Handbook of Soviet Space-Science Research (1968) provides a comprehensive and authoritative English language summary of Soviet space-science research of the 1960s.

Soviet Robots in the Solar System provides a history of the Soviet robotic lunar and planetary exploration program from its inception, with the attempted launch of a lunar impactor on September 23, 1958, to the last launch in the Russian national scientific space program in the 20th Century, Mars 96, on November 16, 1996. This title makes a unique contribution to understanding the scientific and engineering accomplishments of the Soviet Union’s robotic space exploration enterprise from its infancy to its demise with the collapse of the Soviet Union. The authors provide a comprehensive account of Soviet robotic exploration of the Solar System for both popular space enthusiasts and professionals in the field. Technical details and science results are provided and put into an historical and political perspective in a single volume for the first time. The book is divided into two parts. Part I describes the key players and the key institutions that build and operate the hardware, the rockets that provide access to space, and the spacecraft that carry out the enterprise. Part II is about putting these pieces together to enable space flight and mission campaigns. Part II is written in chronological order beginning with the first launches to the Moon. Each chapter covers a particular period when specific mission campaigns were undertaken during celestially-determined launch windows. Each chapter begins with a short overview of the flight missions that occurred during the time period and the political and historical context for the flight mission campaigns, including what the Americans were doing at the time. The bulk of each chapter is devoted to the scientific and engineering details of that flight campaign. The spacecraft and payloads are examined with as much technical detail as is available today, the progress is described, and a synopsis of the scientific result is given.

Brian Harvey recounts for the first time the definitive history of scientific Russian space probes and the knowledge they acquired of the Earth, its environment, the Moon, Mars and Venus. He examines what Russian Space Science has actually achieved in furthering our knowledge of the Solar System, focusing on the instrumentation and scientific objectives and outcomes, the information gained and lessons learnt. Boxes and charts are used extensively in order to convey in an easily understandable manner for the non-scientific reader the problems and issues addressed and solved by Soviet space science. The book opens with the story of early space science in Russia, which started when the first Russian rockets were fired into the high atmosphere from Kapustin Yar in the late 1940s. Instruments were carried to measure and map the atmosphere and later rockets carried dogs to test their reactions to weightlessness. In order to beat America into Earth orbit, two simpler satellites than originally planned were launched, Sputnik and Sputnik 2, which provided some initial information on atmospheric density, while the following Sputnik 3 carried twelve instruments to measure radiation belts, solar radiation, the density of the atmosphere and the Earth’s magnetic field. The author recounts how, by the 1960s, the Soviet Union had developed a program of investigation of near-Earth space using satellites within the Cosmos program, in particular the DS (Dnepropetrovsky Sputnik), small satellites developed to investigate meteoroids, radiation, the magnetic fields, the upper atmosphere, solar activity, ionosphere, charged particles, cosmic rays and geophysics. Brian Harvey then gives the scientific results from Russian lunar exploration, starting with the discovery of the solar wind by the First Cosmic Ship and the initial mapping of the lunar far side by the Automatic Interplanetary Station. He describes Luna 10, which made the first full study of the lunar environment, Luna 16 which brought soil back to Earth and the two Moon rovers which travelled 50 kms across the lunar surface taking thousands of measurements, soil analyses and photographs, as well as profiles of discrete areas. Chapters 4 and 5 describe in detail the scientific outcomes of the missions to Venus and Mars, before considering the orbiting space stations in Chapter 6. Space science formed an important part of the early manned space program, the prime focus being the human reaction to weightlessness, how long people could stay in orbit and the effects on the body, as well as radiation exposure. Chapter 7 looks at the later stage of Soviet and Russian space science, including Astron and Granat, the two observatories of the 1980s, and Bion, the space biology program which flew monkeys and other animals into orbit. The final chapter looks forward to a new period of Russian space science with the Spektr series of observatories and a range smaller science satellites under the Federal Space Plan 2006-2015.

This book interrogates the relations between nostalgias of today and past utopias in the context of the space age of the 20th century and its cinematic representations in the USSR and in post-Soviet Russia. Once an enthusiastic projection, then a promising and uncanny present, and eventually an assemblage of nostalgic signifiers, in the history of world cinema, this space age has been linked primarily to the genre of science fiction. Here, aspects of the space age such as humanity’s imminent expansion to space, interplanetary travel, contact with extraterrestrial intelligence, and intergalactic governance and economy were both celebrated and critically interrogated as cosmopolitan ideals and nation-branding strategies. This book presents the contemporary relevance of this genre as heritage and legacy, archive and canon, and a nest of forgotten ideals and warnings, as well as nostalgic anchoring points. The author analyzes over 30 Soviet science fiction films, foregrounding their structures of utopia and their evolution over time, in order to trace both their transnational positionalities, transmedial resonance, and impact on post-Soviet Russian films about the space age. Concepts, crucial to the understanding of space futures of the past, such as utopianism, otherness, liminality, and no(w)stalgia are activated to draw out the fictional tenants of the memory of the Soviet space age, and to establish the limits and potentialities of Soviet (exra)terraformative ambitions.