Told against the backdrop of the American landscape of the late '80s to the mid-'90s, Growing Up Dead is the story of Peter Conners's journey from straight-laced suburban kid to touring Deadhead. Peter discovered the Grateful Dead in 1985, at the age of 15, through friends who exchanged bootleg tapes of live Grateful Dead concerts. A teenager living in the suburbs of Rochester, New York, he became exposed to an entirely new way of life, and friends who were enjoying more freedom and less parental guidance. At the age of 16, he attended his first Grateful Dead concert on June 30, 1987 - he was hooked. Between 1987 and 1995, Conners would attend Dead 'shows' all over the United States. He traveled with a makeshift 'family' of other Deadheads in a Volkswagen camper, selling drugs and whatever else would provide gas money to the next concert. His hair was a wild, unkempt bush and baths were infrequent. In short, he had progressed from suburban kid, to Grateful Dead fan, to full-blown Deadhead. Chronicling this progression, which culminates with the 1995 death of Jerry Garcia, Conners reveals the truth behind Deadhead culture and history. The result is a riveting insight into the obsessive fandom that made The Grateful Dead the most successful touring band of all time, as well as a cultural phenomenon.

It was a fire that could be seen for miles, a fire that split the community, a fire that turned families on each other, a fire that it's still hard to get a straight answer about. A quarter of a century ago, someone held a match to Greenwood, Texas's cotton. Stephen Graham Jones was twelve that year. What he remembers best, what's stuck with him all this time, is that nobody ever came forward to claim that destruction. And nobody was ever caught. Greenwood just leaned forward into next year's work, and the year after that's, pretending that the fire had never happened. But it had. This fire, it didn't start twenty-five years ago. It had been smoldering for years by then. And everybody knew it. Getting them to say anything about it's another thing, though. Now Stephen's going back. His first time since high school, and maybe his last. For answers, for closure, for the people who can't go back. The ones who never got to leave. Part mystery, part memoir, Growing Up Dead in Texas is packed with more secrets than your average graveyard. Stephen Graham Jones' breakout novel is a story about farming. A story about Texas. A story about finally standing up from the dead and walking away.

A colorful journey from straight-laced suburban kid to Deadhead nomad to mid-thirties dad, against the backdrop of the late 80s and mid- 90s"

Named one of Esquire's "Best Nonfiction Books of 2018" "Sharp and searching...a potent look at the fraught, painful, and complicated relationship between parents and children, and the mysteries — revelatory, difficult — that can and cannot be solved." — Boston Globe Anya Yurchyshyn grew up in a narrow townhouse in Boston, every corner filled with the souvenirs of her parents’ adventurous international travels. On their trips to Egypt, Italy, and Saudi Arabia, her mother, Anita, and her father, George, lived an entirely separate life from the one they led as the parents of Anya and her sister – one that Anya never saw. The parents she knew were a brittle, manipulative alcoholic and a short-tempered disciplinarian: people she imagined had never been in love. When she was sixteen, Anya’s father was killed in a car accident in Ukraine. At thirty-two, she became an orphan when her mother drank herself to death. As she was cleaning out her childhood home, she suddenly discovered a trove of old letters, photographs, and journals hidden in the debris of her mother’s life. These lost documents told a very different story than the one she’d believed to be true – of a forbidden romance; of a loving marriage, and the loss of a child. With these revelations in hand, Anya undertook an investigation, interviewing relatives and family friends, traveling to Wales and Ukraine, and delving deeply into her own difficult history in search of the truth, even uncovering the real circumstances of her father’s death – not an accident, perhaps, but something more sinister. In this inspiring and unflinchingly honest debut memoir, Anya interrogates her memories of her family and examines what it means to be our parents’ children. What do we inherit, and what can we choose to leave behind? How do we escape the ghosts of someone else’s past? And can we learn to love our parents not as our parents, but simply as people? Universal and personal; heartbreaking and redemptive, My Dead Parents helps us to see why sometimes those who love us best hurt us most.

The untold story of life on the road with the Grateful Dead, written by an insider who lived it from the early days to today. Steve Parish was never one to walk the straight-and-narrow, even during his childhood growing up in Flushing Meadow, Queens. Busted as a teenager for selling acid in the summer of 1968, Parish landed in Riker's Island. The experience changed him and after getting out he did his best to stay out of trouble, securing a job moving music equipment at the New York State Pavilion. The first show he worked was a Grateful Dead concert in July of 1969 and Parish was captivated by the music. A life seemingly headed nowhere had suddenly found its calling as he fell in quickly with a band of likeminded misfits who formed the nucleus of what would be the greatest road crew in rock 'n' roll history. Parish traveled to California where his apprenticeship began. Working for the band for free and learning his craft, Parish got to know Jerry, Bobby, Phil, Billy and Mickey and through the years their relationships forged an unbreakable bond. He became very close with Garcia in particular, acting as his personal roadie and later manager for his solo performances and Garcia Band shows. He was there during times of trouble (like when a pimp held Garcia hostage at gunpoint in a New York hotel room), spending hours by his bedside when Garcia was in a coma in 1986, and performing the duties of best man at his wedding. He was also the last friend to see Garcia alive. Throughout the Dead's historic run, there were parties of biblical proportion and celebrity run-ins with everybody from Bob Dylan to Frank Sinatra--but there was a dark side to life on the road and tragedy didn't just strike the musicians. But Home Before Daylight is a story of friendship, of music and redemption. It is a piece of music history, one that reflects the American spirit of adventure and brotherhood. Seen through Steve Parish's eyes and experiences, The Grateful Dead's wild ride has never been so revealing.

Dead Woman Pickney chronicles Yvonne Shorter Brown’s life growing up in Jamaica between 1943 and 1965 and teaching in Canada from 1969. Told with stridency and humour, the stories include both personal experience and history. Taking up the haunting memories of childhood, along with persistent racial marginalization of Black people, both globally and in Canada, the author sets out to construct a narrative that at once explains her own origins in the former slave society of Jamaica and traces the outsider status of Africa and its peoples. The author’s quest to understand the absence of her mother and her mother’s people from her life is at the heart of the narrative. The author struggles through life to discover the identity of her mother in the face of silence from her father’s brutal family. In this updated edition she adds a coda, “finding mother”, constructed from archives, genealogy, letters, and journals. Initially published in 2010, this second edition includes expanded text and a foreword by Sonja Boon, author of What the Oceans Remember.

Imagine having your innocence stolen at an early age by someone you trust, or struggling financially before even knowing the meaning of the word “struggling”. Ebony Canion has had her share of tumultuous events, yet even she was stunned when a speeding car hit her intentionally, dragging her through the streets with her body folded underneath the vehicle. In a coma for nearly two months, Ebony had no idea her tongue and face had to be sewn back on, or the list of thirty other life-threatening injuries she had sustained. Ebony didn’t know she’d been “Left for Dead”. In this horrifying first-hand account of a survivor, Ms. Canion delivers a riveting story about overcoming tragedy throughout her childhood, and developing the will to live after numerous attacks on her life. Her strength to learn to walk, talk, and eat again will leave you spellbound and inspired. Her scars tell a story that must be heard and will have you never wanting to complain again.