This winning debut picture book from Mexican artist Flavia Z. Drago about finding the courage to make friends is perfect for the spooky season — or anytime. Gustavo is good at doing all sorts of ghostly things: walking through walls, making objects fly, and glowing in the dark. And he loves almost nothing more than playing beautiful music on his violin. But Gustavo is shy, and some things are harder for him to do, like getting in a line to buy eye scream or making friends with other monsters. Whenever he tries getting close to them, he realizes they just can’t see him. Now that the Day of the Dead is fast approaching, what can he do to make them notice him and to share with them something he loves? With fancifully detailed artwork and visual humor, debut picture-book creator Flavia Z. Drago’s vivid illustrations tell a sweet and gently offbeat story of loneliness, bravery, and friendship that is sure to be a treat for little ghouls and goblins everywhere.

Here is a definitive introduction to liberation theology through the life and work of its most significant proponent, Gustavo Gutierrez. Robert McAfee Brown draws extensively on Gutierrez's own writings (some never published in English) and on personal conversations with him. Brown clearly and compellingly presents the basics of liberation theology and the differences between North American and Latin American theologies. The form of Gustavo Gutierrez is that of a drama. Brown's initial "program notes" introduce and situate the "author," the "actors," the "critics." He sets the stage with a history of church and state in Latin America and introduces its definitive figures, themes, and milestones. A collective biography of Gutierrez's spiritual predecessors is followed by a biography of Gutierrez himself, which takes critical account of his works. Then we are ready, dramatically and theologically, to move to the first act: that of commitment to the poor. The second act, in two scenes, explores first liberation theology's method of critical reflection on praxis and also its content: nothing less than the Word of God. Brown delves next into the controversies and criticisms Gutierrez faces, especially the challenges from authorities in Rome. Finally, in act three, readers discover that in this particular drama, they too are "on stage" and must take part by reflecting on what this drama really means for them.

In his reflections on decolonization and post-development, Gustavo Esteva forged a unique synthesis of critical theory and political economy. This book presents more than half a century of "reflection in action" in the form of essays, books, and interventions in national and international forums and newspaper articles—most published here for the very first time. It showcases Esteva’s evolving thought on economic theory, social change, revolutionary subjectivity, transition, development, the challenges of a new era and personal and communal autonomy, all associated with the challenges and advances in the construction of a new society. Through this translation, Esteva’s writings engage with many of the important cultural and political debates of the present day and retain their power both to provoke and move the reader. Readers will see a thinker at work, formulating local, grassroots alternatives as they are emerging in Mexico and Latin America, with a keen sensibility to what happens in other regions of the world. Gustavo Esteva: A Critique of Development and Other Essays offers a lucid insight into the climatic and sociopolitical collapses we face and will be of interest to students and scholars of critical theory, post-colonial and de-colonial studies, and post-development studies.

In the twentieth century in Italy, there was a man who during his lifetime (1903-1994) became a legend for those who did not know him, and a great spiritual Teacher for those who were lucky enough to meet him. His name was Gustavo Rol, and he was an upper class gentleman who dressed elegantly, possessed an encyclopedic body of knowledge, the soul of an artist and the spirit of a mystic. As a young man, like Prince Siddhartha, he obtained enlightenment, even though he never declared as much openly. One of the consequences was that he began to manifest an impressive range of "possibilities" that are generally referred to as "paranormal" clairvoyance, telepathy, precognition, bilocation, levitation, telekinesis and many more. This anthology collects all of the anecdotes recounted over more than 60 years from numerous witnesses, including famous personalities from the Italian and international cultural scene. According to Rol, in the future science will be capable of explaining these phenomena...

How can we speak of God as Father in a world that is inhumane? While many engagements with Gutiérrez's theology centre on such themes as the option for the poor, the role of praxis, or the Kingdom of God, in Gustavo Gutiérrez and the Liberative Sight of Christ Luke Foster explores the underlying theological convictions and commitments within which these concepts cohere. By developing an analysis that is attentive to the unity and coherence of Gutiérrez's thought, Foster resources a critique that is distinctive not only in its pertinence but also in the possibilities that it opens for the development of his project in the future. Innovatively offering a systemic account of Gutiérrez's theology, this book offers both an indispensable overview for those who are engaging with Gutiérrez for the first time and a distinctive analysis for those who are seeking to deepen their understanding of his work.

Between 1909-17, Gustavo Del Vecchio developed a ‘theory of circulation’. In a series of articles he set out his thoughts on the utility and value of money, credit, discount rates, banking and international payments. Tusset re-evaluates Del Vecchio’s theory, concluding that money represents a technology which organizes both economy and society.

The late Romantic poet Gustavo Adolfo Bécquer is considered one of the first modern Spanish poets. His ‘Rimas’ (Rhymes) are celebrated for their sensitive, restrained and deeply subjective quality. Bécquer’s poetry tackles themes of love, disillusionment and loneliness, while exploring the mysteries of life and poetry. In contrast to the rhetorical and dramatic style of the Romantic period, Bécquer’s lyricism, in which assonance predominates, is simple and airy. The Delphi Poets Series offers readers the works of literature’s finest poets, with superior formatting. This volume presents Bécquer’s collected works, with related illustrations and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Bécquer’s life and works * Concise introduction to Bécquer’s life and poetry * Images of how the poetry was first printed, giving your eReader a taste of the original texts * Multiple translations of the ‘Rimas’: Owen Innsly, 1882; Mason Carnes, 1891 * Includes the original Spanish texts, edited by Everett Ward Olmsted in 1909, with hyperlinked footnotes and a vocabulary glossary * Excellent formatting of the poems * Easily locate the poems you want to read * Also includes Bécquer’s seminal romantic and gothic legends * Features a bonus biography — discover Bécquer’s world CONTENTS: The Life and Poetry of Gustavo Adolfo Bécquer Brief Introduction: Gustavo Adolfo Bécquer (1891) by Mason Carnes From the Spanish of Gustavo Bécquer (1882) by Owen Innsly Poems of Gustavo Adolfo Bécquer Rendered into English Verse (1891) by Mason Carnes The Fiction Romantic Legends of Spain (1909) The Spanish Texts Legends, Tales and Poems (1909) by Gustavo Adolfo Bécquer The Biography Life of Bécquer (1907) by Everett Ward Olmsted Please visit www.delphiclassics.com to browse through our range of poetry titles or buy the entire Delphi Poets Series as a Super Set