"Red Diapers" is the first anthology of autobiographical writings by the children of American communists. These memoirs, short stories, and poems reflect the joys and perils of growing up in a subculture defined by its opposition to society's most deeply held values. 15 photos.

Women’s music legend Alix Dobkin for the first time chronicles her rise to fame as the first artist to record an openly lesbian album in 1973. Her story, however, opens much earlier in postwar New York City, where, growing up in a Communist family, she watches Jackie Robinson steal home, rubs elbows with radical Left celebrities like Paul Robeson, and comes of age under the watchful eye of the FBI. Dobkin herself joins the party at the height of the McCarthy witch hunts and offers readers a firsthand glimpse of daily life as a young person living under government surveillance. During this time she also matures as a devotee of folk music, having fallen under the spell of renowned performers such as Lead Belly and Pete Seeger. Yet it’s after she arrives on the burgeoning folk music scene of Greenwich Village, where she meets the up-and-coming Bob Dylan, Bill Cosby, John Sebastian, Buffy Ste. Marie, and Flip Wilson, among many other rising luminaries, that she achieves her first acclaim as a singer-songwriter. Her music takes on overt feminist dimensions when she joins a women’s consciousness-raising group and comes out as a lesbian. Rich in period detail, storytelling, and outspoken politics,My Red Bloodis essential reading for lovers of music and history. Singer-songwriter and producer of the groundbreaking 1973Lavender Jane Loves Women,Alix Dobkinhas six additional highly praised albums and a songbook to her credit. She lives in Woodstock, New York.

“Before I knew that I was Jewish or a girl I knew that I was a member of the working class.” So begins Vivian Gornick’s exploration of how the world of socialists, communists, and progressives in the 1940s and 1950s created a rich, diverse world where ordinary men and women felt their lives connected to a larger human project. Now back in print after its initial publication in 1977 and with a new introduction by the author, The Romance of American Communism is a landmark work of new journalism, profiling American Communist Party members and fellow travelers as they joined the Party, lived within its orbit, and left in disillusionment and disappointment as Stalin’s crimes became public. From the immigrant Jewish enclaves of the Bronx and Brooklyn and the docks of Puget Sound to the mining towns of Kentucky and the suburbs of Cleveland, over a million Americans found a sense of belonging and an expanded sense of self through collective struggle. They also found social isolation, blacklisting, imprisonment, and shattered hopes. This is their story--an indisputably American story.

This is an absorbing memoir by a major historian of the Soviet Union, which relates a harrowing youth and coming of age. It is at once moving and matter of fact. It accomplishes the goals of good autobiographical writing: the illumination of some larger truth by focusing on the smaller and more personal realm of life.

Through ethnographic essays and short stories based on her experiences in Eastern Europe between 1989 and 2009, Kristen Ghodsee explains why many Eastern Europeans are nostalgic for the communist past.

Shortlisted for the 2021 Baillie Gifford Prize for Non-Fiction Shortlisted for the 2021 Costa Biography Award The Sunday Times Best Book of the Year in Biography and Memoir A Financial Times Best Book of 2021 (Critics' Picks) The New Yorker, Best Books We Read in 2021 Times Literary Supplement Book of the Year 2021 A Guardian Best Book of the Year A reflection on "freedom" in a dramatic, beautifully written memoir of the end of Communism in the Balkans. For precocious 11-year-old Lea Ypi, Albania’s Soviet-style socialism held the promise of a preordained future, a guarantee of security among enthusiastic comrades. That is, until she found herself clinging to a stone statue of Joseph Stalin, newly beheaded by student protests. Communism had failed to deliver the promised utopia. One’s “biography”—class status and other associations long in the past—put strict boundaries around one’s individual future. When Lea’s parents spoke of relatives going to “university” or “graduating,” they were speaking of grave secrets Lea struggled to unveil. And when the early ’90s saw Albania and other Balkan countries exuberantly begin a transition to the “free market,” Western ideals of freedom delivered chaos: a dystopia of pyramid schemes, organized crime, and sex trafficking. With her elegant, intellectual, French-speaking grandmother; her radical-chic father; and her staunchly anti-socialist, Thatcherite mother to guide her through these disorienting times, Lea had a political education of the most colorful sort—here recounted with outstanding literary talent. Now one of the world’s most dynamic young political thinkers and a prominent leftist voice in the United Kingdom, Lea offers a fresh and invigorating perspective on the relation between the personal and the political, between values and identity, posing urgent questions about the cost of freedom.