Avant d'inventer la Factory, Andy Warhol a conçu des vitrines pour les grands magasins et des illustrations pour des magazines féminins. Cet ouvrage est consacré aux cartes de Noël farfelues qu'il réalisa pour un de ses clients, la boutique Tiffany & Co. Des acrobates exubérants y côtoient des singes espiègles, une bottine garnie de houx croise le traîneau du Père Noël chargé de présents pour petits et grands. Dans son introduction, John Loring, directeur artistique chez Tiffany, évoque la collaboration de l'artiste avec le célèbre magasin de luxe, en émaillant son récit d'anecdotes et de citations de ses proches. Les propos de Warhol disséminés au fil des pages dévoilent une autre facette de l'artiste.

An illustrated gift book collects the whimsical drawings and paintings produced by Andy Warhol for Tiffany's Christmas cards before he achieved fame as a leading pop culture artist, in a small-sized volume that also features anecdotes, quotes, and a discussion of Warhol's working relationship with those who knew him.

A central figure in pop art, Andy Warhol (1928-1987) was one of the most significant and influential artists of the later twentieth century. In the 1960s he began to explore the growing interplay between mass culture and the visual arts, and his constant experimentation with new processes for the dissemination of art played a pivotal role in redefining access to culture and art as we know it today. • At the height of his fame, Warhol claimed he was "abandoning" painting, shifting his practice towards a commitment to the theoretically limitless channels ofpublishing, film, fashion, music, and broadcasting. It was this "transmission" of art and radical ideas that embodied his ethical conviction that "art should be for everyone". • Stephanie Straine is Assistant Curator at Tate Liverpool, and specialises in American art of the 1960s. Her lively yet authoritative text provides the perfect introduction to the life and work of a pioneering artist whose legacy extends into the digital age.

Meet the Artist: Andy Warhol is packed with make-and-dos and inspiring activities for budding young artists Experiment with printing and blotted line drawings, design your own disco outfit, be famous for 15 minutes, make your very own time capsule, and even become the director of your own movie! Bursting with inspiring activities, the revised and expanded Meet the Artist series of activity books introduces children to internationally renowned artists in a fun and engaging way. Every book includes a brief introduction to the artist's life followed by a series of activities that explore prominent themes and ideas in the artist's body of work. Featuring beautiful reproductions of key artworks, and illustrated by a leading contemporary illustrator, every book in the Meet the Artist series encourages children to use art as an avenue for exploring ideas and expressing their own experiences through art-making.

Ron English tells the story of Delusionville, a world where animals have different social status based on their species. This is Ron English's magnum opus, a subversive rock opera, featuring Ronnnie Rabbbit, A surreal cast of characters populates this paradise, including buzzards, pigs, sheep, turtles, ducks, wolves, and the "rabbbits" who are caught in the middle of all the insanity that is Delusionville. Ronnnie, the main rabbbit, is the only animal who tries to accept all contradictory belief systems, which has driven him completely insane. A collection of over 100 images set with lyrics. Greetings from Delusionville is a deluxe oversized hardcover coffee table book. "Rabbbits in Delusionville" is a rock opera that is like post-factual Animal Farm meets Aesop's Fables on LSD. Delusionville tells the story of a society that formed as different animals fell down a rabbbit hole and created a world with their own mythologies, religion, and politics. Every animal group represents an embedded archetype in the social structure that is about to come in question. This is largely a commentary on faux news, stagnation of social mobility, and downright delusional thinking. It is an opera in three acts: Act One - Introduces all of the characters in Delusionville and brings into question the nature of their society and their various places in the social order. Act Two - The animals get riled up about the economic disparity and social injustice in their previously unquestioned world of delusion. Act Three - A very unusual take on revolution.

"Renowned photographer Harry Benson was commissioned especially for this book - his images of Ballet Florida dancers modeling signature pieces of Tiffany jewelry complement the rich selection of design sketches as well as vintage and contemporary photography, much of it from Tiffany's unparalleled archives. Tiffany Style reveals the fascinating history and evolution of design at Tiffany & Co. through its most remarkable creations."--BOOK JACKET.

The Salton Sea is a man-made catastrophe, redolent with the smell of algae and decomposing fish. Nevertheless, the lake's vast, placid expanses continue to attract birdwatchers, tourists and artists. In Greetings from the Salton Sea, photographer Kim Stringfellow explores the history of California's largest lake from its disastrous beginnings—the "sea" was formed when Colorado River levees broke and spilled into a depression 280 feet below sea level—to its heyday as a desert paradise in the 1950s and its current state as an environmental battleground. Like the 400-plus species of birds that use the lake as a halfway point in their annual migration, developers flocked to the water too: they planted palm trees, built golf courses, and hired showstoppers such as the Beach Boys to perform at area resorts. These days, politicians seek to redirect the lake's only source of replenishment—agricultural runoff from surrounding farms—to water golf courses and green lawns elsewhere. Greetings from the Salton Sea's photographs capture the war among policymakers, environmentalists, developers, and the individuals still living along the lake's shores. As Stringfellow aptly documents, it is a war for water and, ultimately, for existence.