This long awaited revised volume I completes Henry-Louis de La Grange's four-volume English language biography of the Austrian composer Gustav Mahler (1860-1911), which is widely considered to be the definitive work on the subject. The present instalment, covering the years 1860 to 1897, traces the life and career of Mahler from his birth in a small village in Bohemia to his appointment to the Vienna Hofoper, then the most prestigious opera house in the world. It describes his family background, his student days at the Vienna Conservatory, his private life, and his burgeoning career as both conductor and composer. Starting at a small summer theatre in Bad Hall, his first engagements took him to Laibach (Ljubljana), Olmutz (Olomouc), Kassel, Prague, and Leipzig, before he was appointed to principal posts at the important opera houses of Budapest (1888) and Hamburg (1891). By now Mahler had also begun to establish himself as a composer. Some of his major works - starting with "Das Klagende Lied" (1881) - the early "Wunderhorn" songs, "Lieder eines fahrenden Gesellen", and the first three symphonies date from this period of his life. While regularly rejected by contemporary critics, today they are favourites of the concert repertoire.

Basing his work on conversations with the composer, Karl Wörner puts into plain language the ideas behind Stockhausen's new musical forms, examines the development of electronic music and explains the spatial location in new music; the broader aspects of the composer's place in musical history and in the society in which he works are also considered. Particularly valuable is the section on Stockhausen's life, his friends and pupils; and the book includes the composer's own notes on his works. -- from back cover.

This comprehensive study basse continue practice supplements an already sizeable body of literature on thorough bass accompaniment, the emphasis of which has clearly been Italian and German theoretical works. The numerous French accompaniment treatises written during the XVIIth and XVIIIth centuries seem to have been, with only a few choice exceptions, unjustifiably dismissed by many modern scholars as little more than harmonic tutors, and the discipline of musicology - particularly as it relates to historical performance practice - has definitely suffered as a result. These works certainly do not deserve such a fate, for they provide not only unique documentation of French harmonic theory as it evolved over the course of more than a century, but a wealth of important information regarding XVIIth and XVIIIth century French performance practice as well. Itis the aim of this study to give as full an accounting as possible of basse continue performance as it is documented in the numerous XVIIth and XVIIIth century treatises produced in France, beginning with Nicholas Fleury's Methode pour facilement a toucher le theorbe sur la basse-continue (1660) and continuing through Pierre-Joseph Roussier's Traite des accords, et de leur succession (1764) and his L'harmonie pratique, ou exemples pour le Traite des accords (1775). The issues dealt with in the treatises are treated systematically, and provide the framework for the entire study.

To what extent do operas express the political and cultural ideas of their age? How do they reflect the composer's view of the changing relations among art, politics, and society? In this book John Bokina focuses on political aspects and meanings of operas from the baroque to postmodern period, showing the varied ways that operas become sensuous vehicles for the articulation of political ideas.

This invaluable book contains selected papers of Prof Chuan-Chih Hsiung, renowned mathematician in differential geometry and founder and editor-in-chief of a unique international journal in this field, the Journal of Differential Geometry . During the period of 1935OCo1943, Prof Hsiung was in China working on projective differential geometry under Prof Buchin Su. In 1946, he went to the United States, where he gradually shifted to global problems. Altogether Prof Hsiung has published about 100 research papers, from which he has selected 64 (in chronological order) for this volume. Contents: Projective Differential Geometry of a Pair of Plane Curves; A Projective Invariant of a Certain Pair of Surfaces; Affine Invariants of a Pair of Hypersurfaces; A Theorem on Surfaces with a Closed Boundary; Some Uniqueness Theorem on Riemannian Manifolds with Boundary; On the Group of Conformal Transformations of a Compact Riemannian Manifold; Minimal Immersions in Riemannian Spheres; A Remark on Pinched Manifolds with Boundary; Nonexistence of a Complex Structure on the Six-Sphere; Some Conditions for a Complex Structure; and other papers. Readership: Researchers in differential geometry."

Discover the fascinating story of Walter Damrosch in this incredible work. He was an accomplished American musician whose family profoundly influenced New York's music scene. As the son of Leopold Damrosch, who co-founded the New York Oratorio Society and was friends with Liszt and Wagner, Walter had a rich musical upbringing. He later founded the Damrosch Opera Company, which presented renowned operas like The Scarlet Letter and Gotterdammerung. The readers will learn in detail about the enduring legacy of the Damrosch family and their impact on classical music in America.