The first book of its kind to be published for the Bluegrass State, The Birds of Kentucky is designed to provide an accurate and scientifically rigorous description of all the species of birds found in Kentucky. This comprehensive guide features a wealth of information, including abundance records, migration dates, and additional reference material, and indicates whether a bird is a permanent resident, winter resident, summer resident, visitant, or transient. Additionally, author Burt L. Monroe reviews the history of ornithologists who have worked in Kentucky and outlines the physiography of the state as it relates to birding. More than just a verbal portrait of Kentucky avifauna, The Birds of Kentucky includes fifty-one color paintings by the renowned wildlife artist William Zimmerman, whose work has been favorably compared to that of John James Audubon. In contrast to Audubon's romanticism and often tortuous style, however, Zimmerman offers us "comfortable" birds that look as if they are about to take wing and leave the page. Beautifully illustrated and based on a lifetime of field observation and research, this book provides an excellent guide to the natural history of the birds of the Bluegrass.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The Social and Cultural Construction of Risk: Issues, Methods, and Case Studies Vincent T. Covello and Branden B. Johnson Risks to health, safety, and the environment abound in the world and people cope as best they can. But before action can be taken to control, reduce, or eliminate these risks, decisions must be made about which risks are important and which risks can safely be ignored. The challenge for decision makers is that consensus on these matters is often lacking. Risks believed by some individuals and groups to be tolerable or accept able - such as the risks of nuclear power or industrial pollutants - are intolerable and unacceptable to others. This book addresses this issue by exploring how particular technological risks come to be selected for societal attention and action. Each section of the volume examines, from a different perspective, how individuals, groups, communities, and societies decide what is risky, how risky it is, and what should be done. The writing of this book was inspired by another book: Risk and Culture: An Essay on the Selection of Technoloqical and Environmental Dangers. Published in 1982 and written by two distinguished scholars - Mary Douglas, a British social anthropologist, and Aaron Wildavsky, an American political scientist - the book received wide critical attention and offered several provocative ideas on the nature of risk selection, perception, and acceptance.