This is the memoir of Fyodor Mochulsky, a man who spent several years in the administration of the Soviet Gulag, including six years supervising the construction of a railroad in the Arctic. It is the first memoir in English from an NKVD (KGB) employee, and recounts his experiences inside the Soviet system of terror and how he came to deal with the logistical and ethical challenges he faced. This book provides a unique perspective on the organization of evil and the thinking of all the apparently ordinary people who help run systems of terror.

Survival as Victory is the first anthropological study of daily life in the Soviet forced labor camps as experienced by Ukrainian women prisoners. Oksana Kis pulls from the written and oral histories of over 150 survivors to bring to life the gendered strategies of survival, accommodation, and resistance to the dehumanizing effects of the Gulag.

"The notorious Soviet Gulag gets a radical reinterpretation in this remarkable work of cutting-edge history. By examining the history of Vorkuta, an Arctic coal-mining outpost established in the 1930s as a prison camp complex, Alan Barenberg's insightfulstudy tests the idea that the Gulag was an 'archipelago' separated from Soviet society at large"--Cover.

Men Out of Focus charts conversations and polemics about masculinity in Soviet cinema and popular media during the liberal period – often described as "The Thaw" – between the death of Stalin in 1953 and the invasion of Czechoslovakia in 1968. The book shows how the filmmakers of the long 1960s built stories around male protagonists who felt disoriented by a world that was becoming increasingly suburbanized, rebellious, consumerist, household-oriented, and scientifically complex. The dramatic tension of 1960s cinema revolved around the male protagonists’ inability to navigate the challenges of postwar life. Selling over three billion tickets annually, the Soviet film industry became a fault line of postwar cultural contestation. By examining both the discussions surrounding the period’s most controversial movies as well as the cultural context in which these debates happened, the book captures the official and popular reactions to the dizzying transformations of Soviet society after Stalin.

For the centenary of the Russian Revolution, a new edition of the Russian Nobel Prize-winning author's most accessible novel One Day in the Life of Ivan Denisovich is an undisputed classic of contemporary literature. First published (in censored form) in the Soviet journal Novy Mir in 1962, it is the story of labor-camp inmate Ivan Denisovich Shukhov as he struggles to maintain his dignity in the face of communist oppression. On every page of this graphic depiction of Ivan Denisovich's struggles, the pain of Aleksandr Solzhenitsyn's own decade-long experience in the gulag is apparent—which makes its ultimate tribute to one man's will to triumph over relentless dehumanization all the more moving. An unforgettable portrait of the entire world of Stalin's forced-work camps, One Day in the Life of Ivan Denisovich is one of the most extraordinary literary works to have emerged from the Soviet Union. The first of Solzhenitsyn's novels to be published, it forced both the Soviet Union and the West to confront the Soviet's human rights record, and the novel was specifically mentioned in the presentation speech when Solzhenitsyn was awarded the Nobel Prize in Literature in 1970. Above all, One Day in the Life of Ivan Denisovich establishes Solzhenitsyn's stature as "a literary genius whose talent matches that of Dostoevsky, Turgenev, Tolstoy" (Harrison Salisbury, The New York Times). This unexpurgated, widely acclaimed translation by H. T. Willetts is the only translation authorized by Solzhenitsyn himself.

This is the first English translation of Olga Adamova-Sliozberg’s mesmerizing My Journey​, which was not officially published in Russia until 2002. It is among the best known of Gulag memoirs and was one of the first to become widely available in underground samizdat circulation. Alexander Solzhenitsyn relied heavily upon it when writing Gulag Archipelago, and it remains the best account of the daily life of women in the Soviet prison camps. Arrested along with her husband (who, she would much later learn, was shot the next day) in the great purges of the thirties, Adamova-Sliozberg decided to record her Gulag experiences a year after her arrest, and she “wrote them down in her head” (paper and pencils were not available to prisoners) every night for years. When she returned to Moscow after the war in 1946, she composed the memoir on paper for the first time and then buried it in the garden of the family dacha. After her re-arrest and seven more years of banishment to Kazakhstan, she returned to the dacha to dig up the buried memoir, but could not find it. She sat down and wrote it all over again. In her later years she also added a collection of stories about her family. Concluding on a hopeful note—Adamova-Sliozberg’s record is cleared, she re-marries a fellow former-prisoner, and she is reunited with her children—this story is a stunning account of perseverance in the face of injustice and unimaginable hardship. This vital primary source continues to fascinate anyone interesting in the tumultuous history of Russia and the Soviet Union in the twentieth century.

Cover -- Title -- Copyright -- Contents -- Acknowledgments -- A Note on Archives and Language -- Map of Locations of Forced Labor Camps and Colonies during the Stalin Years -- Introduction: Exploiting "Human Raw Material"--1. Food: "Whoever Does Not Work, Shall Not Eat" -- 2. Prisoners: "The Contingent" -- 3. Health: "Physical Labor Capability" -- 4. Illness and Mortality: "Lost Labor Days" -- 5. Invalids: "Inferior Workforce" -- 6. Releases: "Unloading the Ballast" -- 7. Power: "We Are Not Doctors but Delousers" -- 8. Selection: "The More (and Less) Valuable Human Element" -- 9. Exploitation: "Labor Utilization" -- Epilogue: Deaths and Deceptions -- Notes -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W -- Y