Meet . . . ~ the shrieking spirit of Crab Boy lost forever to a fierce Murrells Inlet marsh creature . . . ~ an ingenious slave matching wits with his plantation owner . . . ~ the unique inhabitants of isolated Sandy Island in the Carolina Lowcountry . . . These are the "ghosts" of African-American Gullah culture once so alive on plantations along the coast above and below Charleston, South Carolina. This brief collection (10,000 words, seven illustrations, 84 pages in paperback) of charming Gullah folktales includes one actual ghost story, “Crab Boy's Ghost,” local history and folklore, and notes on Gullah history and culture. An excerpt from her book Lowcountry Ghosts is also included. These selections are also included in Lynn Michelsohn's longer collection, Tales from Brookgreen with its accounts of ghosts, romantic heroines, historical characters, and mysterious visitors to Murrells Inlet in the Lowcountry surrounding Charleston, South Carolina.

Beware the Shrieking Droll-the wandering ghost of a child lost forever to a fierce marsh creature! Then enjoy the antics of friendlier Lowcountry spirits from nearby Waccamaw Swamp as Brother Frog, Brother Rabbit, and Brother Gator each try to outwit the others. These four charming Gullah folktales come from the African American Gullah culture once so alive on the historic rice plantations making up Brookgreen Gardens, a popular Murrells Inlet tourist attraction in the Lowcountry near Myrtle Beach, South Carolina. Bonus Feature: A brief excerpt from Lynn Michelsohn's Lowcountry Ghosts, stories of South Carolina ghosts from historic rice plantations around Myrtle Beach, is also included. Please Note: All four of these folktales are included in Lynn Michelsohn's longer collection, Tales from Brookgreen, with its accounts of South Carolina ghosts and lovers, historical characters and mysterious visitors on historic Lowcountry rice plantations. The story, "Crab Boy's Ghost," also appears in the short collection, Gullah Ghosts.

History, Mystery, and Romance in the Carolina Lowcountry! A haunted necklace, a trickster rabbit, an ingenious slave, a shrieking droll, and a fianc returned from the dead all come to life in Lynn Michelsohn's new collection of Carolina Lowcountry ghost stories and folklore from the four historic rice plantations making up Brookgreen GardensSouth Carolina's popular tourist attraction near Myrtle Beach. These enchanting folktales, tied to specific plantation locations and historical events, enrich the enjoyment of any visit to the Lowcountry for tourists, armchair travelers, or devotees of ghost stories and folklore. Lynn Michelsohn, a tenth generation Carolinian, is clearly drawn to history, mystery, and romance wherever she finds it, as her previous book, "Roswell, Your Travel Guide to the UFO Capital of the World!" explores intrigues of a different kind. Now, in "Tales from Brookgreen" her charming retelling of these sometimes-eerie, sometimes-sad, sometimes-humorous tales engages readers in characters and folkways unique to the Carolina Lowcountry.

Spine-chilling tales and fascinating legends from the coastal regions of North and South Carolina.

Berkeley County, just like its sister county of Charleston, is steeped in history and rich in legend and lore. With Native American beginnings and later infused with colonial and Gullah cultures, Berkeley has seen many people come to reside. And with each of these diverse cultures came the eerie tales of ghosts, ghouls and goblins. Now, for the first time, Berkeley County ghost stories have been collected in a single volume bound to frighten and chill even the bravest of readers. Join local author and investigator Bruce Orr as he recounts the spine-tingling stories behind these apparitions, including the spirits of early colonists that still linger in the pines, the feared Cymbee water spirits of the Gullah culture and the dreaded Cherokee witch Spear Finger, who craves the livers of unsuspecting victims.

A celebration of the life and culture of the Gullah people of the South Carolina Lowcountry in 179 new paintings Jonathan Green is best known for his vibrant depictions of the Gullah life and culture established by descendants of enslaved Africans who settled between northern Florida and North Carolina during the nineteenth century. For decades, Green's vividly colored paintings and prints have captured and preserved the daily rituals and Gullah traditions of his childhood in the Lowcountry marshes of South Carolina. While Green's art continues to express the same energy, color, and deep respect for his ancestors, his techniques have evolved to feature bolder brush strokes and a use of depth and texture, all guided by his maturing artistic vision that is now more often about experiencing freedom and contentment through his art. This vision is reflected in the 179 new paintings featured in Gullah Spirit. His open and inviting images beckon the world to not only see this vanishing culture but also to embrace its truth and enduring spirit. Using both the aesthetics of his heritage and the abstraction of the human figure, Green creates an almost mythological narrative from his everyday observations of rural and urban environments. Expressed through his mastery of color, Green illuminates the challenges and beauty of work, love, belonging, and the richness of community. Angela D. Mack, executive director of the Gibbes Museum of Art in Charleston, South Carolina, provides a foreword. The book also includes short essays by historian Walter B. Edgar, educator Kim Cliett Long, and curator Kevin Grogan.

A collection of fantastical and macabre Gullah-inspired folklore that illuminates African-American life in nineteenth-century South Carolina. You ask for a story. I will tell you one, fact for fact and true for true. . . . So begins “Crook-Neck Dick,” one of twenty-three stories in this beguiling collection of Charleston lore. John Bennett’s interpretations of the legends shared with him by African-descended Charlestonians have entertained generations. Among them are tales of ghosts, conjuring, superhuman feats, and supernatural powers; accounts of ingenuity, humor, terror, mystery, and solidarity will enchant folklorists, students of Charleston history, and all those who love a good ghost story. Julia Eichelberger, the Marybelle Higgins Howe Professor of Southern Literature and an executive board member of the Center for Study of Slavery at the College of Charleston in South Carolina, provides an introduction. “A collection of folk story, myth, drolleries, macabre unreason . . . old tales of death, mystery, bizarre incredibilities, diabolic influence, demanding ghosts, buried treasure, enchantments, miracles, visitations, and the dead that are not dead.” —Kirkus Reviews