The book is a documented history of Hungarian-Slovak Gypsies that came to America over 120 years ago, they brought to America the traditional Hungarian Gypsy music they and their ancestors played in Europe for hundreds of years. They are directly linked to Europe's finest Gypsy musicians. From the villages of Hungary, this music was brought to America to make our hearts sing. It is part of world roots music. Piskor tells us, using words and striking photographs, the inside story about his Gypsy family and friends, and warns us of cultural treasures we may be losing. --Professor Steve Balkin, Roosevelt University I encourage you to acquire a book long overdue when concerning American-Hungarian music. Gypsy Violins is a significant historical document for anyone who has danced or listened to a cs rd s or any other Magyar folk music. --Tibor Check Jr. William Penn Life Magazine Congratulations on your new book! Incredibly valuable. --Professor Ian Hancock Ph.D.

This groundbreaking book relates the oral histories of Romanies in the United States. It focuses on the Hungarian-Slovak Romani musical community originally from Delray, Michigan, as well as others from outlying areas in and near Michigan. Originally Romanies came from India and hundreds of years ago traveled to Europe, Latin America, the United States, and, eventually, Michigan. Their stories provide a different voice from the stereotypical, bigoted newspaper articles from Michigan newspapers in the late nineteenth century through today that reflect law enforcement agencies’ prejudices or “racial profiling.” Romanies in Michigan introduces their diverse, rich, resilient history in Michigan, based on oral histories, photographs, newspaper articles, legal documents, and other research. The book explores traditional modes of travel; Romanies’ identity, history, perspective, and challenges with non-Romanies; their feelings as a minority group; and their self-efficacy, respect, and pride in their culture and work.

ReSounding Poverty: Romani Music and Development Aid engages with global scholarship on development, poverty, and applied research. It addresses the role of non-governmental organizations (NGOs) within postsocialist neoliberal processes and analyzes the economic structures within which Romani musics circulate. Specifically, ReSounding Poverty offers a micro ethnography of economic networks that impact the daily lives of Romani musicians on the borders of the former Soviet Union and the European Union. It argues that the development aid allotted to provide economic assistance to Romani communities, when analyzed from the perspective of the performance arts, continues to marginalize the poorest among them. Through their structure and programming, NGOs choose which segments of the population are the most vulnerable and in the greatest need of assistance. Drawing on ethnographic research in development contexts, ReSounding Poverty asks who speaks for whom within the Romani rights movement today. Framing the critique of development aid in musical terms, it engages with Romani marginalization and economic deprivation through a closer listening to vocal inflections, physical vocalizations of health and disease, and emotional affect. ReSounding Poverty brings us into the back rooms of saman, mud and straw brick, houses not visited by media reporters and politicians, amplifying the cultural expressions of the Romani poor, silenced in the business of development.

The Gypsies portrayed in this book are the Vlax-speaking Rom, the largest group of Gypsies in the United States, numbering 500,000. Not officially recognized as a minority in the U.S. until 1972, Gypsies have led an almost entirely invisible existence here. Now in this fascinating workthe first complete account of American GypsiesSutherland has produced an in-depth look at the full range of everyday social life among the Rom. Separate, elusive, complex, and unique among the people of the world, Gypsies have preserved their traditional way of life. How have they avoided assimilation? What keeps them apart? How are they organized, and what do they believe? These and other important questions about these hidden Americans are addressed in Sutherlands contemporary study.

First published in 1994 in one volume. An A-Z of the music, musicians and discs. 2006 edition available as an e-book.