The Oxford Handbook of Canadian Literature provides a broad-ranging introduction to some of the key critical fields, genres, and periods in Canadian literary studies. The essays in this volume, written by prominent theorists in the field, reflect the plurality of critical perspectives, regional and historical specializations, and theoretical positions that constitute the field of Canadian literary criticism across a range of genres and historical periods. The volume provides a dynamic introduction to current areas of critical interest, including (1) attention to the links between the literary and the public sphere, encompassing such topics as neoliberalism, trauma and memory, citizenship, material culture, literary prizes, disability studies, literature and history, digital cultures, globalization studies, and environmentalism or ecocriticism; (2) interest in Indigenous literatures and settler-Indigenous relations; (3) attention to multiple diasporic and postcolonial contexts within Canada; (4) interest in the institutionalization of Canadian literature as a discipline; (5) a turn towards book history and literary history, with a renewed interest in early Canadian literature; (6) a growing interest in articulating the affective character of the "literary" - including an interest in affect theory, mourning, melancholy, haunting, memory, and autobiography. The book represents a diverse array of interests -- from the revival of early Canadian writing, to the continued interest in Indigenous, regional, and diasporic traditions, to more recent discussions of globalization, market forces, and neoliberalism. It includes a distinct section dedicated to Indigenous literatures and traditions, as well as a section that reflects on the discipline of Canadian literature as a whole.

Margaret Atwood's witty and informative book focuses on the imaginative mystique of the wilderness of the Canadian North. She discusses the 'Grey Owl Syndrome' of white writers going native; the folklore arising from the mysterious-- and disastrous -- Franklin expedition of the nineteenth century; the myth of the dreaded snow monster, the Wendigo; the relations between nature writing and new forms of Gothic; and how a fresh generation of women writers in Canada have adapted the imagery of the Canadian North for the exploration of contemporary themes of gender, the family and sexuality. Writers discussed include Robert Service, Robertson Davies, Alice Munro, E.J. Pratt, Marian Engel, Margaret Laurence, and Gwendolyn MacEwan. This superbly written and compelling portrait of the mysterious North is at once a fascinating insight into the Canadian imagination, and an exciting new work from an outstanding literary presence.

The complexities of the English language can be daunting for even the most fluent speakers, and for Canadians this is doubly so with the mixture of British and American traditions. Almost anyone engaged in formal writing will sometimes need to consult a usage guide for advice, but Canadians have always been forced to choose between a British or an American source. With the Guide to Canadian English Usage, writers will have an authoritative reference based on Canadian sources that provides pithy direction on numerous details of the language. From the indefinite article to zoology, alphabetically arranged entries clarify issues of word choice, punctuation, spelling, and abbreviation. Throughout it offers guidance on Canadianisms, confusibles, difficult expressions, First Nation names, foreign phrases, grammar, inclusive language, punctuation, spelling, and troublesome pronunciations. Each entry explains the problem at hand, outlines a range of prescriptions, and then either recommends a particular usage or reviews the alternatives from which the now-informed reader can choose. All entries feature a wide range of fascinating quotations from Canadian sources. Newly reissued in an attractive hardcover edition, the Guide to Canadian English Usage is the essential reference for any writer, editor, or speaker of English in Canada.

Excerpt from Handbook of Canadian Literature (English) Frequently I heard the statement made by men who ought to know, that Canada had no literature of its own, and in order to supply this deficiency of our intellectual life we had to depend upon the literary talent of Britain and that of our neighbors to the south of us. But in coming into Canada has the British race lost its ambitions and 'mental vigor? If so, why? The assertion is not true obviously with regard to the subduing of the forest and the cultivating of the virgin soil of this rich and vast country. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Handbook of Canadian Foreign Policy is the most comprehensive book of its kind, offering an updated examination of Canada's international role some 15 years after the dismantling of the Berlin Wall ushered in a new era in world politics. Highlighting both well-known and understudied topics, this handbook presents a marriage of the familiar and the underappreciated that enables readers to grasp much of the complexity of current Canadian foreign policy and appreciate the challenges policymakers must meet in the early 21st century.