Sissi's World offers a transdisciplinary approach to the study of the Habsburg Empress Elisabeth of Austria. It investigates the myths, legends, and representations across literature, art, film, and other media of one of the most popular, revered, and misunderstood female figures in European cultural history. Sissi's World explores the cultural foundations for the endurance of the Sissi legends and the continuing fascination with the beautiful empress: a Bavarian duchess born in 1837, the longest-serving Austrian empress, and the queen of Hungary who died in 1898 at the hands of a crazed anarchist. Despite the continuing fascination with “the beloved Sissi," the Habsburg empress, her impact, and legacy have received scant attention from scholars. This collection will go beyond the popular biographical accounts, recountings of her mythic beauty, and scattered studies of her well-known eccentricities to offer transdisciplinary cultural perspectives across art, film, fashion, history, literature, and media.

This beautiful book tells the fascinating story of the Habsburg dynasty, which ruled most of central Europe, Spain, Belgium, and parts of Italy for nearly 600 years, from the 15th through the 20th century. Charles V (1500-1558) once remarked that the sun never set on the Habsburg Empire, and for most of its history, Vienna served as its capital. The Habsburgs were acclaimed collectors and generous patrons of the arts. Franz Joseph I (1830-1916), the penultimate emperor of the dynasty, created the Kunsthistorisches Museum in Vienna to house the artistic treasures of the empire. Today, this museum possesses one of the most renowned collections in the world of Western art. An extraordinarily wide-ranging survey of the Habsburgs' collections, this volume features classical Greek and Roman works, medieval arms and armor, tapestries, early modern painting and craftwork, ceremonial gilded carriages, and opulent costumes. Together, they reveal the splendor and the spectacle of the Habsburg court. Distributed for the Museum of Fine Arts, Houston, in association with the Minneapolis Institute of Arts, the High Museum of Art, Atlanta, and the Kunsthistorisches Museum, Vienna Exhibition Schedule: Minneapolis Institute of Arts (02/15/15-05/10/15) The Museum of Fine Arts, Houston (06/14/15-09/13/15) High Museum of Art (10/18/15-01/17/16)

A new and revised edition of Alan Sked’s groundbreaking book which examines how the Habsburg Empire survived the revolutionary turmoil of 1848. ‘The Year of Revolutions', saw the whole of Europe convulsed in turmoil and revolt. Yet the Habsburg Empire survived. As state after state succumbed to the violent winds of change that were sweeping the continent. How did the Habsburg Empire survive? How was the army able hold together while the rest of the empire collapsed in civil war, and how was it able to seize the political initiative In this new edition, Alan Sked reflects on the changed understanding of the period which resulted from the first appearance of this book, and widens the discussion to look at the Habsburg Empire alongside the decline of the Russian and German Empires, arguing that it is possible to understand their decline from a broad European perspective, as opposed to the overly narrow focus of recent explanations. Alan Sked makes us look at familiar events with new eyes in this radical, vigorously written classic which is essential reading for anyone interested in the history of nineteenth-century Europe.

There was more to World War I than the Western Front. This history juxtaposes the experiences of a monarch and a peasant on the Eastern Front. Franz Josef I, emperor of Austria-Hungary, was the first European leader to declare war in 1914 and was the first to commence firing. Samuel Mozolak was a Slovak laborer who sailed to New York--and fathered twins, taken as babies (and U.S. citizens) to his home village--before being drafted into the Austro-Hungarian army and killed in combat. The author interprets the views of the war of Franz Josef and his contemporaries Kaiser Wilhelm II and Tsar Nicholas II. Mozolak's story depicts the life of a peasant in an army staffed by aristocrats, and also illustrates the pattern of East European immigration to America.

A EuropeNow Editor’s Pick A Choice Outstanding Academic Title of the Year “Pieter M. Judson’s book informs and stimulates. If his account of Habsburg achievements, especially in the 18th century, is rather starry-eyed, it is a welcome corrective to the black legend usually presented. Lucid, elegant, full of surprising and illuminating details, it can be warmly recommended to anyone with an interest in modern European history.” —Tim Blanning, Wall Street Journal “This is an engaging reappraisal of the empire whose legacy, a century after its collapse in 1918, still resonates across the nation-states that replaced it in central Europe. Judson rejects conventional depictions of the Habsburg empire as a hopelessly dysfunctional assemblage of squabbling nationalities and stresses its achievements in law, administration, science and the arts.” —Tony Barber, Financial Times “Spectacularly revisionist... Judson argues that...the empire was a force for progress and modernity... This is a bold and refreshing book... Judson does much to destroy the picture of an ossified regime and state.” —A. W. Purdue, Times Higher Education “Judson’s reflections on nations, states and institutions are of broader interest, not least in the current debate on the future of the European Union after Brexit.” —Annabelle Chapman, Prospect

A Carriage Restoratiofromn Shop in Andalusia [ the story of Carruajes Alba} by KEN WHEELING Horse Clothing reprinted from MOSEMAN'S ILLUSTRATED GUIDE Americans in Australia (driving a Cobb & Co. coach} by GLORIA AUSTIN