My purpose was to share some of my life experiences as I grew up in British Guiana and Guyana. My memoir is in no way a complete autobiography of my life, but just a brief synopsis of some of my cherished years.

My purpose was to share some of my life experiences as I grew up in British Guiana and Guyana. My memoir is in no way a complete autobiography of my life, but just a brief synopsis of some of my cherished years.

My memoir is laced with nostalgia and at the same time it is my sincere intention to portray the true essence of the Guyanese culture without offence. Keep in mind that this is not based on the experience of every Guyanese. This was the way I saw and experienced things back then. The use of colloquialism is of utmost importance; it is the vernacular we understand. It may sound like another language so unless you were born and bred in Guyana you will need to refer to the glossary provided. Folklore and mothers preaching life lessons through proverbs played a large part in Guyanese life. This is not only an account of the first twenty-one years of my life in Guyana; it also contains anecdotes of visits back to my homeland. You will also find a sprinkling of information pertaining to my new life in Australia. Before immigrating to Australia I believed the sun only rose and set in Guyana; I never imagined another paradise existed on the planet. There is a saying that most Guyanese use to identify their roots after they have voluntarily immigrated or simply fled to another country. When we say, My navel string is buried in Guyana, we simply mean: My roots are there. Its a place where true and enduring friendships were formed forever. We will meet one another decades later and feel as if it was yesterday, reminiscing about our beloved land; lapsing into the language only a fellow Guyanese can understand. A famous Australian crooner said I still call Australia home, and I can assure you that saying applies to Guyanese who have immigrated to every corner of the globe. Navigating the labyrinth of family secrets was my one mission in life; I just had to know.

In this expertly crafted, richly detailed guide, Raymond Leslie Williams explores the cultural, political, and historical events that have shaped the Latin American and Caribbean novel since the end of World War II. In addition to works originally composed in English, Williams covers novels written in Spanish, Portuguese, French, Dutch, and Haitian Creole, and traces the profound influence of modernization, revolution, and democratization on the writing of this era. Beginning in 1945, Williams introduces major trends by region, including the Caribbean and U.S. Latino novel, the Mexican and Central American novel, the Andean novel, the Southern Cone novel, and the novel of Brazil. He discusses the rise of the modernist novel in the 1940s, led by Jorge Luis Borges's reaffirmation of the right of invention, and covers the advent of the postmodern generation of the 1990s in Brazil, the Generation of the "Crack" in Mexico, and the McOndo generation in other parts of Latin America. An alphabetical guide offers biographies of authors, coverage of major topics, and brief introductions to individual novels. It also addresses such areas as women's writing, Afro-Latin American writing, and magic realism. The guide's final section includes an annotated bibliography of introductory studies on the Latin American and Caribbean novel, national literary traditions, and the work of individual authors. From early attempts to synthesize postcolonial concerns with modernist aesthetics to the current focus on urban violence and globalization, The Columbia Guide to the Latin American Novel Since 1945 presents a comprehensive, accessible portrait of a thoroughly diverse and complex branch of world literature.

The information in the book is intended to enlighten young people about the trials and tribulations in one’s life and how to deal with them by learning from the experiences of others to be successful in life and, when the chips are down, to continue to focus on one’s career goal/s to uplift oneself and keep going until that goal is met. Too many of our young people want too many things too fast in life without putting in the hard work. Corruption is the word of today, and young people have to believe in themselves to go down the straight and narrow road in life but with the help from others and some type of spiritual belief to receive that help. It is for them to understand that the devil is a busy guy and loves to see bad things happen to people, even though such things can turn out to be lucrative but they never last and just make one’s life miserable.

If you love nonfiction, which reads like a novel, multiple award-winning "PATH to FREEDOM: My Story of Perseverance" is for you. The Smithsonian Institution displays the inspirational memoir in its Anacostia Museum Library. Little about Conrad Taylor's upbringing in a remote mining town in Guyana, South America, prepared him for West Point - at the height of the Vietnam War. An extraordinary opportunity for most, the highly-regimented United States Military Academy was a life-changer for him. Enduring culture shock and surviving rude awakenings hardened the rigorous West Point Experience. And, Third World politics after West Point - because of West Point - tested it severely. The truth-is-stranger-than-fiction memoir has a simple proposition. Fly-or-die!" PATH to FREEDOM: My Story of Perseverance" describes what happened upon Taylor's return to a government turned repressive, anti-American, and paranoid - overnight. The Soviet-leaning, Cold-War-era dictatorship feared regime change. Its power-hungry leaders obsessed about him being a spy for the United States. His was the impossible task of proving that he was not - or else! The historically-accurate, coming-of-age book provides a unique prism through which to see the cultural trauma of emigration, the unique experience that is West Point, the personal side of Cold-War-era geopolitics, and the mayhem of Third World politics. The view will be nostalgic for some, shocking to many, and enlightening for others. Its subtly-threaded love story will enchant - at the very least. The Smithsonian Institution archives PATH to FREEDOM: My Story of Perseverance in its Anacostia Museum Library for the book's reference value. The renowned research complex selected the memoir for its insights about the history and culture of black people in the Western Hemisphere.

Narratives of Storytelling Across Cultures demonstrates how meaning found within interpersonal communication is not universal across all cultures. Miscommunication can occur when the foundations of cultural meaning within stories, as told socially and within media, vary among different cultures. Positioned within the communication and media field, this book connects issues of societal tension and political battles to media portrayals, social communication events, and power dynamics that result when people with different meanings systems attempt to negotiate "truth" among their competing narratives. After establishing the theoretical foundation of the book, contributors provide specific case studies that demonstrate underlying cultural components and complexities that lead to these issues. Tony R. DeMars and Gabriel Tait have assembled contributors with research, experience, and understanding of intercultural communication challenges in different social groups, allowing the book to take on a broader scope of intercultural communication. Scholars of communication, conflict resolution, political science, sociology, and media studies will find this book particularly useful.