Jay Dolan transformed the writing of American Catholic history a quarter-century ago by telling the story from the bottom up instead of from the top down. In recent years a number of parish histories have appeared that reflect and expand this new methodology. They successfully relate the life of a local faith community to the larger religious and secular world of which it is a part, and reciprocally illuminate that bigger world from the perspective of this local community. St. Joseph's Church in Greenwich Village offers a fruitful opportunity for this kind of history. During the life span of this parish, the Catholic community in New York City has grown from a mere thirty or forty thousand to over three million in two dioceses. St. Joseph's Church began as a poor immigrant parish in a hostile Protestant environment, developed into a prosperous working-class parish as the area became predominantly Catholic, survived a series of local economic and social upheavals, and remains today a vibrant spiritual center in the midst of an overwhelmingly secular neighborhood. Its history provides a fascinating glimpse of the evolution of Catholicism in New York City during the course of the past 175 years. The history of this parish is worth telling for its own sake as the collective journey of one faith community from immigrant mission to pillar of society and then to spiritual outpost in the Secular City. However, it has significance far beyond the boundaries of Greenwich Village because it documents at the most basic and vital level of Catholic communal organization the interaction between change and continuity that has been one of the most prominent features of urban Catholicism in the United States over the past two centuries.

Explores a variety of Mexican festivals, most of which are spiritual or religious, including the holidays of Christmas, Carnival, and Holy week, and covers the Days of the Dead, the sacred arts of the Huichol ethnic group, and more, with photographs.

This remarkable history of a beloved Upper West Side church is in many respects a microcosm of the history of the Catholic Church in New York City. Here is a captivating study of a distinctive Catholic community on the Upper West Side of Manhattan, an area long noted for its liberal Catholic sympathies in contrast to the generally conservative attitude that has pervaded the archdiocese of New York. The author traces this liberal Catholic dimension of Upper West Side Catholics to a long if slender line of progressive priests that stretches back to the Civil War era, casting renewed light on their legacy: liturgical reform, concern for social justice, and a preferential option for the poor long before this phrase found its way into official church documents. In recent years this progressivism has demonstrated itself in a willingness to extend a warm welcome to LGBT Catholics, most notably at the Church of the Ascension on West 107th Street. Ascension was one of the first diocesan parishes in the archdiocese to offer a spiritual home to LGBT Catholics and continues to sponsor the Ascension Gay Fellowship Group. Exploring the dynamic history of the Catholic Church of the Ascension, this engaging and accessible book illustrates the unusual characteristics that have defined Catholicism on the Upper West Side for the better part of the last century and sheds light on similar congregations within the greater metropolis. In many respects, the history of Ascension parish exemplifies the history of Catholicism in New York City over the past two centuries because of the powerful presence of two defining characteristics: immigration and neighborhood change. The Church of the Ascension, in fact, is a showcase of the success of urban ethnic Catholicism. It was founded as a small German parish, developed into a large Irish parish, suffered a precipitous decline during the crime wave that devastated the Upper West Side from the 1960s to the 1980s, and was rescued from near-extinction by the influx of Puerto Rican and Dominican Catholics. It has emerged during the last several decades as a flourishing multi-ethnic, bilingual parish that is now experiencing the restored prosperity and prominence of the Upper West Side as one of Manhattan’s most integrated and popular residential neighborhoods.

A vibrant portrait of a celebrated urban enclave at the turn of the twentieth century.

In his brilliant second novel, Dermot McEvoy sweeps his readers into the midst of one of the most heated political races in New York City history, where an unlikely player decides to make her presence known. First it hits the papers that the Virgin Mary has appeared to Jackie Swift, an affable G.O.P. congressman with a couple of nasty habits. She then appears in a dream to Wolfe Tone O’Rourke, a liberal political consultant who is still haunted by the ghost of Bobby Kennedy, whose death he feels responsible for.Swift uses the Virgin, soon styled “Our Lady of Greenwich Village,” to put a strong anti-abortion spin on his current run for office, which immediately polarizes Greenwich Village. O’Rourke, beset by his many demons, sees something familiar in the Virgin’s dancing eyes and the line of her smile and decides to run against Swift with the campaign slogan “NO MORE BULLSHIT.” With help from unlikely characters like Cyclops Reilly, a one-eyed newspaper columnist for the Daily News, and Simone “Sam” McGuire, O’Rourke’s pretty, no-nonsense assistant, Tone is sent on a transcontinental journey that forces him to confront his own ghosts and dig deep into his family history, all to answer one burning question: What does Our Lady of Greenwich Village really want him to do? Skyhorse Publishing, as well as our Arcade, Yucca, and Good Books imprints, are proud to publish a broad range of books for readers interested in fiction—novels, novellas, political and medical thrillers, comedy, satire, historical fiction, romance, erotic and love stories, mystery, classic literature, folklore and mythology, literary classics including Shakespeare, Dumas, Wilde, Cather, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.

Site of the world's busiest and most lucrative harbor throughout the first half of the twentieth century, the Port of New York was also the historic preserve of Irish American gangsters, politicians, longshoremen's union leaders, and powerful Roman Catholic pastors. This is the demimonde depicted to stunning effect in Elia Kazan's On the Waterfront (1954) and into which James T. Fisher takes readers in this remarkable and engaging historical account of the classic film's backstory. Fisher introduces readers to the real "Father Pete Barry" featured in On the Waterfront, John M. "Pete" Corridan, a crusading priest committed to winning union democracy and social justice for the port's dockworkers and their families. A Jesuit labor school instructor, not a parish priest, Corridan was on but not of Manhattan's West Side Irish waterfront. His ferocious advocacy was resisted by the very men he sought to rescue from the violence and criminality that rendered the port "a jungle, an outlaw frontier," in the words of investigative reporter Malcolm Johnson. Driven off the waterfront, Corridan forged creative and spiritual alliances with men like Johnson and Budd Schulberg, the screenwriter who worked with Corridan for five years to turn Johnson's Pulitzer Prize-winning 1948 newspaper exposé into a movie. Fisher's detailed account of the waterfront priest's central role in the film's creation challenges standard views of the film as a post facto justification for Kazan and Schulberg's testimony as ex-communists before the House Committee on Un-American Activities. On the Irish Waterfront is also a detailed social history of the New York/New Jersey waterfront, from the rise of Irish American entrepreneurs and political bosses during the World War I era to the mid-1950s, when the emergence of a revolutionary new mode of cargo-shipping signaled a radical reorganization of the port. This book explores the conflicts experienced and accommodations made by an insular Irish-Catholic community forced to adapt its economic, political, and religious lives to powerful forces of change both local and global in scope.

“Magisterial and glorious” (Pittsburgh Post-Gazette), the first full authoritative biography of Dorothy Day—American icon, radical pacifist, Catholic convert, and advocate for the homeless—is “a vivid account of her political and religious development” (Karen Armstrong, The New York Times). After growing up in a conservative middle-class Republican household and working several years as a left-wing journalist, Dorothy Day converted to Catholicism and became an anomaly in American life for the next fifty years. As an orthodox Catholic, political radical, and a rebel who courted controversy, she attracted three generations of admirers. A believer in civil disobedience, Day went to jail several times protesting the nuclear arms race. She was critical of capitalism and US foreign policy, and as skeptical of modern liberalism as political conservatism. Her protests began in 1917, leading to her arrest during the suffrage demonstration outside President Wilson’s White House. In 1940 she spoke in Congress against the draft and urged young men not to register. She told audiences in 1962 that the US was as much to blame for the Cuban missile crisis as Cuba and the USSR. She refused to hear any criticism of the pope, though she sparred with American bishops and priests who lived in well-appointed rectories while tolerating racial segregation in their parishes. Dorothy Day is the exceptional biography of a dedicated modern-day pacifist, an outspoken advocate for the poor, and a lifelong anarchist. This definitive and insightful account is “a monumental exploration of the life, legacy, and spirituality of the Catholic activist” (Spirituality & Practice).