Combining the insights of present-day biblical studies with those of Handelian studies, this book examines the libretti of ten of Handel's Israelite oratorios and evaluates the relationship between each libretto and the biblical story on which it is based.

In this wide-r anging and challenging book, Ruth Smith claims that the words to Handel's oratorios reflect the events and ideas of their time and have far greater meaning than has hitherto been realised. She explores eighteenth-century literature, music, aesthetics, politics and religion to reveal Handel's texts as conduits for the thought and sensibility of their time. The book thus enriches our understanding of Handel, his times, and the close relationship between music and its intellectual contexts.

This volume offers a thematic study of an integral part of the Hebrew text of Esther, namely, violence. In The Dynamics of Violence and Revenge in the Hebrew Book of Esther, Francisco-Javier Ruiz-Ortiz makes the first ever monographic research on the topics of hostility and the mechanisms of revenge as expressed by the author of the Hebrew book of Esther. The present book is divided into two parts consisting of three chapters each. After an introductory chapter reviewing previous studies on the book of Esther, the author analyses the main vocabulary of violence and revenge in this biblical text before studying the narrative of Esther from the point of view of violence. The results of these two avenues of research are then applied on three pericopes which are representative of the dynamics of violence. Each of the chosen texts illustrates how violence and revenge are used by the author to express the message of survival and the importance of the Jewish people.

Baroque composer George Frideric Handel easily ranks among the world's greatest composers. The first edition of this research guide on Handel appeared in 1988; since that time a great deal of scholarly work has been published on Handel and related areas, including the discovery of a hitherto unknown work. New general resources such as the New Grove Dictionary of Opera (1992), electronic resources such as the RISM libretto catalogue online, and the study of Handel's continuing popularity as evidenced by the new Handel House Museum in London and Handel practice around the world (e.g., Messiah and millennium celebrations in Tonga, singalong Messiahs etc.) are incorporated into this revised edition of the Handel guide.

The author presents a view of Handels life--his character, faith and music--as his contemporaries saw him.

"This book analyses the character of Jonathan in 1 Sam 13-2 Sam 1 and in contemporary fiction. The first part of each chapter is devoted to the literary portrayal of Jonathan in the final form of the biblical text. It seeks to establish an interpretation that allows Jonathan to be read as a psychologically cohesive character. This part raises a series of questions. What kind of man is Jonathan who shows initiative, daring, and clear leadership ability (1 Sam 13-14), yet also is willing to lay down his crown before the usurper David's feet in humble submission (1 Sam 18-23)? What kind of son is Jonathan who rebels against Saul and takes David's part in the conflict between the two men, yet remains loyal to his father until the bitter end on Mount Gilboa? The second part of each chapter investigates the depictions of Jonathan in contemporary fiction, with focus on novels, short stories, and poetry. It explores how a wide range of modern retellings of the David saga highlight, transform, and subvert the biblical portrayal of Jonathan. This part responds to the series of questions raised in the first part. Together, the two parts demonstrate how fictional retellings both deepen and challenge the ways that scholars interpret the biblical text"--

Offering comprehensive coverage of classical music, this guide surveys more than eleven thousand albums and presents biographies of five hundred composers and eight hundred performers, as well as twenty-three essays on forms, eras, and genres of classical music. Original.