Cited by the Nobel Prize committee as the “crown” of Heinrich Böll’s work, the gripping story of Group Portrait With Lady unspools like a suspenseful documentary. Via a series of tense interviews, an unnamed narrator uncovers the story—past and present—of one of Böll’s most intriguing characters, the enigmatic Leni Pfeiffer, a struggling war widow. At the center of her struggle is her effort to prevent the demolition of her Cologne apartment building, a fight in which she is joined by a motley group of neighbors. Along with her illegitimate son, Lev, she becomes the nexus of a countercultural group rebelling against Germany’s dehumanizing past under the Nazis ... and what looks to be an equally dehumanizing future under capitalism.

Cited by the Nobel Prize committee as the “crown” of Heinrich Böll’s work, the gripping story of Group Portrait With Lady unspools like a suspenseful documentary. Via a series of tense interviews, an unnamed narrator uncovers the story—past and present—of one of Böll’s most intriguing characters, the enigmatic Leni Pfeiffer, a struggling war widow. At the center of her struggle is her effort to prevent the demolition of her Cologne apartment building, a fight in which she is joined by a motley group of neighbors. Along with her illegitimate son, Lev, she becomes the nexus of a countercultural group rebelling against Germany’s dehumanizing past under the Nazis ... and what looks to be an equally dehumanizing future under capitalism.

A New York Times Book Review Editors' Choice New York Times Notable author María Gainza, who dazzled critics with Optic Nerve, returns with the captivating story of an auction house employee on the trail of an enigmatic master forger In the Buenos Aires art world, a master forger has achieved legendary status. Rumored to be a woman, she specializes in canvases by the painter Mariette Lydis, a portraitist of Argentinean high society. But who is this absurdly gifted creator of counterfeits? What motivates her? And what is her link to the community of artists who congregate, night after night, in a strange establishment called the Hotel Melancólico? On the trail of this mysterious forger is our narrator, an art critic and auction house employee through whose hands counterfeit works have passed. As she begins to take on the role of art-world detective, adopting her own methods of deception and manipulation, she warns us “not to proceed in expectation of names, numbers or dates . . . My techniques are those of the impressionist.” Driven by obsession and full of subtle surprise, Portrait of an Unknown Lady is a highly seductive and enveloping meditation on what we mean by "authenticity" in art, and a captivating exploration of the gap between what is lived and what is told.

“Fascinating . . . First Ladies is a wonderfully generous look at the women who, often against their wishes, took on what Truman calls ‘the world's second toughest job.’”—The Christian Science Monitor Whether they envision their role as protector, partner, advisor, or scold, First Ladies find themselves in a job that is impossible to define, and just as difficult to perform. Now Margaret Truman, daughter of President Harry Truman and an acclaimed novelist and biographer in her own right, explores the fascinating position of First Lady throughout history and up to the present day. With her unique perspective as the daughter of a First Lady, Ms. Truman reveals the truth behind some of the most misunderstood and forgotten First Ladies of our history, as well as the most famous and beloved. In recounting the charm and courage of Dolley Madison, the brazen ambition of Florence Harding, the calm, good sense of Grace Coolidge, the genius of Eleanor Roosevelt, the mysterious femininity of Jackie Kennedy, and the fierce protectiveness of Nancy Reagan, among others, Margaret Truman has assembled an honest yet affectionate portrait of our nation’s First Ladies—one that freely acknowledges their virtues and their flaws.

The Booker Prize-winning author of The Sea continues the story of Isabel Archer, the young protagonist of Henry James’s beloved The Portrait of a Lady—in this masterful novel of betrayal, corruption, and moral ambiguity. Eager but naïve, in James’s novel Isabel comes into a large, unforeseen inheritance and marries the charming, penniless, and—as Isabel finds out too late—cruel and deceitful Gilbert Osmond. Here Banville imagines Isabel’s second chapter telling the story of a woman reawakened by grief and the knowledge that she has been grievously wronged, and determined to resume her quest for freedom and independence.

USA Today Bestseller "This is a truly original novel that has earned its place among my favorite works of historical fiction."--Jennifer Robson, USA Today bestselling author of The Gown An exciting, dual-timeline historical novel about the creation of one of Leonardo da Vinci's most famous paintings, Portrait of a Lady with an Ermine, and the woman who fought to save it from Nazi destruction during World War II. Milan, 1492: When a 16-year old beauty becomes the mistress of the Duke of Milan, she must fight for her place in the palace—and against those who want her out. Soon, she finds herself sitting before Leonardo da Vinci, who wants to ensure his own place in the ducal palace by painting his most ambitious portrait to date. Munich, World War II: After a modest conservator unwittingly places a priceless Italian Renaissance portrait into the hands of a high-ranking Nazi leader, she risks her life to recover it, working with an American soldier, part of the famed Monuments Men team, to get it back. Two women, separated by 500 years, are swept up in the tide of history as one painting stands at the center of their quests for their own destinies.

Finalist for the Pulitzer Prize Finalist for National Book Critics Circle Award (Biography) One of the Best Books of 2012: The New Yorker, Wall Street Journal, Guardian, The Millions, Kirkus Reviews, Boston Phoenix A revelatory biography of the American master as told through the lens of his greatest novel. Henry James (1843–1916) has had many biographers, but Michael Gorra has taken an original approach to this great American progenitor of the modern novel, combining elements of biography, criticism, and travelogue in re-creating the dramatic backstory of James’s masterpiece, Portrait of a Lady (1881). Gorra, an eminent literary critic, shows how this novel—the scandalous story of the expatriate American heiress Isabel Archer—came to be written in the first place. Traveling to Florence, Rome, Paris, and England, Gorra sheds new light on James’s family, the European literary circles—George Eliot, Flaubert, Turgenev—in which James made his name, and the psychological forces that enabled him to create this most memorable of female protagonists. Appealing to readers of Menand’s The Metaphysical Club and McCullough’s The Greater Journey, Portrait of a Novel provides a brilliant account of the greatest American novel of expatriate life ever written. It becomes a piercing detective story on its own.