"In her third collection, Amy Beeder offers worlds past and contemporary in diction nearly Elizabethan, in poems as witty and sly as any from that virtuosic literary era" - Dana Levin

A troubled college wrestler in North Dakota falls in love and becomes increasingly unhinged during his final season. Stephen Florida follows a college wrestler in his senior season, when every practice, every match, is a step closer to greatness and a step further from sanity. Profane, manic, and tipping into the uncanny, it's a story of loneliness, obsession, and the drive to leave a mark. Stephen is in his final wrestling season at his North Dakota school, and he intends to win the divisional championship in his weight class. He thinks about little else, in fact. It will make up for the failures of the past. It will prove something to the world. It will be the fulfillment of a promise to himself, and a tribute to his late grandmother, who raised him after his parents’ fatal car crash. As the competition in Kenosha, Wisconsin, grows ever closer, Stephen will grow ever more consumed—and unsure of what comes next—in this “utterly engrossing” literary debut" (Dan Chaon, author of Ill Will).

The charming, return-to-the-land memoir of a refugee family who flees Nazi Germany and finds their true home in the backwoods of rural Vermont Alice and Carl Zuckmayer lived at the center of Weimar-era Berlin. She was a former actor turned medical student, he was a playwright, and their circle of friends included Stefan Zweig, Alma Mahler, and Bertolt Brecht. But then the Nazis took over, and Carl’s most recent success—a play satirizing German militarism—impressed them in all the wrong ways. The couple and their two daughters were forced to flee, first to Austria, then to Switzerland, and finally to the United States. Los Angeles didn’t suit them, neither did New York, but a chance stroll in the Vermont woods led them to Backwoods Farm and the eighteenth-century farmhouse where they would spend the next five years. In Europe, the Zuckmayers were accustomed to servants; in Vermont, they found themselves building chicken coops, refereeing fights between fractious ducks, and caring for temperamental water pipes “like babies.” But in spite of the endless work and the brutal, depressing winters, Alice found that in America she had at last discovered her “native land.” This generous, surprising, and witty memoir, a best seller in postwar Germany, has all the charm of an unlikely romantic comedy.

"A combination of the mystical, magical, and marvelous, Sequoia Nagamatsu weaves a collection of bold, hysterical, and moving tales into an unforgettable debut. From shape-shifters, to star-makers, to babies made of snow, the characters in WHERE WE GO WHEN ALL WE WERE IS GONE form a community of longing, of the surreal, of wonder. What a joy it is to read each and every story." --Michael Czyzniejewski

Poetry. Alyse Knorr's MEGA-CITY REDUX is a marvel. In 1405, Christine de Pizan, the world's first female professional writer, published an allegorical work called The Book of the City of Ladies, in which she imagined constructing (with the help of her fairy godmothers Reason, Rectitude, and Justice) a walled city where women could live safe from sexism, misogyny, and gendered violence. Six hundred years later, women across the world still find themselves in need of such a city. MEGA-CITY REDUX, a novel in verse remix of Pizan's allegory, charts a modern-day road-trip search for the mythical city, with the help of 21st- century feminist heroes Buffy the Vampire Slayer, Xena Warrior Princess, and Dana Scully from The X-Files.

"An examination of a brutal America through the voices of its most vulnerable sons. In his debut collection, Fantasia for the Man in Blue, Tommye Blount orchestrates a chorus of distinct, unforgettable voices that speak to the experience of the black, queer body as a site of desire and violence. A black man's late-night encounter with a police officer - the titular "man in blue" - becomes an extended meditation on a dangerous, erotic fantasy. The late Luther Vandross, resurrected here in a suite of poems, addresses the contradiction between his public persona and a life spent largely in the closet: "It's a calling, this hunger / to sing for a love I'm too ashamed to want for myself." In "Aaron McKinney Cleans His Magnum," the convicted killer imagines the barrel of the gun he used to bludgeon Matthew Shepherd as an "infant's small mouth" as well as the "sad calculator" that was "built to subtract from and divide a town." In these and other poems, Blount viscerally captures the experience of the "other" and locates us squarely within these personae"--

Boots McFarland is an adventurous outdoor-loving cartoon character who has been hiking the trails for over 15 years. On the Trail with Boots McFarland-Volume 1 is a collection of humorous comics capturing the highs and lows of backpacking life, interspersed with entries from the author's Pacific Crest Trail hiking journal. The ideas for most of these cartoons come directly from personal trail experiences... real or imagined. Over the years, Boots cartoons have become popular in the worldwide hiking community and now for the first time, the artist Geolyn J. Carvin is offering these images in book form. You'll be ready to hit the trail after reading these pages!