Happy Times in Norway is a moving and delicately humorous picture of Undset’s own blissful home life before her nation fell to the Nazi occupation. Captured here is the excitement of a Norwegian Christmas, the Seventeenth of May, and summer in the idyllic mountains, as well as the chaotic adventure of raising two energetic boys. With vivid detail and illuminating descriptions of the landscape, Happy Times in Norway is infused with the wish that those cherished days could come again.

Volume One in a new series, this book covers Norwegian women's writing over the last 150 years, setting literary developments against the background of the emergence and growth of the women's movement in Norway. The work is divided chronologically into three sections: the period up to 1913, when the universal suffrage was granted; the period from 1913 to 1960, a time of stagnation in the women's movement, with little involvement in contemporary political, social and economic debates; and the period from 1960 to the present day, which has seen an increasing participation of women in public life. Chapters on individual authors concentrate on the images of the women portrayed and investigate the conflicts behind the text - the tensions between the authors and their work, and the ambivalent feelings of women authors towards the act of writing. The book should be of interest to all those concerned with women's writing and with Scandanavian literature and culture. The series provides a survey, country by country of women's writing from the beginnings of the major struggle for emancipation up to the present day. While the main emphasis is on literature, the social, political and cultural development of each country provides a context for understanding the position and preoccupations of women writers. Modern critical currents are also taken into account in relating feminist criticism to recent critical theory. Forthcoming volumes in this series include "Women's Writing in Italy 1870-1990" and "Swedish Women's Writing 1850-1990".

Novelist Sigrid Undset (1882–1949) left a mark on twentieth-century literature, not only in her homeland of Norway, but across the West. Her painterly eye for the Scandinavian countryside, her uncompromising emotional realism, her concrete sense of history, her bold vision of woman and man—these won her such acclaim that she received the 1928 Nobel Prize for Literature, not long after the publication of her epic historical novel, Kristin Lavransdatter. During World War II, she loudly opposed anti-Semitism and the Nazi regime, and in the final years of her life, the Norwegian state awarded her the Grand Cross of the Order of Saint Olav—the first time this honor was given to a woman outside the royal family. Among her other celebrated works are the novels The Master of Hestviken and Ida Elisabeth, as well as a powerful biography of Catherine of Siena. But something else set Undset apart. In 1924, she converted to Roman Catholicism, alienating her from Protestants and secular intellectuals alike. This spiritual turn shaped the very heart of her work, as well as her own life as a mother. In a world pockmarked by suffering, disappointment, and cruelty, she discovered that Jesus Christ alone gives meaning to the word "love". Acclaimed theologian and spiritual writer Father Aidan Nichols takes on the figure of Sigrid Undset from a distinctively Christian point of view. Rich in both biography and textual analysis, Sigrid Undset: Reader of Hearts renders a shrewd, colorful account of a writer who allowed her art to be transfigured by the fire of God's mercy and, thus, to be opened to a beauty beyond all telling.

Presents biographies and criticism of some of the most influential Norwegian writers of the twentieth century, producing a representative cross section of the Norwegian literary environment with writers of various decades, movements, and genres - preference has been given to authors whose works have been translated into English.