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Winner of the 1995 Benjamin Franklin Award, this is a landmark anthology of traditional short verse. In haiku and tanka fifteen Japanese women poets reveal universal female themes through the lens of a challenging spiritual and physical Japanese environment.

His introduction gives an excellent overview of the development of tanka in the last one hundred years.

A world of dew And within every dewdrop A world of struggle The iconic three-line haiku form is increasingly popular today as people embrace its simplicity and grace--and its connections to the Japanese ethos of mindfulness and minimalism. Say more with fewer words. This practical guide by poet and teacher Bruce Ross shows you how to capture a fleeting moment, like painting a picture with words, and how to give voice to your innermost thoughts, feelings, and observations. You don't have to be a practiced poet or writer to write your own haiku, and this book shows you how. In this book, aspiring poets will find: Accessible, easy-to-replicate examples and writing prompts A foreword that looks at the state of haiku today as the form continues to expand worldwide An introduction to related Japanese haiku forms such as tanka, haiga, renga, haibun, and senryu A listing of international journals and online resources Do you want to tell a story? Give haibun a try. Maybe you want to express a fleeting feeling? A tanka is the perfect vehicle. Are you more visual than verbal? Then a haiga, or illustrated haiku, is the ideal match. Finally, a renga is perfect as a group project or to create with friends, passing a poem around, adding line after line, and seeing what your group effort amounts to. Ross walks readers through the history and form of haiku, before laying out what sets each Japanese poetic form apart. Then it's time to turn to your notebook and start drafting some verse of your own!

This is a book of American haiku. The form is Japanese, forged by the Japanese genius to express the uniqueness of everyday life. The author writes with a refreshing, simple style, capturing the experience clearly in a few words. The reader cannot help but finish the poems with a greater appreciation of the simple things in life. The haiku book is divided into two sentences, a large one of haiku and a smaller one of eight tanka. The tanka is a form of Japanese poetry that is two longer than the haiku, the haiku being of three lines and the tanka of five. The haiku section has eight subsections, most of which are about nature; eg., the first section is entitled "Trees and Leaves." Each poem is self-contained and can be enjoyed even when isolated from the others.

One of Japan’s most important modern poets, Tada Chimako (1930–2003) gained prominence in her native country for her sensual, frequently surreal poetry and fantastic imagery. Although Tada’s writing is an essential part of postwar Japanese poetry, her use of themes and motifs from European, Near Eastern, and Mediterranean history, mythology, and literature, as well as her sensitive explorations of women’s inner lives make her very much a poet of the world. Forest of Eyes offers English-language readers their first opportunity to read a wide selection from Tada’s extraordinary oeuvre, including nontraditional free verse, poems in the traditional forms of tanka and haiku, and prose poems. Translator Jeffrey Angles introduces this collection with an incisive essay that situates Tada as a poet, explores her unique style, and analyzes her contribution to the representation of women in postwar Japanese literature.

How did a girl from the provinces, meant to do nothing more than run the family store, become a bold and daring poet whose life and work helped change the idea of love in modern Japan? Embracing the Firebird is the first book-length study in English of the early life and work of Yosano Akiko (1879-1942), the most famous post-classical woman poet of Japan. It follows Akiko, who was born into a merchant family in the port city of Sakai near Osaka, from earliest childhood to her twenties, charting the slow process of development before the seemingly sudden metamorphosis. Akiko's later poetry has now begun to win long-overdue recognition, but in terms of literary history the impact of Midaregami (Tangled Hair, 1901), her first book, still overshadows everything else she wrote, for it brought individualism to traditional tanka poetry with a tempestuous force and passion found in no other work of the period. Embracing the Firebird traces Akiko's emotional and artistic development up to the publication of this seminal work, which became a classic of modern Japanese poetry and marked the starting point of Akiko's forty-year-long career as a writer. It then examines Tangled Hair itself, the characteristics that make it a unified work of art, and its originality. The study throughout includes Janine Beichman's elegant translations of poems by Yosano Akiko (both those included in Tangled Hair and those not), as well as poems by contemporaries such as Yosano Tekkan, Yamakawa Tomiko, and others.