A sword of legend in the hands of an extremist… Skalunda Barrow, Sweden, has long been rumored to be the final resting place of the legendary Nordic hero Beowulf. And there's something of Beowulf's that charismatic and zealous right-wing politician Karl Thorssen wants very badly. Intent on getting his hands on the mythical sword Nægling, Sweden's golden-boy politico puts together a team to excavate the barrow. A team that American archaeologist Annja Creed manages to finagle her way onto. She wouldn't miss this possible discovery for anything. With Nægling at his side, Thorssen could be invincible…a Nordic King Arthur. What his followers don't know—and Annja is beginning to suspect—is just how far Thorssen will go to achieve his rabid amibitions. When Thorssen marks Annja for death, she quickly realizes that this is much more than a political game. And the only way to survive is to match Thorssen's sword with her own.

The single largest category of Beowulf representation and adaptation, outside of direct translation of the poem, is children’s literature. Over the past century and a half, more than 150 new versions of Beowulf directed to child and teen audiences have appeared, in English and in many other languages. In this collection of original essays, Bruce Gilchrist and Britt Mize examine the history and processes of remaking Beowulf for young readers. Inventive in their manipulations of story, tone, and genre, these adaptations require their authors to make countless decisions about what to include, exclude, emphasize, de-emphasize, and adjust. This volume considers the many forms of children’s literature, focusing primarily on picture books, illustrated storybooks, and youth novels, but taking account also of curricular aids, illustrated full translations of the poem, and songs. Contributors address issues of gender, historical context, war and violence, techniques of narration, education, and nationalism, investigating both the historical and theoretical dimensions of bringing Beowulf to child audiences.

This classic and much lauded retelling of Beowulf follows the monster Grendel as he learns about humans and fights the war at the center of the Anglo Saxon classic epic. "An extraordinary achievement."—New York Times The first and most terrifying monster in English literature, from the great early epic Beowulf, tells his own side of the story in this frequently banned book. This is the novel William Gass called "one of the finest of our contemporary fictions."

The Anglo-Saxon world continues to be a source of fascination in modern culture. Its manifestations in a variety of media are here examined.

Introduces readers to the imagination of a popular & prolific American writer.

The queen is dead. The kingdom is cursed. And the only way to lift the curse is to slay the witch. When Princess Alessandra’s father the king offers her hand in marriage to the knight who can slay the evil bog witch and lift the curse, there’s only one thing for the princess to do: Sneak out of the castle and kill the witch herself to avoid marriage. But she’s not dumb and she’s not going alone, because she’s first assembling a crack crew of the deadliest monsters in myth and legend to help. But she discovers the monsters aren’t what they seem, and neither is the witch, or the curse, or the kingdom. A rollicking and wild quest of magic and adventure. Comedy adventure Full-length. 75-85 minutes 12-40+ actors, flexible casting A free teaching resource for this play is also available.

A Critical Companion to Robert Zemeckis offers a comprehensive, academic and detailed study of the works of Robert Zemeckis, whose films include successful productions such as the Back to the Future trilogy (1985-90), Forrest Gump (1994), Contact (1997), Cast Away (2000) and The Polar Express (2004), but also lesser known films such as I Wanna Hold Your Hand (1978), Used Cars (1980), and Allied (2015). Most of Zemeckis’ major productions were not only successful when they were first released but continue to enjoy popularity—with critics and fans alike—even today. This volume investigates several distinct areas of Zemeckisʼ works and addresses the different approaches: the philosophical, the artistic, the socio-cultural, and the personal. The methodologies adopted by the contributors differ significantly from each other, thus offering the reader a variegated and compelling picture of Zemeckisʼ oeuvre, which includes nineteen films. Contrary to the few volumes published in the past on the subject, the chapters in this volume offer specific case studies that have been previously ignored (or only partially mentioned) by other scholars. A Critical Companion to Robert Zemeckis offers a great variety of interdisciplinary approaches to Zemeckis’ films, illuminating, re-reading and/or interpreting for the first time the entire career of the director, from his first films to the most recent ones.