Johannes Gutenberg, a man of the Renaissance, developed a printing press and transformed the world of books.

Describes the life and career of Johannes Gutenberg, including the history of written text before his invention of the movable type press, and the advancements in printing made after his death.

Recounts the story of the German printer credited with the invention of printing with movable type.

A history of the modern printing industry, including how paper and ink are made, looking particularly at the printing press invented by Gutenberg around 1450 but also at its precursors.

Can one invention really change the world? Before the mid-fifteenth century, books were printed by hand, making them rare and expensive. Reading and learning remained a privilege of the wealthy—until Johannes Gutenberg developed a machine called the printing press. Gutenberg, a German metalworker, began in the 1440s by making movable type—small metal letters that were arranged to form words and sentences, replacing handwritten letters. Movable type fit into frames on the printing press, and the press then produced many copies of the same page. As movable type and the printing press made book production much faster and less expensive, reading material of all kinds became available to a far wider audience. In Gutenberg’s time, Europe was already on the brink of a new age—an explosion of world exploration, scientific discoveries, and political and religious changes. Gutenberg’s printing press helped propel Europe into the modern era, and his legacy remains in the thousands of books and newspapers printed each year to keep us informed, entertained, and connected. Indeed, Gutenberg’s development of the printing press became one of history’s pivotal moments.

Nine remarkable men produced inventions that changed the world. The printing press, the telephone, powered flight, recording and others have made the modern world what it is. But who were the men who had these ideas and made reality of them? As David Angus shows, they were very different quiet, boisterous, confident, withdrawn but all had a moment of vision allied to single-minded determination to battle through numerous prototypes and produced something that really worked. It is a fascinating account for younger listeners.

Five Hundred Years of Printing is essential reading for the book collector, the cultural historian, the professional publisher and book designer, and teachers and students of typography, graphic design and communications studies. It immediately became established as a standard work on its publication as a Pelican in 1955 and saw two new editions within twenty years.