(Schott). "I owe a great deal to her." This is what many of the contributors to this book have said in remembering Gunild Keetmann, her personal kindness and her inspiring work as an educator in music and movement. Gunild Keetmann (1904-1990) was co-author of the "Orff Schulwerk", lecturer at the Gunther school in Munich and co-founder of the renowned Orff Institute in Salzburg in 1961. This book presents statements from notable contemporaries alongside texts, photographs and a wealth of documentation to paint a vivid picture of the life of the artist and teacher whose internationally recognised work still has influence today. To go with the book there is a DVD with some very interesting sound recordings and film extracts. Contents: Introduction * Memories: * Gunild Keetman: Fragments of a life * "Ach Gunild, not that please!" * Decades with Gunild Keetman * A thank-you letter to you * Gunild and us children * Gunild Keetman: The "essence" of the Schulwerk * Working in Suse Bohm's Studio * An apprentice to Gunild Keetman * "Our Mitropoula" * Gunild Keetman * Gunild Keetman was there * "I wonder that I'm so cheerful" * Memories of Gunild Keetman * Betwenn six-eights * The last musical documentation of Gunild Keetman? * The sound of a life-span: A metaphor. * Documents: Letter to the Pastor * Obituary for Gunild Keetman * A wealth of good, stimulating, movement-inducing music * In the workshop with Gunild Keetman * Appendix: Chronology * List of Compositions * Further Publications of Gunild Keetman * Complete Dances for the Gunther Dance Group * Bibliography * Discography (a selection) * Film and Video Recordings (a selection) * List of Photographs * List of Illustrations * Abbreviations * Short Biographies of the Contributors * Contents of the DVD: Music by Gunild Keetman

The American Educational History Journal is a peer?reviewed, national research journal devoted to the examination of educational topics using perspectives from a variety of disciplines. The editors of AEHJ encourage communication between scholars from numerous disciplines, nationalities, institutions, and backgrounds. Authors come from a variety of disciplines including political science, curriculum, history, philosophy, teacher education, and educational leadership. Acceptance for publication in AEHJ requires that each author present a well?articulated argument that deals substantively with questions of educational history.

Music is a uniquely human phenomenon, and a solid understanding of people could be considered a musical necessity for music teachers and performers. Educational psychology (Ed Psych) can empower music teachers to engage students more effectively since it sheds light on important topics such as human emotion, communication, and skill development. Using accessible and engaging language, Robert H. Woody distills the most importantinsights of Ed Psych and applies them to real-life music teaching contexts. He offers a brief and practical guide, customized specifically for music teachers. Topics covered include: Motivation and achievement Practice and skill acquisition Behaviorism and cognitivism Constructivism and social learning theory Stages of early childhood, preteen years, and adolescence Music literacy Musical creativity and expressive performance This book will empower readers to contribute to the musical lives of others, showing that all people can be musical if they are provided the right learning experiences and guidance.

(Schott). This collection presents rhythmic exercises and pieces for xylophone from the books Rhythmic Exercises , First Instruction on the Xylophone and Pieces for Xylophone Volumes 1-3.

Music Education in Your Hands is a textbook for the introductory course in Music Education. Written for future classroom music teachers, the book provides an overview of the music education system , illuminating the many topics that music educators need to know, including technology, teaching methods, curricular evolution, legislation, and a range of societal needs from cultural diversity to evolving tastes in music. It encompasses a broad picture of the profession, and how the future of music education rests in the hands of today’s student teachers as they learn how to become advocates for music in our schools. FEATURES A balance of sound historical foundations with recent research and thinking; Coursework that is appropriate in level and length for a one semester introductory course; Actual dialogue between undergraduate music education majors and teachers, illustrating pertinent issues teachers must face; An emphasis on opportunities in the greater community beyond the walls of the school that music teachers should be familiar with; Suggested topics for activities and critical thinking for every chapter; A companion web site including student and instructor resources

In Irma Collins’ Dictionary of Music Education, readers find more than just a lexicon. It is a journey through musical times and the story of the evolution of music education. Dictionary of Music Education includes entries on key individuals, critical terms, important events, and notable organizations, offering readers a broad survey of the field of music education.

The teaching and learning of music around the world have evolved in diverse ways as social, industrial, and cultural developments have influenced the ways humans understand, organize, and collectivize music education. Revolutions in Music Education: Historical and Social Explorations chronicles major changes in music education that continue to shape practices in the twenty-first century. The contributors investigate the organizational, pedagogical, and strategic approaches to teaching music across the ages. The universality of music is manifest in the chapters of this book, providing meaning and insight from all geographic, socio-political, and economic contexts.