Hans Eijkelboom: People of the Twenty‐First Century is an enormous and completely fascinating collection of "anti‐sartorial" photographs of street life by the Dutch conceptual artist/street photographer. From Amsterdam to New York and Paris to Shanghai, these photographs, taken over a period of more than twenty years, provide a cumulative portrait of the people of the twenty‐first century. A magnetic panoply of images, this cult object has a place in the library of every photography book collector as well as anyone interested in contemporary culture. Democratic, apolitical and unique, the archive of thousands of images offers an engrossing and engaging cross-section of society. Over the course of the last two decades, the Dutch photographer worked methodically on his monumental Photo Notes project: First he would select a busy pedestrian area – his favorite spots were often near shopping centers – where he would stay for 30 minutes up to a few hours. He then spent time observing passers-by before recognizing a common type, normally based on a garment, sometimes a behavior: people in band T‐shirts, fur caps or beige trench coats; young couples walking arm in arm; women in suit dresses; men with gelled hair or pushing shopping trolleys. . . He snapped them with a camera hung around his neck, attached to a trigger in his pocket. Back in the studio, the images were laid into grids called Photo Notes. Their simplicity of form and presentation belies their complex anthropological, social and artistic commentary.

Introduction by Martin Parr. Essay by Tony Godfrey.

China's opkomst als wereldmacht is een van de ingrijpendste gebeurtenissen van deze tijd. Honderden miljoenen mensen zijn de armoede ontvlucht dankzij de snelle industrialisatie van het land. De wonderbaarlijke economische groei van China heeft zijn nadelen, iets wat vaak het meest pijnlijk duidelijk wordt in de steden. Deze studie is geschreven door wetenschappers uit verschillende disciplines, waaronder architectuur, stedenbouw, sociale wetenschappen, aardrijkskunde en antrolpologie. Een dee van de auteurs behandelt de mondiale ambities van de steden, terwijl andere hun culturele en architecturale uitingen onderzoeken.

The blind photographer cannot see a butterfly perched perfectly still on a flower, a bowl of sweet-smelling fruit, or a child's rattle on a darkened floor, but the mind's eye is sharply focused. How then, do blind or partially sighted people capture such extraordinary images? The photographs in this revelatory book suggest a deeper truth: that blindness is itself a kind of seeing, and that those who can see are often blind to the strangeness and beauty of the world around them. As the blind photographer Evgen Bavcar writes, "Photography must belong to the blind, who in their daily existence have learned to become the masters of camera obscura." Through the photographs of more than fifty blind or partially sighted people from around the world, this exhilarating book—the first to explore this phenomenon in all its vibrancy and diversity—will make you see differently.

Between 2008 and 2010 Mauro D'Agati visited Masonic lodges in Havana to take photos of this secret and largely unseen world. Through D'Agati's images of Masonic meetings, temples, symbols, documents, as well as portraits of the Masons themselves, we gain access to the intricate rituals of Masonic life, which are a blend of the earnest, mysterious traditions of an elite fraternity and everyday Cuban existence. The Grand Lodge of Cuba holds a special position in Freemasonry circles as Cuba is one of the few Communist nations where Masonry still thrives: today there are 316 lodges and more than 29,000 members on the island. The precise details of the workings within a temple may not be revealed to the public, yet D'Agati's photos take us as far as permissible into this fascinating subculture. Mauro D'Agati, born 1968 in Palermo, began working as a professional photographer in 1996, initially covering many Sicilian jazz festivals, as well as art and theatrical events. He has contributed to international publications including Le Monde, Stern, and Italian Vanity Fair. Steidl has published D'Agati's Palermo Unsung (2009), and Alamar and Napule Shot, both in 2010.

Collects street photographs from noted photographers of cities around the world, from New York and Sao Paolo to Paris and Sydney.