Describes and illustrates most of the basic symbols used in hiding treasure.

The author uses his inquisitive mind to set out and prove the existence of Yamashita's infamous untouched treasure deposits buried all around the Philippine Islands. Working alongside Filipino treasure hunters the author has visited untouched treasure sites in Luzon, Cebu, Davao, General Santos and Glan in Mindanao. It has taken Aquila Chrysaestos over six years to successfully document many original Japanese treasure code books, and treasure maps, for you the reader. Aquila has answered many of the questions that he had while puzzling out the precise way in which the Japanese Imperial family members went about burying the wealth of fourteen South East Asian countries, on land and at sea throughout the islands during 1942 to 1945 when the Japanese Imperial Army occupied the Philippine islands. Using his practical skills and a logical approach to solving many of his unanswered questions, the author has compiled a very comprehensive step by step "how to" book that will aid you the treasure hunter wanting answers to your own Philippine treasure quest. This book is packed with: 19 sections including the quick reference guide A to Z of treasure signs and symbols 100 colour drawings, by the author himself many drawn from unknown treasure sites 150 colour photographs of carved treasure symbols, maps and recovered gold 30 black and white WWII photographs 40 black and white diagrams This brilliant gem of a book takes you through every process of planning our own treasure hunt. The equipment you will need, the treasure permits, where to look and how to recover your own piece of war treasure safely, and so much more! Buy this book now and go and live your dream of becoming a successful treasure hunter today! Absolutely fantastic! A real mine of information for the seeker of Japanese war gold buried in the Philippines. In over 400 fact-filled pages, Aquila has cracked the Japanese treasure code and, with up to the minute locating and recovery techniques, paved the way for bringing this vast wealth to the surface. An incredible story and a great read for the armchair treasure hunter too! David Villanueva, treasure hunter and author, Whitstable, UK

Discusses the elements of a sign, and looks at pictograms, alphabets, calligraphy, monograms, text type, numerical signs, symbols, and trademarks.

This book provides examples of candidate treasure signs, symbols, and marks still visible right now where the pavement and noise of civilization have not yet encroached. More than a mere table of idealized treasure sign sketches, this book is full of actual pictures of a wide variety of real signs, symbols, and marks from lonely corners of the ever-rugged North American Southwest. Many of these examples are in areas of known mineral wealth, along known routes of ancient travel, or in areas with a documented legendary tale. Others are from wondrous, stumbled-upon areas possessed of no current name, record, or legend. These are the most precious. In truth, Gold, Silver, Copper and valuable minerals have been recovered while prospecting the areas where these signs, symbols, and marks were documented, and perhaps an examination of these occurrences can help you in some future quest of a similar nature. What You Will Find in This Book: * Pictures, not just drawings, of REAL treasure signs, symbols, and marks, including several never-before released stone maps * Advice for how to use treasure signs, symbols, and marks for yourself * Examples of certain site set ups, and analysis of several famous "big" treasure legends * Web links to numerous treasure tales and resources, including GPS starting points

Certain symbols abound in modern Western culture that are instantly recognizable: the cross signifies Christianity, the six-pointed Star of David is revered by Jews, the golden arches frequently means it's time for lunch. Other symbols, however, require a bit of decoding-particularly those found in cemeteries. Cemeteries are virtual encyclopedias of symbolism. Engravings on tombstones, mausoleums and memorials tell us just about everything there is to know about a person: date of birth and death as well as religion, ethnicity, occupation, community interests, and much more. In the fascinating new book Stories in Stone: The Complete Guide to Cemetery Symbolism by noted author Douglas Keister, the secrets of cemetery symbolism are finally revealed. Did you know that it is quite rare to see a sunflower on a tombstone? Did you know that the human foot symbolizes humility and service since it consistently touches the earth? Or the humble sheaf of wheat-while it is often used to denote someone who has lived a long and fruitful life? Do you know other meanings it might carry? Stories in Stone provides history along with images of a wide variety of common and not-so-common cemetery symbols, and offers an in-depth examination of stone relics and the personal and intimate details they display-flora and fauna, religious icons, society symbols, and final impressions of how the deceased wished to be remembered. Douglas Keister has created a practical field guide that is compact and portable, perfect for those interested in family histories and genealogical research, and is the only book of its kind that unlocks the language of symbols in a comprehensive and easy-to-understand manner. Douglas Keister has photographed fourteen award-winning, critically acclaimed books (including Red Tile Style: America's Spanish Revival Architecture, The Bungalow: America's Arts & Crafts Home, and Storybook Style: America's Whimsical Homes of the Twenties) earning him the title "America's most noted photographer of historic architecture." He also writes and illustrates magazine articles and contributes photographs and essays to other books, calendars, posters, and greeting cards. Doug lives in Chico, California, and travels frequently to photograph and lecture on historic architecture and photography.

"Archaeologist Genevieve von Petzinger looks past the horses, bison, ibex, and faceless humans in the ancient paintings and instead focuses on the abstract geometric images that accompany them. She offers her research on the terse symbols that appear more often than any other kinds of figures--signs that have never really been studied or explained until now"--