"The history of Gurdjieff in newspaper articles, magazines, and books during his lifetime traces his public reputation in what is said of him on the world stage. Some of writers were reporters, other followers and visitors to the Institute, and still others were persons intrigued by social and religious fads of the day ... Nonetheless, the articles printed between 1914 and 1949, the year of his death, constitute a topical history of his life and his work in a running account of Gurdjieff's changing public image as a man and a teacher, and provide an insight into the way his teaching was perceived from an age in which theosophy was a prevalent intellectual occupation"--Back cover.

In Gurdjieff and Music Johanna Petsche examines the large and diverse body of piano music produced by Armenian-Greek spiritual teacher G. I. Gurdjieff (c.1866-1949) in collaboration with his devoted pupil Thomas de Hartmann (1885-1956). Petsche draws on a range of unpublished materials and data from original field research to critically situate and assess this music within its socio-cultural and unique religio-spiritual context. Focusing on the tremendous role that music played in the life and teaching of Gurdjieff, Petsche chronicles the unique relationship and collaboration between Gurdjieff and de Hartmann, analyses the styles and possible sources of their music, and explores Gurdjieff’s ultimate intentions for the music in light of his esoteric teaching.

From a master biographer and longtime Gurdjieff practitioner, a brilliant new exploration of the quintessential Western esoteric teacher of the twentieth-century. The Greek-Armenian teacher G.I. Gurdjieff was one of the most original and provocative spiritual teachers in the twentieth-century West. Whereas much work on Gurdjieff has been either fawning or blindly critical, acclaimed scholar and writer Roger Lipsey balances sympathic interest in Gurdjieff and his "Fourth Way" teachings with a historian's sense of context and a biographer's feel for personality and relationships. Using a wide-range of published and unpublished sources, Lipsey explores Gurdjieff's formative travels in Central Asia, his famed teaching institution in France, the development of the Gurdjieff Movements and music, and, above all, Gurdjieff's fascinating continuous evolution as a teacher. Published on the 70th anniversary of Gurdjieff's death, Gurdjieff Reconsidered delves deeply into Gurdjieff's writings and those of his most important students, including P. D. Ouspensky and Jeanne de Salzmann. Lipsey's comprehensive approach and unerring sense of the subject make this a must-read for anyone with a serious intention to explore Gurdjieff's life, teachings, and reputation.

The Oxford Handbook of Russian Religious Thought is an authoritative new reference and interpretive volume detailing the origins, development, and influence of one of the richest aspects of Russian cultural and intellectual life - its religious ideas. After setting the historical background and context, the Handbook follows the leading figures and movements in modern Russian religious thought through a period of immense historical upheavals, including seventy years of officially atheist communist rule and the growth of an exiled diaspora with, e.g., its journal The Way. Therefore the shape of Russian religious thought cannot be separated from long-running debates with nihilism and atheism. Important thinkers such as Losev and Bakhtin had to guard their words in an environment of religious persecution, whilst some views were shaped by prison experiences. Before the Soviet period, Russian national identity was closely linked with religion - linkages which again are being forged in the new Russia. Relevant in this connection are complex relationships with Judaism. In addition to religious thinkers such as Philaret, Chaadaev, Khomiakov, Kireevsky, Soloviev, Florensky, Bulgakov, Berdyaev, Shestov, Frank, Karsavin, and Alexander Men, the Handbook also looks at the role of religion in aesthetics, music, poetry, art, film, and the novelists Dostoevsky and Tolstoy. Ideas, institutions, and movements discussed include the Church academies, Slavophilism and Westernism, theosis, the name-glorifying (imiaslavie) controversy, the God-seekers and God-builders, Russian religious idealism and liberalism, and the Neopatristic school. Occultism is considered, as is the role of tradition and the influence of Russian religious thought in the West.

This book recounts P. D. Ouspensky's first meeting and subsequent association with George Gurdjieff. It is widely regarded as perhaps the most comprehensive account of Gurdjieff's system of thought available. Many followers regard it as a "fundamental textbook" of Gurdjieff's teachings and it is often used as a means of introducing new students to Gurdjieff's system of self-development.

During the mid 1930s in Paris, the spiritual teacher George Gurdjieff drew together four women - Solita Solano, Kathryn Hulme, Alice Rohrer, and Elizabeth Gordon - into a special, mutually supporting work group calling itself 'The Rope' to develop their full human potential.

"Georgi Ivanovitch Gurdjieff--The Man, The Teaching, His Mission is the author's ninth and final book on The Fourth Way. Ten years in the making, it is the deepest study yet of this potent seminal spiritual figure of the last century, and the teaching of The Fourth Way. Material from the library archives of Gurdjieff's direct students, much of it not available until recently, and all relevant books written about Gurdjieff have been integrated and assembled in chronological form. The aim is to give an objective, panoramic view of his life, the inner substance of the ancient teaching of spiritual self-development, and his unrelenting mission to introduce and establish The Fourth Way in the West...For those searching for a comprehensive factual presentation of Gurdjieff and the teaching this is the book. It takes its well-deserved place as the deepest exploration and resource yet." --Mary Ellen Korman, A Woman's Work with Gurdjieff, Ramana Maharshi, Krishnamurti, Anandamayi M & Pak Subuh; on book jacket.