Vi a young African American boy grew up too fast. Intrigued by the fast life and glamour his cousin Fly lived who was in the drug trade, his Uncles Rome, Burlow and Chill were successful in the Street Lottery (Number Racketeering) business backed by two different Italian Familys. The car, money, Jewelry, women, and clothes had him captivated. The aurora and respect they obtained made Vi want to live as they did. There was only one problem the Italians they werent in bed with wanted Chill and Rome dead and out of their territory because they were taking a great portion of their money and business. The brothers backing only went so far because of their race and a rogue family began to give the brothers trouble causing a war between the blacks and Italians. By now Vi was rolling with his uncles at the age of thirteen, he had a strong group of young shooters and Chill wanted Vi and his squad with him. Vi catchs a aggravated assault charge and Gun charge. while away Rome is killed by a black hit man sent by the rogue Italians. When Vi return from his juvenile incarceration he find out that his Uncle Rome had been killed and no one bothered to tell him. Not only did they not tell him but they laid Rome to rest while he was away. Vi feels betrayed and hurt that his own family would do such a thing. He unleashes hell in Philly against the Italians, their hitmen, anyone trying to hinder his objective and that may have had a hand in his uncle Romes demise. Victor L. Berry

'Gorillaz' have always been as much about the visuals as they are about the music. Featuring art from and designed by Jamie Hewlett, this rock autobiography is the full story of Murdoc, 2D, Noodle and Russel Hobbs.

Reveals the complete story behind the virtual British band, from childhood to Gorillaz inception, through albums, tours, videos, influences, breakdowns, and break-ups.

NO GOING BACK Prince, Killa-E, Daddy-O, and Danny grew up together in the projects, moving crack and cocaine, and answering to Diego, the neighborhood drug lord. They were small-timers playing for low stakes - until Prince is introduced to a heroin connect. Overnight they go from soldiers to bosses, and their crew is held together by loyalty and love. But taking the reins of power comes at a high price. Now, with Diego at their back and a traitor in their midst, they find themselves between a kilo and a hard place, ready to spill blood to stay on top.

The Fall, led by Mark E. Smith, were one of the most intriguing, influential, and prolific post-punk groups in British popular culture. Always Different, Always the Same: Critical Essays on The Fall is a thorough and critical account of the group, engaging with the often complex and challenging creative work. In this groundbreaking text, volume editors Eoin Devereux and Martin J. Power bring together contributions from a wide variety of disciplinary homes, including ethnomusicology, sociology, literary theory, linguistics, journalism, cultural studies, and film and media studies. Contributors Kieran Cashell, Brian Clancy, Matt Davies, Eoin Devereux, Samuel Flannagan, John Fleming, Gavin Friday, Mike Glennon, K. A. Laity, Ben Lawley, John McFarland, David Meagher, Michael Mary Murphy, Martin Myers, Martin J. Power, Suzanne Smith, Elaine Vaughan, Paul Wilson.

A chronicle of a lifetime's passion for gig-going, by one of British television's most respected writers. “Foreground Music is an absolute gem. Charming, very funny and often achingly melancholy, Graham Duff's memoir is suffused with a genuine passion for live music and its (occasionally eccentric) power. —Mark Gatiss The result of a lifetime's passion for gig-going by one of British television's most respected writers, Foreground Music is at once enthusiastically detailed and tremendously illuminating—of both the concert moment and its place in popular culture. It is an engaging memoir of a life lived to the fullest, and a vivid, insightful, and humorous exploration of what music writing might be. Foreground Music describes music performances that range from a Cliff Richard gospel concert, attended by Duff at the age of ten, to the fourteen-year-old Duff's first rock show, where the Jam played so loudly he blacks out, to a Joy Division gig that erupted into a full-scale riot. Duff goes on pub crawls with Mark E. Smith of the Fall, convinces Paul Weller to undertake his first acting role, and attempts to interview Genesis P. Orridge of Throbbing Gristle while tripping on LSD. Foreground Music captures the energy and power of life-changing gigs, while tracing the evolution of forty years of musical movements and subcultures. But more than that, it's an honest, touching, and very funny story of friendship, love, creativity, and mortality, and a testimony to music's ability to inspire and heal. Illustrated with photographs and ephemera from the author's private collection.