The book "Guitar Shapes Navigator" deals with the determination of the positions of characteristic points, lines, distances and shapes of parts of the guitar as a whole. In contrast to technical drawings, "Guitar Shapes Navigator" does not use classic dimensions, but mainly the coordinates of the positions of the end points, center points, etc. Everything takes place in the X and Y coordinates of the normal Cartesian system. The third dimension, the Z coordinate, is used as needed. And the main role is played by the origin, the Z E R O P O I N T - actually invisible under the bridge.

(Guitar Educational). Mastering the guitar neck has always been a challenge, even for very experienced players. The diagrams in Guitar Fretboard Atlas will help you quickly memorize scales and chords that may have previously seemed impossible to grasp. You'll be able to easily see and understand how scale and chord shapes are laid out and how they connect and overlap across the neck. This is a collection of roadmaps for the most important scales and chords. The material is presented in all 12 keys, using complete 24-fret neck diagrams with color-coded displays of the most common fingerings.

This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument, intermediate players can use it for training and theoretical work, and advanced players can explore the sections on advanced theory, extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is divided into two parts: pitch and rhythm. Part 1 (pitch) begins with the properties of string, harmonics, and tuning systems. It then moves methodically through pitch information, beginning with locating all versions of a single pitch, building pentatonic, heptatonic, and all possible symmetrical scales. This is followed by a study of intervals, with all possible locations of every two pitches, and a long study that moves through every possible fingering of three pitches, with a series of exercises to master triadic syntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation. Part 2 (rhythm) begins with a complete course in "Symmetrical Picking," a method based on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation, with a focus on efficiency, accuracy, speed, dynamics, and groove. It is followed by a study of legato playing, working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse against pulse, playing two simultaneous tempos. The book concludes with a study of polyrhythm, playing one rhythm against another. Plain English is used as much as possible to describe theoretical concepts, and hundreds of illustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to be inclusive and to promote creative practice. The main idea of the book is described in this passage (page 154): "Even in this small area there is a lot of material, potentially a lifetime of study. The amount of information can feel overwhelming to students at any level. For this reason, the book is designed for self-directed practice, with an emphasis on what the player "could" do, rather than what the player "should" do. The principle is to develop your own learning process, rather than following someone else's. The ability to make choices is essential in finding a personal approach to the instrument. Pick and choose the studies that seem interesting - there should be enough variety to accommodate a wide range of personalities. If any particular concept or exercise has been useful as the starting point for a new creative direction, then the book has done its job. Its purpose is not to push any dogma, method, or style, but to open the door to options for guitarists of any background that are looking for new perspectives.

A lot of students ask me how they can take their improvisation skills to the next level and move beyond pentatonic scales and into modes and arpeggios. My response is to tell them not to abandon pentatonic scales in favor of modes and other soloing devices, but to use them as a springboard and a solid foundation from which to expand their harmonic awareness. If you play rock, blues and even jazz, you’ll be using pentatonic scales for the rest of your life, so there’s no need to discard them! In this book, we’ll be using the much-loved minor pentatonic scale as the basis for learning and having a quick way to access the modes of the major scale, as well as the basic seventh chord arpeggios. This means that when you go to improvise, you'll have a vast array of options with which to go beyond pentatonic soloing. Work through this book daily and I guarantee you a smooth and painless transition from pentatonics to incorporating modes and arpeggios into your playing.

3NPS (three-note-per-string) scales, as used by legions of guitarists but popularized mainly by Joe Satriani, are one of the most efficient ways to navigate the fretboard and get your scales down IF you follow the guidelines in this book. As the name suggests, a 3NPS scale is any scale that contains three notes on each string, and as you'll see in this eBook, this makes for a very consistent way to map out scales on the guitar fretboard. What we’ve done here is revamped the 3NPS scale system and turned it into an incredibly effective means to learn a wide variety of scales all over the fretboard by streamlining the number of patterns, as well as the picking system. This is not a scale theory book, and contains no pentatonic scales. This is a quick and dirty (and very effective) method for learning 3NPS scales all over the fretboard; something to work on in the woodshed. It will improve your picking technique and speed. It does not require a great amount of thinking as you only need to learn two picking patterns, which is really one in two directions, and only three scale patterns instead of the usual seven per scale.

(Musicians Institute Press). Navigate the guitar neck better than ever before with this easy-to-use book! Designed from Musicians Institute core curriculum programs, it covers essential concepts for players of every level, acoustic or electric. A hands-on guide to theory, it will help you learn to build any scale or chord on your own and unleash creativity. No music reading is required.

THE FIRST STEP TO PLAYING LIKE A PRO IS THINKING LIKE ONE Guitar players frequently face the same roadblocks in their playing. Many feel stunted creatively, stuck playing the same old things, and unsure how to move forward. These issues are caused by some common pitfalls. Typical problems include being unable to think beyond familiar patterns, not understanding how music theory relates to the fretboard, and feeling hindered by ineffective technique. Lead Guitar Breakthrough guides you step-by-step through essential concepts for overcoming obstacles in your lead playing. This book provides a blueprint for fretboard navigation and the tools needed to cultivate your own style and musicality. It offers a refreshing approach to understanding guitar theory and technique in a way that's engaging, straightforward, and practical. This is a must-have resource for any guitarist looking to enhance their playing ability and musical understanding! ONLINE BONUS: This book is complete with free online bonus material. It comes bundled with a companion website to enhance your learning experience. Extras include audio examples, backing tracks, bonus downloads, and more. Join thousands of students worldwide! Like easy-to-follow lessons, pro playing tips, and jam-packed value? You'll love learning from this International bestselling instructor. SCROLL UP AND BUY NOW TO GET STARTED