On the eve of AIDS, Zimbabwe battles for Independence-- --An American expatriate remembers her home, garden and hope-filled Zambians in Zambia when, taking up Zimbabwes battle, bombs fall, murders happen, food shortages bring starvation. Her bipolar American anthropologist husband goes near berserk. Bombs kill the innocent, vicious murders go unexplained; starvation and death threaten when food, medical supplies--equipment and vital machinery are disallowed entry into Zambias land-locked land. Gifted and bipolar, the anthropologist, searching every specter of political innuendo, ends in his undoing. The writer, deeply interested in the land and its people, experiences Zambian kindness, warmth, procrastination, suspicion, and joy. This singular, independent, intrigue with Zambia as well as the dynamics of their love, provide memoirs landscape. The young American University librarian, responsible for the couples residency in Zambia, yields wrenching complications. The marriage suffers collapse. AIDS creeps into the landscape.

The Fourth Congress of the Association of African historians was held in Addis Ababa in May 2007. These 21 papers are a key selection of the papers presented there, with an introduction by the distinguished historian Bahru Zewde. Given the contemporary salience and the historical depth of the issue of identity, the congress was devoted to that global phenomenon within Africa. The papers explore and analyse the issue of identity in its diverse temporal settings, from its pre-colonial roots to its cotemporary manifestations. The papers are divided into six parts: Pre-Colonial Identities; Colonialism and Identity; Conceptions of the Nation-State and Identity; Identity-Based Conflicts; Migration and Acculturation; and Memory, History and Identity. The authors are scholars from Benin, Botswana, Cameroon, the Democratic Republic of Congo, Ethiopia, Mali, Nigeria, Senegal, South Africa and Zimbabwe. Bahru Zewde is Emeritus Professor of History at Addis Ababa University, Executive Director of the Forum for Social Studies, and Vice-President of the Association of African Historians. He was formerly Chairperson of the Department of History and Director of the Institute of Ethiopian Studies at Addis Ababa University. Amongst his publication is A History of Modern Ethiopia 1855-1991.

The book provides empirically-rich case studies of the lives and livelihoods of marginalised ethnic minorities in colonial and post-colonial Zimbabwe, with a specific focus on diverse rural areas. It demonstrates the dynamic and complex relationships existing between ethnic minorities and livelihoods, and analyses the ways in which projects of belonging (and identity-formation) amongst these ethnic minorities are entangled in their respective livelihood construction projects, and vice versa. The ethnic minorities include those considered indigenous to Zimbabwe, and those often defined as ‘aliens’, including ethnicities with a transnational presence in southern Africa. The ethnicities studied in the book include the following: Chewa, Doma, Tonga, Tshwa San, Shangane, Basotho, Ndau, Hlengwe and Nambya. By studying their livelihoods in particular, this book offers the first full manuscript about ethnic minorities in Zimbabwe. In doing so, it highlights the significance of these ethnic minorities to Zimbabwean history, politics and society.

“When you educate a girl, you educate a nation.” —Malawian saying The women of Malawi, like many other women in developing countries, struggle to find their way out of poverty and build a better life for themselves and their families. Weaving a Malawi Sunrise tells the story of Memory Chazeza’s quest to get an education and to build a school for young women. Roberta Laurie was one of many who helped Memory realize her vision of seeing young girls become strong and independent women who could care for themselves and their future families. During her time in Malawi, Laurie met several other women, each of whom had a story of her own. Laurie combines these personal accounts with detailed information about the country’s underlying social and political context. Readers interested in Africa, global affairs, women’s studies, development, and international education will give high marks to Weaving a Malawi Sunrise.

Since the discovery and exploitation of minerals like gold, diamond and copper in South Africa, Zimbabwe and Zambia in the late nineteenth and early twentieth centuries, Malawi has played the role of a labour supplier. Malawians were attracted by the relatively higher wages obtaining in the South African mines up to the period of the decline in mine migrancy at the end of the 1980s. Following this decline, a cross-section of Malawians continued to emigrate to South Africa to seek various jobs in the burgeoning informal sector and also for trade purposes. Migration from Malawi to South Africa sheds light on the problems that labour migrants and traders encounter as they are ‘toing’ and ‘froing’ between Malawi and South Africa in pursuit of their respective goals. It shows that migration, which initially was exclusively done for wage employment, is becoming more complex by the day. This is a result of the infusion of elements of commercial migration, smuggling and human trafficking. The book advances the argument that the numbers of migrants to South Africa increased in the post-1994 period partly as a result of mal-administration by the successive democratically-elected governments in Malawi. This development weakened Malawi’s otherwise promising economy and impoverished the rural masses. The book ‘sees’ forlorn hope in the future of labour migrants and traders, unless the Malawi Government starts to genuinely have the welfare of the populace at heart! The book is relevant and accessible to policy-makers, university and college students interested in migration studies, general readers and migrants, themselves.

British Dance, Black Routes is an outstanding collection of writings which re-reads the achievements of Black British dance artists, and places them within a broad historical, cultural and artistic context. Until now discussion of choreography by Black dance practitioners has been dominated by the work of African-American artists, facilitated by the civil rights movement. But the work produced by Black British artists has in part been within the context of Britain’s colonial legacy. Ramsay Burt and Christy Adair bring together an array of leading scholars and practitioners to review the singularity and distinctiveness of the work of British-based dancers who are Black and its relation to the specificity of Black British experiences. From sub-Saharan West African and Caribbean dance forms to jazz and hip-hop, British Dance, Black Routes looks afresh at over five decades of artistic production to provide an unparalleled resource for dance students and scholars. Appendix 2 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.

This work provides basic facts about Malawi. It is intended to serve as a brief introduction to this southeast African country and enable some people, who know nothing or very little about Malawi, to learn important facts which can help them learn more about the people and the history of one of the most fascinating countries on the African continent. Who are the people of Malawi? What are their ethnic identities? What is the country's history? How is the land? What are some of its prominent features? How is life in Malawi? What are some of the cultural aspects which give the country its own identity? Is there a national culture or simply cultures of different ethnic groups? What are some of the towns and cities of this predominantly agricultural country and one of the poorest in Africa? What is the country's future in a region with richer and more powerful neighbours? Is federation with them possible and a solution to the country's economic problems? Those are some of the questions I have attempted to answer in this book.