The Reverend W.O. Stone was a force to contend with. When he and his family moved to Bemis, a small mill town south of Jackson, Tennessee, they knew that they were entering a community divided by history, by hatred, by race, and by stubborn Southern tradition. But Reverend Stonea man of great and profound faithreached out, risked everything, and did his part to forge a brighter future for his community by confronting the harsh realities of racism and segregation. There, Reverend Stone and his wife raised five children amid dark and dangerous times in American history. As told through the eyes and memory of his middle child, Virginia, Hands on the Railing provides an intimate and personal glimpse into the lives of this brave and forward-thinking man and the people he loved, worked with, and prayed for. He survived the ugliest moments of a time when violence ruled the day, including the burning of a church, attacks on his dignity and person, and many unkind words along the way. Disillusioned by the seedy side of Southern pride and ignorance, his faith was sorely tested. But through experience and by the power of faith on bended knee, the good reverend struggled to find the strength, courage, and wisdom to confront the many demons in his life, both within and without. Through it all, W.O. was a spellbinding preacher, a loving husband, and a good father, a man who made his mark in the world with dignity, faith, and honor.

Excerpt from Lessons on Hand Railing, for Learners I wish it to appear that this new treatise is indispensable, or that the subject Shall receive a clearer elucida tion from this than from former works. It is simply a separate and distinct system of lines, the construe tive principle differing in every material point from that illustrated in my previous works; and no similar. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.