In 1888, Charles Colcock Jones Jr. published the first collection of folk narratives from the Gullah-speaking people of the South Atlantic coast, tales he heard black servants exchange on his family's rice and cotton plantation. It has been out of print and largely unavailable until now. Jones saw the stories as a coastal variation of Joel Chandler Harris's inland dialect tales and sought to preserve their unique language and character. Through Jones' rendering of the sound and syntax of nineteenth-century Gullah, the lively stories describe the adventures and mishaps of such characters as "Buh Rabbit," "Buh Ban-Yad Rooster," and other animals. The tales range from the humorous to the instructional and include stories of the "sperits," Daddy Jupiter's "vision," a dying bullfrog's last wish, and others about how "buh rabbit gained sense" and "why the turkey buzzard won't eat crabs."

These tales range from the supernatural to the romantic and from the sacred to the secular. A celebration of American imagination, tradition, and manners, this collection of folktales reveals the spirit of people who responded to the demands of rural living with grace, good humor, and endurance.

“We travel the world,” writes Gregory McNamee, “and wherever we go there are snake stories to entertain us.” Here are some fifty diverse and unusual accounts of serpents from cultures across time and around the globe: snakes that talk, jump, and dance; snakes that transform into other creatures; snakes that just . . . watch. Many selections are drawn from the rich oral traditions of peoples in every clime that supports reptiles, from the Akimel O’odham of North America to the Mensa Bet-Abrahe of Africa to the Mungkjan of Australia. Included as well are such writings as prayers from the Egyptian Book of the Dead, fairy tales collected by the Brothers Grimm, a poem by Emily Dickinson, and a journal entry by Charles Darwin. What we read about snakes in The Serpent’s Tale is just as fascinating for what it says about us, for there always will be something primordial about our connection to them. That bond is evident in these stories: in how we associate snakes with nature’s elemental forces, how we attribute special qualities to their eyes and skin, and how they preside over all phases of our existence, from creation to death to resurrection.

"Coming Through marks the first complete publication of these interviews with former slaves and their descendants living in the Waccamaw Neck region of South Carolina as collected by Genevieve W. Chandler in the 1930s as part of the WPA Federal Writers' Project. Between 1936 and 1938 Chandler interviewed more than one hundred individuals in and around All Saints Parish, a portion of Horry and Georgetown counties located between the Waccamaw River and the Atlantic Ocean. Her subjects spoke freely with her on topics ranging from slave punishment to folk medicine, from conditions in the Jim Crow South to the exploits of Brer Rabbit." "Coming Through consists primarily of interviews with forty-nine Gullah-speaking African American informants sharing life experiences with Chandler. The subjects range in age from 9-year-old George Kato Singleton to 104-year-old Welcome Bees. A biography of each subject accompanies the interviews. Collectively these interviews form an intimate portrait of a fascinating subculture of the Carolina coast and the Sea Islands as shared with a remarkable woman who had special access to converse with the people of this traditionally insular world. Moreover they provide an unparalleled firsthand account of the African American experience in South Carolina in the words of those who lived it."--BOOK JACKET.