This book reads like a cross between a literary detective novel and a personal conversation with a passionate Shakespeare scholar, unpacking the play that Roth calls the seminal text of the humanist religion. It unveils new realities about the playsome of which have have lain hidden since Shakespeares dayuntangles centuries of commentary and criticism, and delivers the punch lines for a whole raft of Shakespeares remarkably involved in-jokes. Roths scholarship tackles old arguments like Hamlets age (hes sixteen), lays out the intricate time structure thats embedded in the play, and unravels several of the plays endless allusions that so puzzle the will. He depicts a dense, ironic, and multivalent web of political and dramatic tension in Elsinore (plus a great deal of humor), and delivers one ahamoment after another for lovers of the Bards greatest tragedy.

Now in paperback—a bold reinvention of Shakespeare’s Hamlet and a hair-bristling story of betrayal, revenge, and the possibilities of forgiveness On a cold November afternoon in northern Minnesota, seventeen-year-old Jesse Matson finds his hunting partner—his father—sprawled on the forest floor, dead of a rifle wound. Authorities rule it a suicide, but Jesse is not convinced. Haunted by the ghost of his dad, and compelled by recently unearthed secrets, he is forced to wrestle with questions of justice and retribution even as he tries to hold his family, and himself, together.

Ann Sei Lin's enchanting and action-packed debut, first in a series, will sweep readers away to an aerial world of magic, danger and political intrigue. Perfect for fans of Elizabeth Lim, Kalynn Bayron and the films of Studio Ghibli. Kurara has never known any other life than being a servant onboard the Midori, a flying ship serving the military elite of the Mikoshiman Empire, a vast realm of floating cities. Kurara also has a secret — she can make folded paper figures come to life with a flick of her finger. But when the Midori is attacked and Kurara's secret turns out to be a power treasured across the empire, a gut-wrenching escape leads her to the gruff Himura, who takes her under his wing. Under Himura's tutelage, and with the grudging support and friendship of his crew, Kurara learns to hunt shikigami — wild paper spirits sought after by the Princess of Mikoshima. But what does the princess really want with the shikigami? Are they merely enchanted figures without will or thought, or are they beings with souls and minds of their own? As fractures begin to appear both across the empire and within Kurara's understanding of herself, Kurara will have to decide who she can trust. Her fate, and the fate of her friends — and even the world — may rest on her choice. And time is running out.

In this work of scholarship and creativity, Meagher argues that Shakespeare has been misunderstood because of a failure to recognize his own directions as a playwright. Through an examination of several of his plays Meagher uncovers Shakespeare as artist, director, and actor.

A driving sense of discovery lies at the heart of Capuchin: reviving great works of fiction which have been unjustly forgotten or neglected. This founding ethos - restoring a richness to the canon in an era of relative blandness - is coupled by a sprinkling of well known favourites to form a series which holds wide appeal. Each book is introduced afresh by a well known champion or figure of distinction. This title edited by Margaret Drabble.

In Hamlet in Purgatory, renowned literary scholar Stephen Greenblatt delves into his longtime fascination with the ghost of Hamlet's father, and his daring and ultimately gratifying journey takes him through surprising intellectual territory. It yields an extraordinary account of the rise and fall of Purgatory as both a belief and a lucrative institution--as well as a capacious new reading of the power of Hamlet. In the mid-sixteenth century, English authorities abruptly changed the relationship between the living and dead. Declaring that Purgatory was a false "poem," they abolished the institutions and banned the practices that Christians relied on to ease the passage to Heaven for themselves and their dead loved ones. Greenblatt explores the fantastic adventure narratives, ghost stories, pilgrimages, and imagery by which a belief in a grisly "prison house of souls" had been shaped and reinforced in the Middle Ages. He probes the psychological benefits as well as the high costs of this belief and of its demolition. With the doctrine of Purgatory and the elaborate practices that grew up around it, the church had provided a powerful method of negotiating with the dead. The Protestant attack on Purgatory destroyed this method for most people in England, but it did not eradicate the longings and fears that Catholic doctrine had for centuries focused and exploited. In his strikingly original interpretation, Greenblatt argues that the human desires to commune with, assist, and be rid of the dead were transformed by Shakespeare--consummate conjurer that he was--into the substance of several of his plays, above all the weirdly powerful Hamlet. Thus, the space of Purgatory became the stage haunted by literature's most famous ghost. This book constitutes an extraordinary feat that could have been accomplished by only Stephen Greenblatt. It is at once a deeply satisfying reading of medieval religion, an innovative interpretation of the apparitions that trouble Shakespeare's tragic heroes, and an exploration of how a culture can be inhabited by its own spectral leftovers. This expanded Princeton Classics edition includes a new preface by the author.

A wonderful collection of essays by inspiring Trinidadian poet and journalist, Andre Bagoo.