkward figure with a brand of bodily humor that was borrowed from a lineage of Yiddish humor predicated on physical slapstick. And just as Martin benefited from Lewis' comedic skills, Lewis also further developed a singing career thanks to the more famous Martin's crooning. Though it's often forgotten now, the duo eventually broke up in the mid-1950s because Lewis was starting to outshine Martin in their joint film career.

As two of the most popular entertainers of the mid-century film industry, comic greats Bud Abbott and Lou Costello offered an essential balm to the American public following the sorrows of the Great Depression and during the trauma of World War II. This is the first book to focus in detail on the immensely popular wartime films of Abbott and Costello, discussing the production, content, and reception of 18 films within the context of wartime events on the home front and abroad. The films covered include the service comedies Buck Privates, In the Navy, and Keep 'Em Flying; more mainstream comic relief films such as Pardon My Sarong and Who Done It?; and post-war experiments such as Little Giant and The Time of Their Lives. More than 120 stills and lobby cards from the author's personal collection illustrate the text, including many showing outtakes or deleted scenes.

Abbott and Costello were the most popular comedians of the 1940s, with burlesque-inspired routines that enthralled audiences on both radio and television. Oddly, their films have not received the same level of attention from critics and writers as those of other comedy teams. This book is a scene-by-scene, film-by-film guide to their movies, making a compelling case for their inclusion at the very top of comic artists. Featuring new research and some surprising revelations, the book introduces newcomers to the delights of this uproarious team and provides confirmed fans with the ultimate companion to their work. Also included is a foreword by John Landis, the celebrated director and Abbott and Costello devotee.