In 1968 when Cell Walls and Membranes was published it was still reasonable to attempt to write a book covering the whole subject. Accordingly this edition of the book had something to say about walls from micro-organisms and plants as well as about membranes from bacteria and animal cells. A decade later this is manifestly impossible. Knowledge about almost all the subjects has grown explosively, par ticularly about membranes and the biosynthesis of macromolecules. Moreover aspects of the subject that were still in a relatively primitive state ten years ago have grown into highly sophisticated subjects worthy of extended treatment. The result is that the present book has had to be confined to structures and functions relating to only one division of the biological kingdom, namely micro-organisms. Even then severe limitations have had to be made to keep the task within the time available to the authors and their expertise. A few of the titles of chapters such as those on the isolation of walls and membranes, the structure of the components of bacterial and micro-fungal walls and their biosynthesis remain from the earlier book. These chapters have been almost completely rewritten and a number of quite new chapters added on topics such as the action of the antibiotics that inhibit bacterial wall syn thesis, on the function of bacterial membranes, and the bacterial autolysins.

Experts in the ten major Pulp genres, from action Pulps to spicy Pulps and more, chart for the first time the complete history of Pulp magazines—the stories and their writers, the graphics and their artists, and, of course, the publishers, their market, and readers. Each chapter in the book, which is illustrated with more than 400 examples of the best Pulp graphics (many from the editors’ collections—among the world’s largest) is organized in a clear and accessible way, starting with an introductory overview of the genre, followed by a selection of the best covers and interior graphics, organized chronologically through the chapter. All images are fully captioned (many are in essence "nutshell" histories in themselves). Two special features in each chapter focus on topics of particular interest (such as extended profiles of Daisy Bacon, Pulp author and editor of Love Story, the hugely successful romance Pulp, and of Harry Steeger, co-founder of Popular Publications in 1930 and originator of the "Shudder Pulp" genre). With an overall introduction on "The Birth of the Pulps" by Doug Ellis, and with two additional chapters focusing on the great Pulp writers and the great Pulp artists, The Art of the Pulps covers every aspect of this fascinating genre; it is the first definitive visual history of the Pulps. "The Art of the Pulps is a must for any pulp fans, anywhere." - LOCUS Magazine Winner of the 2018 LOCUS Award for Best Art Book

NEW YORK TIMES BESTSELLER • In J. R. Ward’s thrilling finale to her Bourbon Kings series, the Bradford family dynasty teeters on the edge of collapse after the murder of their patriarch—and a shocking arrest. At first, the death of William Baldwine, the head of the Bradford family, was ruled a suicide. But then his eldest son and sworn enemy, Edward, came forward and confessed to what was, in fact, a murder. Now in police custody, Edward mourns not the disintegration of his family or his loss of freedom . . . but the woman he left behind. His love, Sutton Smythe, is the only person he has ever truly cared about, but as she is the CEO of the Bradford Bourbon Company’s biggest competitor, any relationship between them is impossible. And then there’s the reality of the jail time that Edward is facing. Lane Baldwine was supposed to remain in his role of playboy, forever in his big brother Edward’s shadow. Instead he has become the new head of the family and the company. Convinced that Edward is covering for someone else, Lane and his true love, Lizzie King, go on the trail of a killer—only to discover a secret that is as devastating as it is game-changing. As Lane rushes to discover the truth, and Sutton finds herself irresistibly drawn to Edward in spite of his circumstances, the lives of everyone at Easterly will never be the same again. For some, this is good; for others, it could be a tragedy beyond imagining. Only one thing is for certain: Love survives all things. Even murder. Praise for J. R. Ward’s Bourbon Kings series “A most sinful indulgence . . . The gorgeous Kentucky backdrop will sweep you away.”—Susan Wiggs “Breathless fun!”—Lisa Gardner

Biography of this important figure in Australia's theatrical industry. B/W photos.

A tough, no-nonsense Hollywood private eye, Dan Turner was written with gusto by pulp scribe Robert Leslie Bellem. This volume includes 13 never before reprinted gems, spanning nearly two decades of rough and tumble adventures. Bellem's writing style was filled with colorful euphemisms and similes. It's this writing style that gives Turner his greatest appeal. Each story comes complete with the original spot illustrations that showed the meaning of Spicy in the original pulp magazine that published these stories, Spicy Detective. A real page-turner from beginning to end, Roscoes In The Night is destined to be a favorite of the pulp fans.

List of members in each vol.