Papers presented to the IXth International Congress of Anthropological and Ethnological Sciences, Chicago, 1973.

Xurt'an (the end of the world) showcases the rich storytelling traditions of the northern Lacandones of Naha' through a collection of traditional narratives, songs, and ritual speech. Formerly isolated in the dense, tropical rainforest of Chiapas, Mexico, the Lacandon Maya constitute one of the smallest language groups in the world. Although their language remains active and alive, their traditional culture was abandoned after the death of their religious and civic leader in 1996. Lacking the traditional contexts in which the culture was transmitted, the oral traditions are quickly being forgotten. This collection includes creation myths that describe the cycle of destruction and renewal of the world, the structure of the universe, the realms of the gods and their intercessions in the affairs of their mortals, and the journey of the souls after death. Other traditional stories are non-mythic and fictive accounts involving talking animals, supernatural beings, and malevolent beings that stalk and devour hapless victims. In addition to traditional narratives, Xurt'an presents many songs that are claimed to have been received from the Lord of Maize, magical charms that invoke the forces of the natural world, invocations to the gods to heal and protect, and work songs of Lacandon women, whose contribution to Lacandon culture has been hitherto overlooked by scholars. Women's songs offer a rare glimpse into the other half of Lacandon society and the arduous distaff work that sustained the religion. The compilation concludes with descriptions of rainbows, the Milky Way as "the white road of Our Lord," and an account of the solstices. Transcribed and translated by a foremost linguist of the northern Lacandon language, the literary traditions of the Lacandones are finally accessible to English readers. The result is a masterful and authoritative collection of oral literature that will both entertain and provoke, while vividly testifying to the power of Lacandon Maya aesthetic expression.

Recent world events have forced us to develop new scientific approaches to address social dynamics currently on the verge of rupture. Social problems and drastic changes like the refugee crisis, Brexit, the recent global economic crisis, social uprisings, forced governmental collapses, and increasing inequalities have alerted social scientists to new forms of individual and collective interactions. Researchers are now struggling to develop innovative methodologies to address the current complexity of the social world. Sociocybernetics embraces this challenge by addressing the complexity of social phenomena and processes through the integration of micro-, meso- and macro-levels of analysis. Focusing on a variety of social scenarios, this book addresses the interaction between multiple systems, using theoretical and methodological sociocybernetic approaches.

Calendars of Mesoamerican civilisations are subjected to what is categorised as “ritual practices of time”. This book is a comparative explication of rituals of time of four calendars: the Long Count calendar, the 260-day calendar, the 365-day calendar and the 52-years calendar. Building upon a comparative analytical model, the book contributes new theoretical insights about ritual practices and temporal philosophies. This comprehensive investigation analyses how ritual practices are represented and conceptualised in intellectual systems and societies. The temporal ritual practices are systematically analysed in relation to calendar organisation and structure, arithmetic, cosmogony and chronometry, spatial-temporality (cosmology), natural world, eschatology, sociology, politics, and ontology. It is argued that the 260-day calendar has a particular symbolic importance in Mesoamerican temporal philosophies and practices.

21 December 2012 was believed to mark the end of the thirteenth B'ak'tun cycle in the Long Count of the Mayan calendar. Many people believed this date to mark the end of the world or, at the very least, a shift to a new form of global consciousness. Examining how much of the phenomenon is based on the historical record and how much is contemporary fiction, the book explores the landscape of the modern apocalyptic imagination, the economics of the spiritual marketplace, the commodification of countercultural values, and the cult of celebrity.

A politically conscious group of Wild Cards, superhuman survivors of an alien virus that struck the earth after World War II, search the globe to discover the fate of other virus victims.

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