Maddie and Nick, refusing to listen to their parents' requests for them to behave, fall under a spell and become half-wild creatures until they are able to recall how nice it was to be good.

The second thrilling book in Sally Green's Half Bad trilogy, the inspiration for the Netflix series The Bastard Son & The Devil Himself "An enthralling fantasy in the Harry Potter tradition."—Time magazine on Half Bad Kept in a cage for two years by the Council of Fairborn Witches, Nathan was trained to kill his father, the most violent and feared of the Blood Witches. Now Nathan has escaped, and he dreams of a quiet life of freedom with Annalise, the girl he loves—but Annalise is a prisoner, wasting away in a deathlike sleep. Nathan’s friend, Gabriel, is missing, likely dead, and although Nathan has found his unique magical Gift, he can’t control it. The Council's Hunters are on his trail, so he is always on the run. Nathan's only hope of survival is to join with new allies and old enemies in an alliance to bring down the Council, and they want Nathan's help: they, too, want Nathan to be a killer. Maybe that is the only way out. Maybe that is just who he is now… Set in modern-day Europe, the second book in the Half Bad trilogy is more than a story about witches. It's a heart-poundingly visceral look at survival and exploitation, the nature of good and evil, and the risks we take for love. Now streaming on Netflix as The Bastard Son & The Devil Himself.

The magical, stunning conclusion to the internationally acclaimed Half Bad trilogy, the inspiration for the Netflix series The Bastard Son & The Devil Himself "An enthralling fantasy in the Harry Potter tradition."—Time magazine on Half Bad The Alliance is losing. Their most critical weapon, seventeen-year-old witch Nathan Brynn, has killed fifty-two people, and yet he's no closer to ending the tyrannical, abusive rule of the Council of Witches in England. Nor is Nathan any closer to his personal goal: getting revenge on Annalise, the girl he once loved, before she committed an unthinkable crime. There is an amulet, protected by the extremely powerful witch Ledger, which could be the tool Nathan needs to save himself and the Alliance. But the amulet is not so easily acquired. And lately Nathan has started to suffer from visions: a vision of a golden moment when he dies, and of an endless line of Hunters, impossible to overcome. Gabriel, his closest companion, encourages Nathan to run away with him, to start a peaceful life together. But even Gabriel's love may not be enough to save Nathan from this war, or from the person he has become. Set in modern-day Europe, the final book in the Half Bad trilogy is more than a story about witches. It’s a heart-poundingly visceral look at survival and exploitation, the nature of good and evil, and the risks we take for love. Now streaming on Netflix as The Bastard Son & The Devil Himself. Cover may vary.

“This heartbreakingly honest and authentic fiction will make you weep over, laugh at, and finally cheer for, mothers and daughters, sons and fathers, lovers and losers, and the human race in general. Half Wild is American fiction, and American literature, at its very best.”—Howard Frank Mosher, author of The Great Northern Express and Northern Borders Spanning nearly forty years, the stories in Robin MacArthur’s formidable debut give voice to the dreams, hungers, and fears of a diverse cast of Vermonters—adolescent girls, aging hippies, hardscrabble farmers, disconnected women, and solitary men. Straddling the border between civilization and the wild, they all struggle to make sense of their loneliness and longings in the stark and often isolating enclaves they call home—golden fields and white-veiled woods, dilapidated farmhouses and makeshift trailers, icy rivers and still lakes rouse the imagination, tether the heart, and inhabit the soul. In “Creek Dippers,” a teenage girl vows to escape the fate that has trapped her eccentric mother. In “God’s Country,” an elderly woman is unexpectedly reminded of a forbidden youthful passion and the chance she did not take. Returning to her childhood house when her mother falls ill, a daughter grapples with her own sense of belonging in “The Women Where I’m From.” With striking prose powerful in its clarity and purity, MacArthur effortlessly renders characters—men and women, young and old—cleaved to the fierce and beautiful land that has defined them.

A stunningly original debut novel inspired by the life of Eugenia Falleni.

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