A look at how combat, culture, and military tradition influenced soldiers’ language in Vietnam from the award-winning, USA Today–bestselling author. The slang, or unique vocabulary, of the soldiers and marines serving in Vietnam, was a mishmash of words and phrases whose origins reached back to the Korean War, World War II, and even earlier. Additionally, it was influenced by the United States’ rapidly changing protest culture, ideological and poetical doctrine, ethical and cultural conflicts, racialism, and drug culture. This “slanguage” was rendered even more complex by the Pidgin Vietnamese-English spoken by Americans and Vietnamese alike. But perhaps most importantly, it reflected the soldiers’ actual daily lives, played out in the jungles, swamps, and hills of Vietnam.

In 2014, the US marks the 50th anniversary of the Gulf of Tonkin Resolution, the basis for the Johnson administration’s escalation of American military involvement in Southeast Asia and war against North Vietnam. Vietnam War Slang outlines the context behind the slang used by members of the United States Armed Forces during the Vietnam War. Troops facing and inflicting death display a high degree of linguistic creativity. Vietnam was the last American war fought by an army with conscripts, and their involuntary participation in the war added a dimension to the language. War has always been an incubator for slang; it is brutal, and brutality demands a vocabulary to describe what we don’t encounter in peacetime civilian life. Furthermore, such language serves to create an intense bond between comrades in the armed forces, helping them to support the heavy burdens of war. The troops in Vietnam faced the usual demands of war, as well as several that were unique to Vietnam – a murky political basis for the war, widespread corruption in the ruling government, untraditional guerilla warfare, an unpredictable civilian population in Vietnam, and a growing lack of popular support for the war back in the US. For all these reasons, the language of those who fought in Vietnam was a vivid reflection of life in wartime. Vietnam War Slang lays out the definitive record of the lexicon of Americans who fought in the Vietnam War. Assuming no prior knowledge, it presents around 2000 headwords, with each entry divided into sections giving parts of speech, definitions, glosses, the countries of origin, dates of earliest known citations, and citations. It will be an essential resource for Vietnam veterans and their families, students and readers of history, and anyone interested in the principles underpinning the development of slang.

Cu Chi, (body bag), Shit-hook (Chinook helicopter), dink (Vietnamese slang for a G.I.), slope (G.I. slang for a Vietnamese), hose (kill), boom-boom (what's done in a tapioca mill, or whorehouse), Mike-Juliet (marijuana), pogey bait, DO-28, C-2A, L Zed (Aussie for landing zone), rat-turds (oak leaf clusters), thousand yard stare, Samozaryadnyi karabin (Soviet rifle), guerre a outrance (French war to the end--the viewpoint of the North): these and the 10,000 others in this dictionary are the words of the Vietnam era. They were spoken by ground pounders in the boonies and by peaceniks on U.S. campuses, by hawks, doves, Victor Charlies and hoi chanhs, Chinese advisors and the Muong people of the Central Highlands. The period covered is primarily 1963-1975, but there are terms included from as early as 1945 and as late as 1987.

The 'grunts' are the line infantry, the men who actually fought the war in Vietnam. Who humped up one worthless hill after another, searching for an elusive enemy. Who were as likely to be killed by heat stroke or 'friendly fire' as Viet Cong.

"The best book to have been written about the Vietnam War" (The New York Times Book Review); an instant classic straight from the front lines. From its terrifying opening pages to its final eloquent words, Dispatches makes us see, in unforgettable and unflinching detail, the chaos and fervor of the war and the surreal insanity of life in that singular combat zone. Michael Herr’s unsparing, unorthodox retellings of the day-to-day events in Vietnam take on the force of poetry, rendering clarity from one of the most incomprehensible and nightmarish events of our time. Dispatches is among the most blistering and compassionate accounts of war in our literature.