"I was twenty when I followed away from my town a trapeze family, aerialists, a group of beautiful winged people, mother, father, son and daughter. They were the Ishbels". Chris, whose leg is injured, and his lover Stella, with whom he lives in a ruined, abandoned house; Chris's male nurse; Marvello the circus aerialist; a lighthouse keeper; a flagpole sitter in small-town America - these are the creatures of William Goyen's visionary fable of love, lust, and loneliness. Half a Look of Cain: A Fantastical Narrative was written in the 1950s and early 1960s, and is now being published for the first time. Part fable and part rhapsodic exploration of desire and loss, Half a Look of Cain bears Goyen's unmistakable artistic signature on every page. Too far ahead of its time in its swirling visionary structure, this novel was rejected by Goyen's first publisher as not sufficiently commercial and remained unpublished despite extensive revisions. The novel is shaped as a group of "medallions" - a series of related episodes. It dreams of defying mortality - as if living in the air, like the aerialists or the flagpole sitter - and of finding perfect companionship in lover and friend. The novel is both a rediscovered cry against the conformity and suppressed emotions of the 1950s and a celebration of passion. Reginald Gibbons has edited the novel from the author's multiple manuscripts and has contributed an illuminating afterword.

This is the journal of Joe Necchi, a junkie living on a barge that plies the rivers and bays of New York. Joe's world is the half-world of drugs and addicts -- the world of furtive fixes in sordid Harlem apartments, of police pursuits down deserted subway stations. Junk for Necchi, however, is a tool, freely chosen and fully justified; he is Cain, the malcontent, the profligate, the rebel who lives by no one's rules but his own. Like DeQuincey and Baudelaire before him, Trocchi's muse was drugs. But unlike his literary predecessors, in his roman a clef, Trocchi never romanticizes the source of his inspiration. If the experience of heroin, of the "fix," is central to Cain's Book, both its destructive force and the possibilities for creativity it creates are recognized and accepted without apology. "Cain's Book is the classic late-1950s account of heroin addiction. . . . An un-self-forgiving existentialism, rendered with writerly exactness and muscularity, set this novel apart from all others of the genre." -- William S. Burroughs

In the 41st Millennium, Commissar Ciaphas Cain is looking for an easy life, but fate has a habit of throwing him into the deadliest situations and luck always manages to pull him through.

A “winkingly blasphemous retelling of the Old Testament” by the Nobel Prize-winning author of The Gospel According the Jesus Christ (The New Yorker). In José Saramago final novel, he daringly reimagines the characters and narratives of the Old Testament. Placing the despised murderer Cain in the role of protagonist, this epic tale ranges from the Garden of Eden, when God realizes he has forgotten to give Adam and Eve the gift of speech, to the moment when Noah’s Ark lands on the dry peak of Ararat. Condemned to wander forever after he kills his brother Abel, Cain makes his way through the world in the company of a personable donkey. He is a witness to and participant in the stories of Isaac and Abraham, the destruction of the Tower of Babel, Moses and the golden calf, and the trials of Job. Again and again, Cain encounters a God whose actions seem callous, cruel, and unjust. He confronts Him, he argues with Him. “And one thing we know for certain,” Saramago writes, “is that they continued to argue and are arguing still.” "Cain's vagabond journey builds to a stunning climax that, like the book itself, is a fitting capstone to a remarkable career."—Publishers Weekly, starred review This ebook includes a sample chapter of Jose Saramago’s Blindness.

Fifteen-year-old Jeff Jacobson learns that not only was he cloned from infamous serial killer Jeffrey Dahmer's blood as part of a top-secret government experiment, but there are other clones like him and he is the only one who can track them down before it is too late.

Arguably the best time travel tale dealing with the Holocaust every written, in our humble opinion. A rebellious group of time travelers attempt to prevent one of the greatest atrocities humanity ever deviseAuschwitz. Monitor and ace enforcement operative Gaspar James is sent to stop them. Gaspar knows that the horror must be allowed to run its course in order to preserve the integrity of the time line. At least that's what he has told himself throughout his service to the Moiety, the group charged with overseeing the continuity of time. But even Gaspar has his doubts¾and millions of lives hang in the balance. At the publisher's request, this title is sold without DRM (Digital Rights Management). "[Dunn's fiction contains] . . . action scenes ranking with the best in military SF."¾Publishers Weekly "Genuinely harrowing and impassioned, with wonderful characters and an unforgettable theme."¾Kirkus

"[Here is] the Genesis for our generation and beyond."—Robert Fagles Genesis begins with the making of heaven and earth and all life, and ends with the image of a mummy—Joseph's—in a coffin. In between come many of the primal stories in Western culture: Adam and Eve's expulsion from the garden of Eden, Cain's murder of Abel, Noah and the Flood, the destruction of Sodom and Gomorrah, Abraham's binding of Isaac, the covenant of God and Abraham, Isaac's blessing of Jacob in place of Esau, the saga of Joseph and his brothers. In Robert Alter's brilliant translation, these stories cohere in a powerful narrative of the tortuous relations between fathers and sons, husbands and wives, eldest and younger brothers, God and his chosen people, the people of Israel and their neighbors. Alter's translation honors the meanings and literary strategies of the ancient Hebrew and conveys them in fluent English prose. It recovers a Genesis with the continuity of theme and motif of a wholly conceived and fully realized book. His insightful, fully informed commentary illuminates the book in all its dimensions.