The second volume of the comprehensive biography of the renowned twentieth-century Scottish poet and translator. A songwriter, poet, and pioneer in the field of folksong, Hamish Henderson was a towering figure in twentieth-century Scottish literature. He also translated poetry—from Gaelic, French, German, Latin, and Greek—much of it into Scots. His life spanned most of the twentieth century, including serving in North Africa and Italy with the 51st Highland Division during World War II. This book continues Timothy Neat’s major study of this charismatic and fascinating man, presenting both a detailed biography and an assessment of his place in the context of the twentieth century. It is based on firsthand interviews with those who knew Henderson both personally and professionally, as well as detailed research of published and unpublished sources.

A “detailed, vivid and fascinating” biography of one of Scotland’s most fascinating literary figures (Sunday Herald). Hamish Henderson lived one of the great lives of twentieth-century Scotland, a dramatic life of epic European scale, a life of major artistic, political, and spiritual achievement. Well-known as a songwriter, a poet, and a pioneer in the field of Scottish folksong, Henderson was also a highly original translator of poetry—from Gaelic, French, German, Latin, and Greek—much of it into Scots. He also translated the work of the Italian socialist Antonio Gramsci, whose “Prison Letters” he published in English in 1974. Born in Blairgowrie, Perthshire, in 1919, Hamish Henderson spent his early years in Glenshee before moving to Ireland and then Devon. He won a scholarship to Dulwich College and went on to study Modern Languages at Cambridge. During the Second World War he served in North Africa and Italy with the 51st Highland Division. He died in March 2002. This book, a major study of this charismatic and fascinating man, presents both a detailed biography and an assessment of his place in the context of the twentieth century. It is based on firsthand interviews with those who knew Henderson both personally and professionally, as well as detailed research of published and unpublished sources.

Davidson explores classic themes in historical materialism as he explains: the moments of transition from the dominance of one mode of production to another; the process of social revolution which accompany these transitions; and the problem of nationalism, both as a theoretical challenge to Marxism's capacity for historical explanation and as a practical obstacle to socialist consciousness.

This study is the first exploration of the impact of World War Two on Scottish poets of both the front line and the home front. World War One has always been thought of as a poet’s war, one of horror and futility. The poetry of World War Two, by contrast, has long languished in its shadow, though there was a much greater amount of it written. This book asks whether these poets felt they were grown for war or rather that they grew through war experience, with an emphasis on the possibilities of the future instead of cataloguing the senseless horror of the battlefield. How were the hopes of Scottish poets different from their English counterparts? How was their poetry different, and how did it impact on their later lives?

The comparative study of the literatures of Ireland and Scotland has emerged as a distinct and buoyant field in recent years. This collection of new essays offers the first sustained comparison of modern Irish and Scottish poetry, featuring close readings of texts within broad historical and political contextualisation. Playing on influences, crossovers, connections, disconnections and differences, the 'affinities' and 'opposites' traced in this book cross both Irish and Scottish poetry in many directions. Contributors include major scholars of the new 'archipelagic' approach, as well as leading Irish and Scottish poets providing important insights into current creative practice. Poets discussed include W. B. Yeats, Hugh MacDiarmid, Sorley MacLean, Louis MacNeice, Edwin Morgan, Douglas Dunn, Seamus Heaney, Ian Hamilton Finlay, Michael Longley, Medbh McGuckian, Nuala ni Dhomhnaill, Don Paterson and Kathleen Jamie. This book is a major contribution to our understanding of poetry from these islands in the twentieth and twenty-first centuries.

This collection of essays explores the historical importance and imaginative richness of Scotland's extensive contribution to modes of traditional culture and expression: ballads, tales and storytelling, and song. Its underlying aim is to bring about a more dynamic and inclusive understanding of Scottish culture. Rooted in literary history and both comparative and interdisciplinary in scope, the volume covers the key aspects and genres of traditional literature, including the Gaelic tradition, from the medieval period to the present. Key theoretical and conceptual issues raised by the historical analysis of Scotland's rich store of ballad, song, and folk narrative are discussed in separate chapters. The volume also explores why and how Scottish literary writers have been inspired by traditional genres, modes, and motifs, and the intermingling of folk and literary traditions in writers such as Burns, Scott, and Hogg. It also uncovers the folkloric and mythopoetic materials of early Scottish literature, and the vitality of neglected aspects of Scottish popular culture.

Voicing Scotland takes the reader on a discovery tour through Scotland's traditional music and song culture, past and present. West unravels the strings that link many of our contemporary musicians, singers and poets with those of the past, offering up to our ears these voices which deserve to be more loudly heard. What do they say to us in the 21st Century? What is the role of tradition in the contemporary world? Can there be a folk culture in the digital age? What next for the traditional arts? REVIEWS Can folk stay true to tradition and still be genuinely contemporary? Can its pride in place counter globalisation- without collapsing into narrow nationalism? The answer for, Gary West, is a resounding Yes. SCOTSMAN Voicing Scotland...is an engrossing assessment of where Scottish Traditional Music standsl, at a time of resonant political developments in the nation's history but also of globalisation and the threat of cultural homogenisation in todays 'liquid society'. SCOTSMAN