“Both a riveting novel on its own merits and an astonishing gloss on an earlier masterpiece.”—Margaret Atwood Bengt Ohlsson, one of Sweden’s most successful young writers, has responded to the classic Doctor Glas with Gregorius, which is the voice of Pastor Gregorius over the course of what could be his last and fateful summer. Gregorius is a rancorous, malodorous, and unattractive figure married to a girl young enough to be his granddaughter. But his sense of his own mortality, of his personal inadequacy, and his tenuous hold on happiness are uniquely absorbing and haunting. It is a compelling study of loneliness, longing, and the nature of love, the desires that bring people together and the fears that keep them apart.

Aging and unattractive, the widowed Pastor Gregorius seems to have been granted a second chance at happiness when Helga, the young girl he has been fascinated by since her childhood, accepts his offer of marriage. Yet before long, the relationship turns sour and brutal and Gregorius suspects that his wife's distaste for him has driven her into infidelity. To Gregorius, fretful about his failing health and brooding upon mortality, the emptiness of his marriage is the final, bitter proof that he is unlovable, except in the eyes of God. And then an unexpected encounter with a woman who is able to return his affection makes it seem as though another kind of life might be possible.

A masterpiece of enduring power, Doctor Glas confronts a chilling moral quandary with gripping intensity. With an introduction by Margaret Atwood. Stark, brooding, and enormously controversial when first published in 1905, this astonishing novel juxtaposes impressions of fin-de-siècle Stockholm against the psychological landscape of a man besieged by obsession. Lonely and introspective, Doctor Glas has long felt an instinctive hostility toward the odious local minister. So when the minister’s beautiful wife complains of her husband’s oppressive sexual attentions, Doctor Glas finds himself contemplating murder. "Imagine the classic nineteenth-century drama featuring a tyrannical older man, his hapless daughter or young wife, and her caddish suitor, as in Balzac's Eugénie Grandet and Henry James's Washington Square, this time conjured up by a sensibility akin to Strindberg's and Ingmar Bergman's—and you begin to have an idea of the force and candor of this searing masterwork of Nothern European literature. The retrieval of Doctor Glas in English is a bracing gift to hungry readers." —Susan Sontag

In the tradition of celebrated wartime storytellers Somerset Maugham and Graham Greene, Tan Twan Eng's debut novel casts a powerful spell. The recipient of extraordinary acclaim from critics and the bookselling community, Tan Twan Eng's debut novel casts a powerful spell and has garnered comparisons to celebrated wartime storytellers Somerset Maugham and Graham Greene. Set during the tumult of World War II, on the lush Malayan island of Penang, The Gift of Rain tells a riveting and poignant tale about a young man caught in the tangle of wartime loyalties and deceits. In 1939, sixteen-year-old Philip Hutton-the half-Chinese, half-English youngest child of the head of one of Penang's great trading families-feels alienated from both the Chinese and British communities. He at last discovers a sense of belonging in his unexpected friendship with Hayato Endo, a Japanese diplomat. Philip proudly shows his new friend around his adored island, and in return Endo teaches him about Japanese language and culture and trains him in the art and discipline of aikido. But such knowledge comes at a terrible price. When the Japanese savagely invade Malaya, Philip realizes that his mentor and sensei-to whom he owes absolute loyalty-is a Japanese spy. Young Philip has been an unwitting traitor, and must now work in secret to save as many lives as possible, even as his own family is brought to its knees.

Originally published in 1955, this rendering in rhyming couplets was the first English translation to appear of the medieval Oedipus legend of Gregorius, made known to readers by Thomas Mann in his novel The Holy Sinner (1951). The introduction situates Hartmann's poem in the pantheon of Gregorius legends by writers from Sophocles to Mann.