Now guitarists can benefit from these essential exercises that have helped pianists for centuries. This book will aid in the development of finger strength and playing speed. Players at all levels will benefit from this collection.

(Musicians Institute Press). This book by MI faculty instructor Peter Deneff is intended as a sort of guitar sequel to Hanon's piano classic The Virtuoso Pianist in Sixty Exercises . He teaches beginning to professional guitarists 51 exercises, covering: diatonic and chromatic scales; major, minor, dominant and half-diminished seventh arpeggios; whole tones; diminished arpeggios; and more.

(Musicians Institute Press). This one-on-one lesson with Musicians Institute instructor Peter Deneff features 50 exercises for the beginning to professional jazz pianist, covering: angular lines, large intervals, pentatonic patterns, blues scales, irregular chromatic melodies, double-note patterns, suggested fingerings, suggestions for practice, and more.

Easy to intermediate pieces by J.S. Bach including Jesu, Joy of Man's Desiring, Bourr̩e and more. Musical and technical information accompany each piece, and helpful fingering suggestions are also included.

Find out what is happening out on the edge of the rock guitar scene. Licks and lessons of the most cutting edge styles are shown in standard music notation and TAB including. Styles include ska-influenced rock, surf rock, rap-influenced rock, hiphop-influenced rock, acoustic-influenced rock, new psychedelic rock and avant-garde rock. Check out rare photographs and background information on unique recording artists. The CD includes all the licks found in the book.

Get Fruteland Jackson's Guitar Roots: Delta Blues together with the Beginning Delta Blues Guitar DVD and save!

The pieces in this book are selected and designed around the various techniques addressed in the best-selling book Pumping Nylon. They are offered as an extension of the exercises presented in that book, and to provide concert pieces in which to apply the various techniques discussed. The emphasis here is technique-building repertoire appropriate for study and concert performance. New compositions included are by Adam del Monte, Joe Diorio, Brian Head and Carlos Rivera. Also included is the cadenza from Rodrigo's Concierto de Aranjuez.