Wallach chronicles the universal journey of growing up during 1940s through early 1960s, the Golden Age of Innocence, in a series of short, easy-reading chapters based on the embellished life of the author's alter ego, Chip.

If you want to take a trip down memory lane, this book is for you. Full of humor, wisdom and frank talk, award-winning Yorkville Twins [required reading by college freshmen] is an endearing collection of stories involving immigrants, survival, growing up, coming of age, and learning what it is to be an American. More than a memoir of a 1950s working class neighborhood, it's an experience, a love story of family, friends, neighbors, and the Yorkville of yore, recounting daily life from a historical, social and cultural perspective. "In the 1940s and 1950s, . . . most [urban] people lived in a four- or five-story, walk-up tenement building. Often their apartments had no toilet. Families would share a common toilet in the hallway. There were no showers. The only bathtub in many cases was a washtub located in the kitchen, a tub so small the best a full-grown person could do was sit on the edge and put his or her feet in the water. . . . There was little or no privacy in the railroad style rooms. The time Joe and John Gindele reminisce about is post-war America in a large city. It was a time when news reports, politicians and leaders were believable in the public's mind. It was a time when teachers, priests, and the police were never challenged. It was a time before TV. Some people had telephones. Most didn't. Radio programs which sparked the imagination of children and adults alike were the daily fare." --Anthony Lofaso, author.With 100+ vintage photographs, richly annotated resources, and a multilingual glossary, the book is nostalgic, inspiring, and "laugh-out-loud" entertaining. The twins describe what the city was like then, how it changed, and how they and their family succeeded in living the American dream! It's an American tale full of adventures and misadventures, laughs, sweet memories and sad moments. How did their family ever survive living with these guys who share special bonds and predictive abilities? Readers will (1) Renew childhood memories, (2) Live the immigrant experience, and (3) Have fun doing so.

Nostalgia isn't what it used to be. For many of us, modern memory is shaped less by a longing for the social customs and practices of the past or for family heirlooms handed down over generations and more by childhood encounters with ephemeral commercial goods and fleeting media moments in our age of fast capitalism. This phenomenon has given rise to communities of nostalgia whose members remain loyal to the toys, television, and music of their youth. They return to the theme parks and pastimes of their upbringing, hoping to reclaim that feeling of childhood wonder or teenage freedom. Consumed nostalgia took definite shape in the 1970s, spurred by an increase in the turnover of consumer goods, the commercialization of childhood, and the skillful marketing of nostalgia. Gary Cross immerses readers in this fascinating and often delightful history, unpacking the cultural dynamics that turn pop tunes into oldies and childhood toys into valuable commodities. He compares the limited appeal of heritage sites such as Colonial Williamsburg to the perpetually attractive power of a Disney theme park and reveals how consumed nostalgia shapes how we cope with accelerating change. Today nostalgia can be owned, collected, and easily accessed, making it less elusive and often more fun than in the past, but its commercialization has sometimes limited memory and complicated the positive goals of recollection. By unmasking the fascinating, idiosyncratic character of modern nostalgia, Cross helps us better understand the rituals of recall in an age of fast capitalism.

This collection explores sociological analyses of home in Canada, drawing upon studies of family, urban and rural communities, migration and immigration, and other areas to discuss the idea of “home.” This volume, organized across three parts, moves from the micro-level of personal homemaking, to the meso-level of neighbourhood community, to the macro-level of political ecology. The contributors, both new and established scholars, draw upon a plurality of standpoints, including gendered, class-based, racialized, and Indigenous voices. It is the first Canadian collection of readings on the sociology of home.

The Drive-In meaningfully contributes to the complex picture of outdoor cinema that has been central to American culture and to a history of US cinema based on diverse viewing experiences rather than a select number of films. Drive-in cinemas flourished in 1950s America, in some summer weeks to the extent that there were more cinemagoers outdoors than indoors. Often associated with teenagers interested in the drive-in as a 'passion pit' or a venue for exploitation films, accounts of the 1950s American drive-in tend to emphasise their popularity with families with young children, downplaying the importance of a film programme apparently limited to old, low-budget or independent films and characterising drive-in operators as industry outsiders. They retain a hold on the popular imagination. The Drive-In identifies the mix of generations in the drive-in audience as well as accounts that articulate individual experiences, from the drive-in as a dating venue to a segregated space. Through detailed analysis of the film industry trade press, local newspapers and a range of other primary sources including archival records on cinemas and cinema circuits in Arkansas, California, New York State and Texas, this book examines how drive-ins were integrated into local communities and the film industry and reveals the importance and range of drive-in programmes that were often close to that of their indoor neighbours.

Celebrated for their ease of use, portability, and comprehensive information, the ever-popular ACCESS guides offer a convenient, detailed look at the sights and attractions of locales across the globe. ACCESS Washington, D.C. features a comprehensive guide to the nation's capital, with notes on architecture and history, fascinating trivia, and more. Maps & line drawings.

"In Graphic Wit, the first book offering a comprehensive survey of humor in graphic design, Heller and Anderson focus on that special instinct for playfulness inherent in all design, and show the many forms it can take in a skilled graphic artist's hands. Loaded with examples of successful design humor in such varied forms as book and record jackets, logos, posters, typography, and advertising, Graphic Wit examines the approaches designers can use for comic effect, including repetition, alteration of scale, and juxtaposition, as well as such specific mechanisms as visual puns, parody, nostalgia, wordplay, and typeplay. Case studies of successful ad campaigns reveal how humor can be used for maximum effectiveness and memorability, and in-depth interviews with 14 design luminaries, including Paul Rand, Paula Scher, and Stephen Doyle, provide insight into the play principle, making humor pay off financially, and the challenges involved in humorous design."--back cover.