The extraordinary story of the small Vermont town that has likely produced more Olympians per capita than any other place in the country, Norwich gives “parents of young athletes a great gift—a glimpse at another way to raise accomplished and joyous competitors” (The Washington Post). In Norwich, Vermont—a charming town of organic farms and clapboard colonial buildings—a culture has taken root that’s the opposite of the hypercompetitive schoolyard of today’s tiger moms and eagle dads. In Norwich, kids aren’t cut from teams. They don’t specialize in a single sport, and they even root for their rivals. What’s more, their hands-off parents encourage them to simply enjoy themselves. Yet this village of roughly three thousand residents has won three Olympic medals and sent an athlete to almost every Winter Olympics for the past thirty years. Now, New York Times reporter and “gifted storyteller” (The Wall Street Journal) Karen Crouse spills Norwich’s secret to raising not just better athletes than the rest of America but happier, healthier kids. And while these “counterintuitive” (Amy Chua, bestselling author of Battle Hymn of the Tiger Mother) lessons were honed in the New England snow, parents across the country will find that “Crouse’s message applies beyond a particular town or state” (The Wall Street Journal). If you’re looking for answers about how to raise joyful, resilient kids, let Norwich take you to a place that has figured it out.

Unlike other brief summaries of Julian's life in 14th-century Norwich, England, this book goes in-depth to uncover the political, cultural, social and religious milieu that formed and deeply influenced her development as a woman and a Christian mystic.

Contains list of "Fictitious and pseudonymous names."

The fourteenth-century anchorite known as Julian of Norwich offered fervent prayers for a deeper understanding of Christ's passion. The holy woman's petitions were answered with a series of divine revelations that she called "shewings." Her mystic visions revealed Christ's sufferings with extreme intensity, but they also confirmed God's constant love for humanity and infinite capacity for forgiveness. Julian of Norwich's Revelations of Divine Love have had a lasting influence on Christian thought. Written in immediate, compelling terms, her experiences remain among the most original and accessible expressions of medieval mysticism. This edition contains both the short text, which is mainly an account of the shewings and Julian's initial analysis of their meaning, and the long text, completed some 20 years later and offering daringly speculative interpretations.

Julian among the Books: Julian of Norwich’s Theological Library brings together innovative research on aspects of the Showing of Love, especially the Pan-European background of its manuscripts, and their contexts, arguing for the concept of ‘Holy Conversations’ in a mise en abyme, where her readers, breaking the frame, participate in her contemplative visions. It discusses the three versions of her text, her knowledge of Hebrew, and her Benedictine context and its lectio divina, including textual and physical links with the Norwich monk, Cardinal Adam Easton, OSB, his collegial friendship with St Catherine of Siena and St Catherine of Sweden, and his support for St Birgitta of Sweden’s canonisation. The book also explores the library of texts of the ‘Friends of God’ movement, including the Mirror of Simple Souls of Marguerite Porete, presents the texts of Julian’s conversation with Margery Kemp, and discusses the exiled Brigittine and Benedictine nuns who continued to treasure and copy Julian’s text on the Continent following England’s Reformation. Scholarly methods used in this study include palaeography, codicology, iconography, reader reception, discourse on the Body, use of Hebrew, Greek and Latin, and the concepts of ‘Holy Conversation’ and ‘Textual Communities’. It gives much of the text of the Westminster Manuscript in translation, along with many quotations from the Westminster, Paris and Sloane manuscripts in their original layout and spelling. Illustrated with colour plates of the Julian manuscripts in the centrefold and other images, and black and white figures throughout the body of the text, it brings the reader as close as possible to Julian’s writing, her context, and her preservation by other women contemplatives throughout time.