Mexican settlers first came to the valley of the Rio Grande to establish their ranchos in the 1750s. Two centuries later the Great River, dammed in an international effort by the U.S. and Mexican governments to provide flood control and a more dependable water supply, inundated twelve settlements that had been built there. Under the waters of the new Falcón Reservoir lay homes, businesses, churches, and cemeteries abandoned by residents on both sides of the river when the floods of 1953 filled the 115,000-acre area two years ahead of schedule. The Smithsonian Institution, the National Park Service, and the University of Texas at Austin conducted an initial survey of the communities lost to the Falcón Reservoir, but these studies were never completed or fully reported. When architect W. Eugene George came to the area in the 1960s, he found a way of life waiting to be preserved in words, photographs, and drawings. Two subsequent recessions of the reservoir—in 1983–86 and again in 1996–98—gave George new access to one of the settlements, Guerrero Viejo in Mexico. Unfortunately, the receding lake waters also made the village accessible to looters. George’s work, then, was crucial in documenting the indigenous architecture of these villages, both as it existed prior to the flooding and as it remained before it was despoiled by vandals’ hands. Lost Architecture of the Rio Grande Borderlands combines George’s original 1975 Texas Historical Commission report with the information he gleaned during the two low-water periods. This handsome, extended photographic essay casts new light on the architecture and lives of the people of the Texas-Mexico borderlands.

Rich in period analysis, here is fascinating historical perspective covering 250 years of existence primarily of a 1750 Spanish settlement originally called Villa del Seor San Ignacio de Loyola de Revilla and now known as "Guerrero Viejo." Although many books cover the genealogical aspects of families that originated in this city, the historical contributions of the early pioneers, their descendents, and the controversy related to land grants, called Porciones -- awarded by the King of Spain -- have, for the most part, remained in the background. This, then, is the principal objective of this book. The book provides summaries on the evolution, history, wars, and problems of Mexico. Using some of his ancestors as a sample, the author shows the hardships they endured and discusses their contribution in the formation of the two great nations that the United States and Mexico have become. At the same time, the book shows that the land grants (and heirs) took one of two alternate roads -- depending on their location -- when Texas and other territories were ceded to the United States. People and land grants located on the Mexican side were victims of the violent and blood soaked history that Mexico has had. On the other hand, those located on the U.S. side, were subjected to mischief and flagrant violations of the terms of the Treaty of Guadalupe Hidalgo. Sadly, in 1953, the Falcon Dam inundated Guerrero Viejo and many of the land grants. Thus, for all intents and purposes, the heirs of most land grants met the same end and a financial obligation (of $193.0 Million plus interest) exchanged between the U.S. and Mexico has remained unpaid for over 80 years. The reader will long-remember the amazing facts developed in this book.

Gathers essays, poems, song lyrics, and short stories about the U.S.-Mexico borderland, with contributions by many famous literary figures.

The ultimate road trip, celebrating the remarkable history, natural history and diversity of the Lone Star State.~Robert McCracken Peck, The Academy of Natural Sciences, Philadelphia.

"Wonderful...a book that connects us to the global story of ourselves." -Sandra Cisneros In this beautifully written, highly original work, John Phillip Santos- the author of Places Left Unfinished at the Time of Creation-creates a virtuosic meditation on ancestry and origins. Weaving together a poetic mix of family remembrance, personal odyssey, conquest history, and magical realism, Santos recounts his quest to find the missing chronicle of his mother's family, who arrived in southern Texas in the 1620s. As Santos traces their roots to northern Spain, he re-imagines the way we think about identity. The result is a uniquely engaging adventure in the frontier between self and family, past and present, at a time when breakthroughs in genetics are changing our window on history.